The Journey is the newest project from the legend himself, Andraé Crouch, and it hits stores on Tuesday, September 27, 2011. The 15-track album is produced and co-written by Luther “Mano” Hanes, who also worked on Crouch’s last album, Mighty Wind (2006).

The songwriting, familiar but fresh, is second to none. Listeners will enjoy the fact that, though Crouch explores and experiments with new sounds and instrumentation, he never veers too far from his wheelhouse– captivating melodies and refrains so beautiful that one is compelled to sing along.

This is clearly seen in the album opener, “Somebody Told Me About Jesus,” a classic Crouch-styled upbeat gospel tune, full of movement and led by the powerhouse vocals of none other than Táta Vega. It’s also apparent on “When I Think About You,” which is a personal favorite. Led by Markita Knight (you may have heard of her from West Angeles COGIC or through her work in the COGIC Music Department), this tune has a funk element laced over a very classic sound. But no matter how “current” these songs sound, they are as classic as ever because of the pen that wrote them.

The Journey also shines because of the perfectly paired guest vocalists throughout it. Whether Linda McCrary-Fisher on “Where Jesus Is,” or Kim Burrell and Take 6 on the dramatic and melodically winding “Faith,” Andraé Crouch has selected some of the music industry’s finest and featured them on musical masterpieces.

And he is, indeed, a master of musical styles. With The Journey, Crouch experiments with the ragtime-inspired “He Has A Plan For Me,” and the almost club-danceable “All Around the World,” featuring a soulful and in-her-lane Chaka Khan on lead vocals and Sheila E. dominating the percussion.

Other notable tracks include the smooth and jazzy ”Jesus Came Into My Life,” with Daniel Johnson (perhaps best known as a part of Israel Houghton’s New Breed) on lead vocals, the hymn-like ballad ”I Can,” with Andraé Crouch passionately delivering his lead, and the project’s current single, “Let the Church Say Amen,” featuring Marvin Winans.

I’m also a huge fan of ”There’s Nobody Like Jesus,” a jazzy groove looping a standard refrain, featuring LeAnne Palmore on lead vocals. It’s actually a segment of a larger live moment, but I’m thrilled to get the snippet that we get– it’s absolutely one of my favorite three minutes on the album.

The album ends with two versions of the captivating “The Promise,” an assurance that God will never leave us. Crouch leads one version and, as a special treat for listeners, he repeats the track again, swapping out his lead vocal for that of Marvin Winans.

I cannot quite express how much consumers will enjoy this album. I can admit that, as I sat and listened for the first time, tears welled up in my eyes. I thought to myself, “this is the man who God has used to shape the sound of gospel music as we know it today… and every tune he writes, even to this day, is laced with that same power and anointing.”

I’m happy to have The Journey in my collection because it takes me back to being the young kid who simply fell in love with great music, even before I could understand the beauty of its Gospel message. But I’m happier– perhaps even ecstatic– that Andraé Crouch can deliver for me, as an adult, music that will truly encourage and bless me on this journey with Christ. It’s really “the soundtrack of life” type of music. It is Andraé Crouch at his best.

Click here to listen to snippets and pre-order it now.

It’s no secret that Donald Lawrence is one of my favorite artists in gospel music.  There aren’t many artists who can honor the rich heritage and sound of gospel, while still adding their own element to it.  He’s not of this era– he’s got few contemporaries– but he’s still relevant. That’s not an easy feat.

In case you haven’t already done so, I encourage you to read my album review at gmc’s official website.  That’s my official and formal deal on Donald Lawrence’s new album, YRM (Your Righteous Mind).

Here, I’ll allow myself to be a fan, just chattin’ about my favorite parts of the project… let’s go!

The a cappella intro to D. Lawrence’s remake of Commissioned’s “How Can We Sing (In A Strange Land)”… perfection.  And it only gets better, as Keith Staten and Jason Nelson take turns on lead.

Listen to “Spiritual,” the latest single from this album, to hear how masterfully Donald incorporated the classic “fruits of the Spirit” segment from the Clark Sisters’ 1981 tune “Walk In the Spirit” (Twinkie was before her time, by the way). THIS type of stuff is where he shines.

If you attended any of the regional Verizon Wireless How Sweet the Sound events last year, you probably remember Marvin Sapp and CeCe Winans performing the Walter Hawkins classic “When the Battle Is Over” with Donald. On the album, singers Kim McFarland and Dante Hall (one of Donald’s newer full-time vocalists) tag team on it. It’s gospel like it’s s’posed to be.

There aren’t many duos like sisters Tobbi and Tommi.  And they demonstrate it on their remake of Chaka Khan’s “Through the Fire.”  The bass line is true to the original, which is wise– this feels like a great, updated version of something we’re still jamming to anyway.

I adore the complex harmonies on the vamp of “The I AM Factor.”  That, with the string arrangement… wow!

Aaaand Floyd Wilkinson’s performance of the Daryl Coley tune “II Chronicles,” is a more-than-fitting pairing. He executes it with precision and passion– definitely a fave.

Other stand-outs for me are “Second Wind” (featuring Anita Wilson) and “We Agree” (featuring Israel Houghton), the latter of which is a refreshing and unexpected pairing.

In a nutshell… buy it.

By the way, for street day (August 9, 2011), Amazon.com is selling it for $3.99!
Grab it here!

Omgeeeeeeeee… Tobbi & Tommi SING.  They are probably best known in the gospel biz for their vocals in Donald Lawrence’s phenomenal group of singers, The Company, but the sister duo has been ministering together for quite some time.

I randomly stumbled upon this YouTube clip of the two of them singing D. Lawrence’s “Prayer of Jabez (Bless Me Indeed)”… word has it that the two of them just recorded a remake of Chaka Khan’s “Through the Fire,” a duet to be featured on Donald’s upcoming album, YRM (Your Righteous Mind), in stores January 25th.  If you’ve heard them do the song over the summer (particularly at the Brat Pack Reunion Concert at GMWA this year), you know it’s going to be INCREDIBLE.

In the meantime, check ‘em out–

Whatd’ya think???

I don’t think the gospel community acknowledges and appreciates Táta Vega like it could.  Not because the industry is being rude… just cuz everyone doesn’t know about the musical treasure that she is.

The entire WORLD knows her voice– she’s the singing voice of Shug Avery in the classic film The Color Purple (remember her singing ”Speak Lord” and “Miss Celie’s Blues (Sister)”?!).

But before she did THAT, she was a well-known lead vocalist with Andraé Crouch.  She’s got a whimsical performance style and a voice like none other… the only similar contemporary vocalist that comes to mind is Ledisi, in that they both use their entire EXISTENCE to interpret a song, a line, a note… and give you what’s there.

She’s released several solo projects and has provided background vocals for everyone from Michael Jackson and Chaka Khan to Madonna and Stevie Wonder.  You MIGHT have also heard her lead vocals recently on Kirk Whalum’s Gospel According To Jazz Chapter II (“El Todopoderoso”) or Andraé Crouch’s Mighty Wind album (“I Was Glad”).

I couldn’t decide between two videos I wanted to post, so you’re gettin’ both of ‘em.

The first is Táta Vega singing with Andraé Crouch on the classic song “Right Now”:

The second video features Táta singing “Until Jesus Comes”:

Sooooooooo… whatd’ya think?!

Ok, buddies… back with the conclusion of my two-part interview with the incomparable Kim Burrell.

If you missed the Part One, what are you waiting for?!  Click here to catch up.

If you’re ready, let’s jump right back to it where we left off.  Here’s Part Two of my talk with Kim Burrell…

*     *     *

EJ:  I wanna skip over, real quick, to talk about one of my favorite facets of your artistry– your arrangements.  I spoke with Jerard Woods and he talked about how you gathered them around a piano at your house and taught these incredible parts for the Live In Concert album.  When I interviewed Melonie Daniels, she talked about how incredible you are to work with in that regard.

My wife and I went to your Lincoln Center Christmas event in December…

KB:  Really?

EJ:  Oh, yes!  You presented some of the most jaw-dropping arrangements of Christmas standards I’ve ever heard, like on “Little Drummer Boy” and “This Christmas” with Jason Nelson…

KB:  Awwwww!

EJ:  How fun is arranging music for you, in comparison to the actual singing of songs?

KB:  *laughs*  It would be right at the top of the list!  When I tell ya, I love it!  Especially when I have GREAT singers to work with.  And I mean that, it makes it a lot easier to convey what I’m saying because they get it.  Jerard Woods is not only one of my favorite singers, he’s one of my favorite people.  I love him.  He’s my guy.

Melonie plays a part in my life… *laughs*… I like to call her “sister” because we both like to laugh quite a bit.  We’re both very silly around each other and she’s an incredible, INCREDIBLE vocalist.  And that girl’s mind, when it comes down to singing and even arranging, herself, it is nothing less than genius.

EJ:  Absolutely.

KB:  I love arranging.  Arranging is one of my favorite things to do.  I love to sing, don’t get me wrong, because singing is one of my most creative times.  But to arrange other people’s songs is fun because I get a chance to experience my gift.  I don’t necessarily know the level of the gift until I hear it in its complete form… until I hear it all out.

But when I hear it all out, it’s like WHEW! My God!  Especially if there’s some great people singing it.

EJ:  Speaking of that Lincoln Center event, and I blogged about this back then–  my wife and I went, sat among a bunch of folks who probably didn’t know much about you, but perhaps just had season tickets to the Jazz at Lincoln Center series… my wife sat there and screamed out “that’s alRIGHT Kim!”

KB:  Oh, was that her?! *laughing*  You know, the very last show, we had CHURCH.

EJ:  Did you?

KB:  Oh, it was ridiculous!  We got loud up in there and I told them “some of y’all may be feeling a little warm… we know what it is, it’s the HOLY GHOST!”

EJ:  *laughing*

KB:  Oh, we lost it.  I don’t care where I am.  You know, the first couple of shows, I had to try to be nice, know my limitations… But I thought about it and said “Lord, there is no way you’re gonna open for me a door like this and I not be who I’m supposed to be.”

EJ:  Right.

KB:  Honey, I went there.  I lost it.  So, you know I’m coming in having church this year because we’re going back.  I’m doing it again.

EJ:  I’m going to have to be there for that.  It was unreal. Are you doing a Christmas album from that?  I heard talk about that.

KB:  I was gonna do it.  You know, I still have the material from it and I’ve not quite listened to it yet.  It was like a trial run because it wasn’t everything I wanted it to be.  It was nice, I enjoyed it.  But, at the degree and level that I want?  I may release it as a DVD.

EJ:  NICE!

KB:  But it was not something that I felt was CD-ready.  I could’ve cleaned it up, and I planned to, so I could release it, but nah… not right now.

EJ:  I wanna ask you about something that remains a hot topic of debate in gospel– associations and collaborations with secular artists.  You’ve been outspoken about your friendships with mainstream artists like Chaka Khan, Omarion and countless others.  And you’ve recorded with some mainstream artists as well.  Yet you have peers in gospel, some of whom you’ve even recorded with, who are just as outspoken about NOT fraternizing with people in hip-hop or R&B.

What is the responsibility of the gospel artist in reaching artists in other genres, if there even IS one?

KB:  The Bible is the truth for me.  And it said “go into the highways and hedges and compel men to come, that My house might be filled.”  It did not say “go and compel Christian men.”

EJ:  Wow.

KB:  Let me get my Bible because I want to quote it exactly… *pauses to grab her Bible*… Luke, Chapter 14, verse 23… and I hope this doesn’t get me in trouble because I’m here in my office and I’ve got this Bible, the one that I pray and cry in.  That’s VERY not safe right now, because we will end up on the phone for 3 hours.

EJ:  Ummm… we can do that.  I’ll take it all.  You can even call and leave voicemail messages with a good word in ‘em.

KB:  *laughing* See, it’s in RED– “unto the SERVANT, go out into the highways and hedges and compel them to come in, that My house may be filled.”

Let me tell you something.  THIS is a priority.  If Jesus said it, it’s priority.  And if we’re going to ever, EVER preach and teach and compel, I don’t plan to EVER do it just in the house of God, with people who are commanded to do the same thing as I am.

EJ:  RIGHT!

KB:  Why in the world would we not communicate with people… and people say “why can’t you just minister to them and call it a day?”  I do.

I called Tyrese the other day– he’s in Austria right now and he’s finishing up his movie.  Right before he went to Austria, I called him because he was heavy on spirit, because of my interaction with him, and having dinner with him and spending time with him in L.A.

EJ:  You haven’t been eating with the tax collectors, have you?

KB:  What?  Oh, yeeeeees.  And boy, was the meal good!

EJ:  *laughing*

KB:  *laughs*

EJ:  But that’s the type of interaction I believe that Christ calls us to.  It’s so weird to me that we wanna sing and preach to each other exclusively, as if we’re presenting some new revelation each time.  It’s one thing to remind one another of the Gospel daily, but we’re almost so busy EVANGELIZING Christians.

KB:  That’s right.  And STILL not helping each other.  Because we’re falling in front of each other, and we’re falling WITH each other.

EJ:  Uh-oh.

KB:  Some are leaving church together, getting drunk together, men AND women, whatever the gender… doing everything under the sun.  But judgmental of things with which they have not been acquainted, things that are unfamiliar territory for them.  They don’t know how to encounter it, so it becomes a “no-no.”

When people have only done what they’ve been taught, and they’ve not experienced it or asked God about it, they’ll be judgmental.  But my commission, my priority is to do what the Lord has called me to do.  And I’ve been successful with that.

EJ:  Amen.

KB:  I’ve had PLENTY of opportunities because of it.  Like Tyrese, I mentioned calling him.  He was just waking up and he said in his tired voice, “hey Lovely,” (that’s what he calls me) and I said “hey, when you wake up, call me because you’re in my spirit and I need to pray with you.”  He said “I’ll do it, give me ten minutes.”

He called back in five and I shared some things with him and prayed with him.  Do you not know, my friend, that he said “Kim, I’ve got 103,000 people following me on Twitter right now and I’m letting them know that what you’ve done for me, that you just prayed for me.  And I’m starting a Twitter page for you right now.” 

He grabbed whatever pictures he had of me and set something up… within maybe 5 hours, I had over 2,000 people following me. [Editor's Note: You can follow her at http://www.twitter.com/kimburrelllove.]

EJ:  Yep.

KB:  You mean to tell me that I’m not supposed to reach out and have dealings with them?  They say “well, you’re doing music… you have to represent…” I REPRESENT GOD.

You’re tellin’ me that every person in the Armed Forces, that’s saved and loves Jesus Christ, knowing that they might have to go and MURDER somebody if they go to Iraq, they’re going to hell?  They’re not doing the work of the Lord?

EJ:  Right.

KB:  So, I’m not into debates with people because folks always have their own idea about what it is that folks should and should not be doing.  And those who are usually pointing the finger are talking to the wrong people.

And listen, those people found ME.  I was walking in the store, 15 years ago or so, and Chaka Khan called MY cell phone.  I don’t know how she got it.  She called me.  Same thing with Stevie.  I left that message for so long on my machine…

EJ: *laughs*

KB:  But he called me and we’ve been very close for 13 years.  We talk about everything.  But the deal is that these people need an outlet, they need somebody that they can trust.  They know they can’t talk to each other, just like we can’t in church.

We know we can’t go to some of these artists– I KNOW I can’t!  I know several artists I can’t go to right now and trust them with my personal business.  Baby, it’ll be all over the place!

EJ:  *laughing hard*

KB:  With stuff ADDED depending on how they feel about me, with their grinnin’ selves.  Don’t get me started, maaaan.

EJ:  Oh my!

KB:  I don’t get started on that junk.  I’m out here doing work.  I have more comfort with people in the world than I do with them.  Because they’ll come right out and tell you– “if Jesus Christ comes back, I ain’t going.”  And it gives me an opportunity to tell them why I know that they CAN, and deal with their situation.

Rather than church folks sayin’ “oh, I know He’s alright!  High-five your neighbor!”  They ain’t about to say “high-five your neighbor, although I fornicated last night” or “high-five your neighbor, although I committed adultery”… “high-five your neighbor although I’m an alcoholic, and a homosexual and a pervert.”

They ain’t gonna say that.

EJ:  Right.

KB:  But, you know, I love everybody.  I love Jesus.  I love doing this– it is what I do.  I do the work of the Lord.  It happens to come in the form of an album or two once in a while, concerts, and all kinds of stuff that the Lord is blessing me to do.  This ain’t about Kim Burrell.

I haven’t known how to wake up and be about Kim Burrell since I was about 27.  I stopped trying to be about Kim Burrell, especially after I had my son when I was about 31.  I am not about Kim Burrell anymore.  I’ve forgotten how to be about her.

EJ:  Beautiful.

KB:  And when God shows up and gives me favor to go shopping every once in a while, He lets me know “you may not be about Kim Burrell anymore, but I am.”  So, I do that.

EJ:  Nice.  Couple more questions… I’ve asked several people who they’d most like to record with and many of them have said either Stevie Wonder or Kim Burrell.  Now, you’ve already recorded with Stevie Wonder and you are Kim Burrell– so how do YOU answer that question?

KB:  Prince.

EJ:  PRINCE?!  I was not expecting that.

KB:  I wanna record with Prince.  There’s still a sound… I feel the presence of God.  There’s a sound to come out of Prince through submission to the Holy Spirit.  Not just to God, because he has a regard for Jehovah, for God.

But I’m talking about a SOUND to come out of Prince.  I feel like every time I say it, God is shooting it to him.  Not for the benefit of Burrell to do a recording.  We can do it and keep it in the house as far as I’m concerned.  I just wanna record with the man and sit with him because God has invested something in Prince that NOBODY in the world has.

And because of that, he has a worship inside of him that is second to none.  There is an album that he did within the last 5 or 6 years, and one of the songs… honey, when I tell you there is a sound on there that came very close to the Holy Spirit of God… and I know he’s been tapping in on that because of his encounters with God.

EJ:  I believe that.

KB:  But there is still something that is to come out of him that I want to experience, and I’d love to do a recording with him because I want to experience that moment.  I want the Spirit of God to flow through him to write and say some things to God that can change some people’s lives, and change how people worship.

I believe that Prince has an element inside of him that can change the way worship is heard.

EJ:  Hmmmm.  I pray that it happens.

KB:  I do, too.

EJ:  Okay, last question: of all the albums you’ve released, which one is your favorite?

KB:  *takes a long pause* I haven’t done it yet.

EJ:  Hmm.  Fair enough.  Well, then, I’m waitin’ for that!

KB:  Me too. *chuckles*

EJ:  I wanna thank you so much for chatting with me.  It has meant a lot to me and I’ve really enjoyed it.

KB:  Thank you.  I love you, my brother.

EJ:  I love you so much.  Thanks.  And I’ll be in touch.

KB:  Please do.  God Bless you, sweetheart.  We’ll talk soon.

EJ:  Alright, bye-bye.

*     *     *

That, ladies and gents, was my chat with Kim Burrell.

There was SO much more to it, but some of it was just for me– she carries the Word of God in her and she is an encourager, a servant, a minister… I was tremendously blessed by this woman of God.

Another video to bless ya… Kim on TBN singing “I Believe”:

Sooooooooo, what do you think about all that she had to say???

This is one of those interviews that I simply HAD to do.  You’ve prolly seen the name “Candy West” floating around for years.  A bunch of my industry buddies are friends with her and, though we’d never met, she’s always been held in such high regard (as a person and as a vocalist).  I was sooooo excited when she agreed to do the interview!

She’s a game-changer who has worked with a bit of everybody, yet still remains as humble as can be!  In this interview, she talks about her wide range of background work, her work with the record-setting God’s Property and, now, Myron Butler & Levi… and she caps things off by talking about her long-awaited solo album!  I even managed to have her clear up some misconceptions about Kirk Franklin for us.

She’s incredibly kind, sweet and hilarious.  I give you the the one and only, Miss Candy West.

*     *     *

EJ:  Heyyyy!

CW:  Hi!!!

EJ:  YAAYYY!  We’re doing an interview!  [Editor's Note: I was so excited as we were scheduling this interview that I kept ending my emails with "yaayyy"... Candy decided that she was gonna top me by saying "Double Yay"... what kinda mess is that?! LOL]

CW:  YAAYYY!!!

EJ:  I’m thrilled to be chatting with you cuz I need people to know how significant your contribution to contemporary gospel music has been.  You can sit there and I’ll toot your horn for you… I’m gonna run through a very brief list of folks that you’ve worked with and you can confirm it at the end.

CW:  Ok. *laughs*

EJ:  God’s Property, 1NC, Myron Butler & Levi, Kirk Franklin, Fred Hammond, Yolanda Adams, Marvin Sapp, Mary Mary, Donald Lawrence, Dorinda Clark-Cole, Patti LaBelle, Dewayne Woods, Deborah Cox, Tonex, Bishop T.D. Jakes, on and on and on…

CW:  Yes!

EJ:  And this is not just session work, right?  You’ve written for some of their albums, arranged vocals, done lead vocals…

CW:  Absolutely.

EJ:  How would you characterize your journey in gospel music so far?

CW:  Umm… Let’s see.  I believe it has been a very balanced journey for me because I’ve had an opportunity to really learn so much.  Like a lot of singers that do background work, I just kinda fell into it.  Y’know?  It kind of presented itself as an opportunity.  It was nothing that I chose to pursue, it just kinda happened for me– God’s Property, then with Kirk, and one opportunity begat another.

So, for me, I was really soaking it all in because I knew that the end would probably be me becoming an artist.  I was just taking it all in, learning… not just as a singer, but as someone who’s been able to learn from some of the best writers, some of the best producers in the industry.

EJ:  That’s awesome.  Is there a singer that you wanna work with that you have not yet worked with?

CW:  In gospel?

EJ:  Either way.

CW:  There are actually a few artists that I would love to work with.  In gospel, I would love to work with someone like J. Moss, just to kinda see what our vibe is.  I love his writing and his approach!  I really feel like if I got a song from J. Moss, it wouldn’t sound like a J. Moss song.  Or, maybe it would. *laughs*

EJ:  *laughing* Right!

CW:  Umm… I would love to work with Mary J. [Blige].  I just love her spirit and what she gives.  I absolutely admire her– I’m one of her biggest fans.

EJ:  Cool.  Let’s go back to the beginning.  How did you start doing background work?

CW:  Just from singing with Kirk and 1NC and opportunities here and there, working with Myron [Butler] when he would do demo, when he was working on the Ted & Sheri project… I would do demos for him and demos for Kirk.  And that just kinda led to people asking “do you think Kirk would be okay with you singing behind me?”  I’m like “YEAH, I’m not under contract!” *laughs*  I was like, “I’ll do it!”

So, one thing kinda led to another.  I moved to L.A. for a bit, so that just opened the door for me to be free to kinda spread my wings a bit more and be afforded more opportunities to work with other people.

EJ:  Incredible how that happens!  Talk to me about the influence of your SINGIN’ mother, Ms.  Tommye Young-West on your musical career.

CW:  If it had not been for my mother, Tommye Young-West, I probably would not be singing.  I actually wanted to pursue a career in law enforcement.  I wanted to be an FBI agent.

EJ:  What?!

CW:  I really did! *laughs*  My mom had me singing at the age of 3 and, growing up in my grandfather’s church, that led to me being the choir director and a lead vocalist… Then, I worked on my mom’s albums– I did my first recording when I was 12.

EJ:  Wow!

CW:  So, she was very influential in why I am where I am today.

EJ:  That’s wonderful.  What other musical influences do you have?

CW:  You know, I grab inspiration from so many different people.

EJ:  Sure.

CW:  I have jazz influences– Ella Fitzgerald– of course, Kirk is a big inspiration to me because I kinda watched him grow from when I was a teenager.  He first came on the scene working with DFW Mass and Georgia Mass, and just seeing him grow from being a writer and a choir director to his status now… he’s been a big inspiration to me.

And I love Chaka Khan, Stevie Wonder… people who just make good music.

EJ:  I hear that.  I’ve spoken with several industry people, even lately, who are saying that you changed the game as it relates to background singing.

CW:  REALLY?

EJ:  Yes!  Like, a few weeks ago, Jerard Woods said to me that you were responsible for introducing the whole “vocal cry” thing that Kirk Franklin’s background vocalists are known for now.

CW:  *laughs hard*

EJ:  *laughing* Do you accept that?  And you can be humble about it and I will make it clear for the readers that you did not volunteer that info.  But do you accept that, and if so, did you intend to set a trend in that way?

CW:  You know what?  I know Jerard Woods said that… he’s one of the people who says that! *laughs*  I absolutely love him.  But I think that I do have to own up to it.  I’m one of those people that, you know, I really try to stay humble, but looking back, it’s like “wow, I really did help to establish that sound.”  Even when I wasn’t working with him after that, it was like you could still hear me in his work.

EJ:  Right!  And he still uses that style sometimes.

CW:  Yeah, so… I can take credit for that.  But, it wasn’t something that I set out to do.  You know?  I think it’s just a part of me and I was just giving people “Candy West,” just a part of what my vocal style is.

EJ:  But why did you think to approach vocal phrasing like that?

CW:  You know… *laughs shyly*

EJ:  *laughs*  It’s just what you had to give, huh?

CW:  Yeah, you know… some people can riff and run so sweetly.  So many singers have their “thing” and I think that’s just what my “thing” was.  When I sing, I have that kind of cry, the passion… and it came out and he was like “I love that!  I love that!  Everybody do it!”

EJ:  *laughing*

CW:  When I sing, I really try to live through the lyrics and really embrace what I’m singing about.  I don’t like to just sing a song because it’s nice.  I really like to embrace the words and I think that’s where that whole “passionate cry” comes from– it’s really taking a song and trying to make it live.

EJ:  Wow.  That’s awesome.  I mean, it’s what I think of when I think of his background vocalists, you know?  I mean, even now… they still do it, so that’s tremendous to me.

Let me touch on your time with God’s Property for a minute.

CW:  Okay.

EJ:  That album is the highest selling album by ANY gospel artist EVER, in the history of gospel music.  As of 2001, it was certified triple-platinum… you co-wrote “Sweet Spirit” on that album.  Did you all know, at the time that you were making that album, that you would make history?

CW:  No.  Nobody had any idea what the record was gonna do.  For us, we were just kids that were happy to do what we loved to do.  A lot of us grew up singing in different community choirs, so for us to be afforded the opportunity… When we started working with Kirk, we sang on his Christmas album, then on Whatcha Lookin’ 4… but we never expected to have our own album.

Y’know, cuz everybody records a record… so we just felt like we had an opportunity to work with an artist that was really starting to blow up, but we didn’t look at it like “oooh, we’re gonna blow up.”  It was an opportunity to record and to do something that we loved doing and put it on wax.  When it came out, the response was PHENOMENAL, but nobody knew that it was gonna do what it did.

EJ:  That’s unbelievable.  It’s one of my classic favorites– you can put it on and it’s still as good today as it was back in ’97, y’know?

CW:  I know and the thought of that is so awesome!

EJ:  After God’s Property, you continued on with Kirk and you were a part of 1NC.  Now, let me make it clear:  you are not his spokesperson, but I do believe that you have something relevant to say about this next question.

A lot of people judge him as having been unfair to his singers in the past.  People will say “oh, well, he’s got a new group again.”  But as someone who’s worked with him on several albums, can you clear things up and speak to Kirk Franklin’s character in that regard, as it relates to you?

CW:  Absolutely.  I believe that– and I will vouch for Kirk on this– he is one of the rarest artists in regards to how he… he really does take care of his people.

EJ:  Mmm-hmmm.

CW:  And you can’t fault a person… Kirk has always found ways to recreate himself.  So, in that recreation and in the evolution of his new sound, you can’t fault him for finding a way to also re-invent the way the vocals are approached.  You know what I’m saying?  You don’t wear an old pair of shoes with a new suit… it’s like “this may not necessarily work together.”

And a lot of times, it’s hard to let go.  I’ve even been on that side of the fence as it relates to him.  On the Hero record, I did not record a song on that album.  He reached back and got me for The Fight Of My Life.  But prior to that, it was a hard transition for me because he felt like he was giving me an opportunity to be free, to express myself and do my thing… I was working with Myron Butler & Levi at that point, y’know?  And *interrupts herself* HEY SWEETIE!  I’ll talk to you in a minute, okay?  *returns to the phone* My nephew.

EJ:  Oh.  I was about to say “well, helloooo to you, too!”

CW: *laughing*  Yeah, but I think it’s just one of those things.  And, like I said, it’s hard to let go of a good thing.  When you’re in a good situation, you’re being paid well, you’re being treated well, you know… it’s really kinda hard to see yourself NOT doing.  It’s hard to be in a place where your services may not be needed for that particular moment in that person’s life.  So, I know it’s been a difficult thing for singers to deal with when he’s in transition and he decides to go to another level, and he decides that he wants to change things around him to make this next place more conducive to his dream and his vision.

EJ:  I hear that.  Thank you for speaking on that.  You’ve also worked with artists outside of gospel, right?  Like, with Brandy.

CW:  Yes.

EJ:  What was she like?

CW:  Working with Brandy was really cool.  We did a particular date with her… she’s one of those artists that’s just flawless.  You know?  Her whole approach to music is just… she’s one of those artists that will really inspire you to be creative and to be a better vocalist.  Absolutely phenomenal.

EJ:  I’m not surprised.  I should point out that a lot of gospel background vocalists, as well as major gospel artists, have worked with pop, R&B, jazz artists… how do you answer the critics who say “you can’t do that.”  You know, “if you’re in gospel, you can’t dabble outside of it in other genres”…

CW:  Y’know, I think that everybody has their own convictions about it.  You don’t tell a doctor that he can’t work on certain people because they’re not believers.  Or, because they live in a certain area or work in a certain job.  You don’t stop a doctor from helping those that he needs to help.

EJ:  Right.  Absolutely.

CW:  So, for me… you know, my mom, in the 1970′s, she had an R&B career.

EJ:  Right.

CW:  So, for us, in our household, it was different.  We grew up COGIC, but she didn’t stop us from listening to Stevie Wonder or the Doobie Brothers… my dad introduced me to jazz.  They wanted me to be a well-rounded vocalist and I just feel that sometimes, we put God in a box.  I’ve met so many R&B artists that, when I sit and talk to them, I say “you’ve got a lot of heart and it’s really unfortunate that ‘church people’ will cast you away because of the type of music that you sing, but you’ve gotta be one of the most sincere, realest people I’ve met.”

So, I think it’s about your own convictions on that, but I don’t have a problem with secular or pop artists.  I feel like, as long as it does not cause me to compromise what I believe in MY walk, then I don’t have an issue.

EJ:  Hmm… You preachin’, ain’t you?

CW:  I’m tryin’.  *laughs*

EJ:  *laughs*  Talk to me for a minute about Myron Butler & Levi.  You’re still singing with them, right?

CW:  Yessir!

EJ:  And it’s practically the same folks from God’s Property?

CW:  Absolutely.  Practically everybody that’s in the group now… we’ve known each other since we were like, 13 years old.  And for some of us, before that.

EJ:  How did the idea for this new formation of it arise?

CW:  I just believe that it was a part of Myron’s destiny to venture off and do his own thing eventually.  Y’know?  He always had a vision of doing it and, when he felt like it was time, he wanted to use this core group of people to make it happen because… it’s that SOUND, you know?  When we get together, that sound is unmatched… you can’t beat it.  It’s just a beautiful, beautiful thing.

EJ:  That’s awesome.  So you seem busy, but tell me: In reality, do most gospel background singers need a day job?

CW:  YES. *laughs*  I will not lie to you– when the work is coming and consistent, it’s fantastic, but there are those dry seasons where you’re like “you know…”  And I’ve been there so many times.  I’ve been at a place where I’ve had an eviction notice put on my apartment door, three or four times, just because I was really having a hard time just trying to make it.

EJ:  Wow.  That’s real!

CW:  Yeah, it’s like… so I’ve had to bite the bullet.  I know music is what I’m supposed to do, it’s what I was created for, but sometimes you just have to provide.  I have a son, so I not only have to take care of myself, but I have to take care of someone else.

EJ:  That’s right.  You can’t just be living out your dream at his expense.

CW:  *laughs* Exactly!

EJ:  I’m not mad at that.  That’s cool.  To say that someone is a good background vocalist, what does it take?  What’s the criteria?

CW:  You know, I’m glad you asked. *laughs*  I think that, to be a great or incredible background vocalist, you not only have to have the passion for it, but there’s definitely a work ethic that comes along with it.

Like, if I know that I’m gonna work with a particular artist, I usually try to study them, or the songs that I know they’re most likely to do, so I can kinda get a heads-up.  Once you get the music, you study.  You approach it as if it’s a job– I really have to be up on my game, knowing how this person works, so that when I go into that environment… when I’m in Rome, I will do as the Romans do.

EJ:  Yeah.

CW:  And I think that’s what makes for an excellent background vocalist.  You have to understand the art of singing BEHIND someone.

EJ:  Say that!

CW:  You know?  I mean, I’m an artist.  But I also sing with a lot of artists, so when I’m singing with them, I have to get out of “artist mode” and get into “servant mode.”  A lot of people don’t want to do the servitude, they just want the glory of being able to perform and have the platform.  So, it really does take the heart to know when to kinda bring it in and have the heart of a servant.

EJ:  Right.  FALL BACK!

CW:  Yeah, you definitely have to fall back.  Absolutely.

EJ:  From a practical standpoint, how do you prepare for a session?  What are you eating, how much rest are you getting the night before… all of that?

CW:  Well, I really try to rest.  Seeing that I don’t have a day job right now, I can kinda sleep in and take my sessions in the afternoon.  I try not to have to work too late if I can help it.  I try to stay away from sodas, cheeses, ice cream… now, if I’m not recording, I’m eating ALL of those things I just named! *laughing*

EJ:  *laughs*

CW:  It’s gonna be all about ALL of those.

EJ:  Each one!

CW:  EACH one.  Plenty of it!  *laughing*  But, you know, drinking tea and lots of water.  I really don’t like to eat before I know that I’m going to sing, cuz there’s just something about being full and heavy.  So, I really try to monitor my portions when I know that I’m going to be recording.

EJ:  Makes sense.  Now, every background artist that I’ve spoken to, I’ve asked about this– talk to me about touring in gospel music.  What’s it like being on the road?

CW:  The road, for me, and I know that everybody has their own experiences, but I absolutely love traveling.  A lot of times, you have to… I mean, I know how to tune out the riff raff and the extra stuff that comes along with it.

I love to shake hands and kiss babies, y’know?  I love to meet the people after the show is over, and just to be in touch with people.  It’s important because when people come out to hear you, they want to be able to reach you in some way.  It can wear you down sometimes– the things that come along with it, but I really enjoy traveling.  I wouldn’t trade it for anything.

EJ:  Nice.  I also ask every background vocalist to assemble a dream team of background vocalists… Now, Jerard Woods, he kinda assembled a choir.

CW:  Yes, he did!  I saw that!  *laughing*

EJ:  But who are some folks you’d have at your session?

CW:  That’s sooo hard.  Hmmm… Definitely my sister, Peaches.  Umm… Deonis Cook, he sings in Levi.  Oh, man… Minon Bolton.  Daniel Johnson.  Umm… there are so many people that I’ve absolutely loved working with.

EJ:  We can stop there and I’ll make it clear that you had a reeeallly hard time naming everybody! *laughs*

CW:  Right!

EJ:  Okay.  Now, I’ve been hearing some underground rumblings that you’re working on a long-awaited solo album.

CW:  This is true.

EJ:  *whispering* Can you tell me about it?

CW:  *whispering back*  Yes, I can.  *laughs*

EJ:  *laughing*  You mentioned you were in the studio earlier.  Is that what you were working on?

CW:  Yeah.  I’m working on my record.  Right now, it’s an independent venture, but we do have some prospects for distribution with a couple of labels and distribution companies.  But, I really wanted to work on this record and get a full body of work done so that we can have a bit more leverage and take it where we want to take it.

It’s a very versatile record.  I can’t name what it sounds like because I’m a very versatile singer and I really wanted to be able to showcase that I can holler and squall, but I can sing sweetly, I can bring out the rock side of me.  So, I think this record will definitely show that, with the different sounds– we’ve got some pop/rock, we’ve got some jook joint-type tunes, some soulful stuff, some reggae… but I think that when it all comes together, it’ll be a nice, heaping helping of gumbo…

EJ:  OH! *laughs*

CW:  *laughing HARD*  Did I just say a “heaping helping”?

EJ:  You soooo did.  I can play the tape back… “heaping helping of gumbo” is what you said.  *laughs*

CW:  Yes, I did say that.  It will be a heaping helping of gumbo once I’m done.  I want people to be able to enjoy it.  I’m trying to make it the best first record I can possibly make it, and then the next will be even better.

I think that first records are really hard sometimes because you can really try to outdo yourself and, when you do, you have a hard time doing it on the second record.  I want this one to be phenomenal and the next one to be mind-blowing, but I’m really proud of this music that I’m working on.

EJ:  Nice.  You wrote most of it?

CW:  Yeah, I wrote like 90-95% of it.  It’s a lot.  Plus, I’m also co-producing it and doing most of the vocal arrangements, which is a major task in itself.  But it’s definitely all good– it’s nothing that I can’t handle.

EJ:  How long have been working on it and when will it be DONE?

CW:  Actually, I’ve been attempting to work on this record for the past 2 or 3 years, but I started back working on it in December and I do plan on being done, hopefully, by the end of March.  I’ve been going, like… every day to the studio to make sure that I meet my personal deadlines.

Hopefully, we’re looking to do a summer/late-summer release.  I’m hoping to have a single by May.

EJ:  That’s good.  I’d love to promote on the site, if you need anything.

CW:  Absolutely!  I’ma need all the help I can get!

EJ:  Okay.  Last question.  Suzie and Tommy wanna be background vocalists– how do they get started?

CW:  *laughs*  That’s funny.  I would first say, make sure that Suzie and Tommy can really sing.

EJ: *laughing* CHECK YO’ SELF, Suzie and Tommy!

CW:  *laughs* Check yo’ SELF, first.  And check with your MAKER to see if it’s what He wants you to do!  *laughs*  But on a serious note, it’s not for everybody.  You have to have a certain heart for it, but the practical things are to network… get with people in your city, find out where the music scene is.  Go to those places, network, shake hands with people there… go to musicals, go to concerts, y’know?  Pass out cards and put yourself in position to be discovered.  No one is going to notice you without being proactive… you definitely have to be proactive.

EJ:  Wowwww.  Well, alright Suzie… Tommy… get it together!

CW: *laughing* Good luck!

EJ:  Right! *laughing*  Well, Candy, I really really really appreciate you talking to me.  And I can’t wait to post this so the people can know more about you and, hopefully, we’ll create a buzz for your solo project.  It’s gonna be insane, I know.

CW:  I’m looking forward to it.  I really appreciate you for taking the time and having the interest in interviewing me.  Thank you, EJ.

EJ:  Oh absolutely.  Quadruple YAAYYY!  I topped you.  I was gonna say “infinity yay,” but that would have ended the game.

CW:  Right! *laughs*

EJ:  I will talk to you soon.  Have a great day heading back to the studio.

CW:  Ok, have a good one!  Bye.

*     *     *

Soooooooo… what do you think???

For your viewing pleasure, here’s one of my favorite YouTube clips of her. Here, she’s singing “Day By Day,” a cappella, and WOWWW!

And don’t forget to check out her MySpace page for MORE tracks and info by clicking here.