Israel Houghton returns to the scene today with his newest album, Love God. Love People. The project has been highly publicized, primarily because it was created in London’s famed Abbey Road Studios, the birthplace of much of the Beatles’ historic music.
Produced by Houghton, with Aaron Lindsey and Tommy Sims, the magic and wonder of the recording space can definitely be heard in this musical body of work. One might criticize it, though, as it likely showcases more musicality than the average consumer can appreciate or follow. Still, while Abbey Road may not carry as much significance for the gospel community as it does for Israel personally, there’s something quite cool about knowing that this project is unlike others in our genre.
The album opens with the title track, full of funk and a banging beat, before transitioning to another stand-out, “Yahweh.” This tune is energetic and full of vocal/instrumental nuances that make you wanna listen multiple times in a row, just to ensure that you’ve heard it all. Up next, is “Love Rev,” with a fun 60′s Motown/British invasion chorus (with a bit of a doo-wop vibe) that you’d expect to have been created at Abbey Road.
Other standout tracks are “That’s Why I Love You,” a mellow, jazzy groove that makes you wanna snap your fingers and fall in love with God all over again, and “You Hold My World,” a heart-wrenchingly performed ode to God’s faithfulness (the song’s build is captivating).
Israel’s also got some solid, but understated guest performances from his industry peers– the upbeat and dance-ready “Mercies,” features Kirk Franklin. With its Earth Wind & Fire kind of vibe, it’s just screaming for a skate party. The collabo is so seamless and natural that the song could easily have fit on an album by Kirk, too. Then there’s “Surprises,” with Fred Hammond giving a vocal that is higher and lighter than we’ve come to expect from him, along with a bass-heavy vamp that showcases Hammond’s musicianship in a way that we don’t always get to hear.
Perhaps one of the most powerful songs on the entire project is the one that ends it– ”Hosanna (Be Lifted Higher).” In various sections of the song, the tune is as pure and innocent as the children’s choir singing behind it, before becoming as intricate as the background vocals supplied by a cappella wonder-group Take 6. It’s the type of song that should/will be sung at an outdoor crusade by about 40,000 people at once. At over 8 minutes in length, “Hosanna” is over-the-top grand. And rightly so– it’s a cry of praise to an over-the-top grand God.
In sum, Love God. Love People. is certainly more experimental than any other project he’s done. If Houghton’s Real album bothered fans of the praise & worship New Breed sound, this one is gonna drive them crazy. There’s hardly anything that most churches will be adding to their Sunday morning repertoires, but Israel has never claimed to be a limited to what we define as “worship music.” In my estimation, he’s always explored the more creative side of himself in a way that is uninhibited and undefined.
The masterful production and simply “good music” found on this project is reason enough for any true music lover to grab it. The fact that we can have it, and know that it’s about an infinitely creative God (who expresses His creativity in innumerable ways)… that’s a bonus. Worth a purchase.
Word has it that Israel Houghton is set to release his new album on August 31st, titled Love God. Love People.
