Archive for "columbia-records"

In The News: Full Winners List For 25th Annual Stellar Awards

Sooo, if you follow me on Twitter, you know that the 25th annual Stellar Awards weekend was ACTION PACKED.

Throughout the week, I’m gonna try my best to give recaps of the events that I attended (there were SEVERAL), but before I do, I wanted to post the full list of winners at this year’s award show…

Artist Of The Year – Hezekiah Walker & Love Fellowship Choir, Souled Out (Verity)

Song Of The Year – “God In Me” by Mary Mary, The Sound (Columbia)

Male Vocalist Of The Year – Smokie Norful, Smokie Norful Live (EMI Gospel)

Female Vocalist Of The Year – Vickie Winans, How I Got Over (Destiny Joy)

Group/Duo Of The Year – Mary Mary, The Sound (Columbia)

New Artist Of The Year – Crystal Aikin, Crystal Aikin (Verity)

CD Of The Year – Hezekiah Walker & Love Fellowship Choir, Souled Out (Verity)

Choir Of The Year – Hezekiah Walker & Love Fellowship Choir, Souled Out (Verity)

Producer Of The Year – Donald Lawrence & Daniel Weatherspoon, The Law Of Confession Pt. 1 (Quietwater/Verity)

Contemporary Group/Duo Of The Year – Mary Mary, The Sound (Columbia)

Traditional Group/Duo Of The Year – Lee Williams & The Spiritual QCs, Fall On Me (MCG)

Contemporary Male Vocalist Of The Year – Smokie Norful, Smokie Norful Live (EMI Gospel)

Contemporary Female Vocalist Of The Year – Crystal Aikin, Crystal Aikin (Verity)

Traditional Male Vocalist Of The Year – Donnie McClurkin, We All Are One (Verity)

Traditional Female Vocalist Of The Year – Dottie Peoples, Do It! (DP Muzik Group)

Contemporary CD Of The Year – Hezekiah Walker & Love Fellowship Choir, Souled Out (Verity)

Traditional CD Of The Year – Shari Addison, Shari Addison (Verity)

Urban/Inspirational Single Of The Year – “God In Me” by Mary Mary, The Sound (Columbia)

Music Video Of The Year – “How I Got Over” by Vickie Winans, How I Got Over (Destiny Joy)

Contemporary Choir Of The Year – Hezekiah Walker & Love Fellowship Choir, Souled Out (Verity)

Traditional Choir Of The Year – Bishop Paul S. Morton & The FGBCF Mass Choir, Cry Your Last Year (Light)

Special Event CD Of The Year – The Clark Sisters, J. Moss & Kierra Sheard, Silky Soul Music – A Tribute To Maze (Barantera Music Group)

Instrumental CD Of The Year – Ben Tankard, Mercy, Mercy, Mercy (Verity)

Rap/Hip-Hop Gospel CD Of The Year – Da’ T.R.U.T.H., The Big Picture (Cross Movement)

Children’s Performance Of The Year – Rev. Dr. Emory Andrews & Oxon Hill High School Choir, Amazing (Yrome)

Quartet Of The Year – Lee Williams & The Spiritual QCs, Fall On Me (MCG)

Praise & Worship CD Of The Year – Stephen Hurd, Times Of Refreshing (Integrity)

Recorded Music Package Of The Year – Denise Trotman for Donald Lawrence’s The Law Of Confession Pt. 1 (Quietwater/Verity)

Stellar Radio Awards:

Internet Radio | http://www.ishoutforjoy.com
Small Market | WEUP 1700 AM – Huntsville, AL
Medium Market | Hallelujah FM – Little Rock, AR
Large Market | WTLC 1310 AM – Indianapolis, IN
Major Market | WLIB 1190 AM – New York City, NY

Lonnie Hunter of Praise 103.9 in Philadelphia was awarded with the Announce Of The Year Award. And the Central South Distribution REACH Awards were awarded to Vickie Hill (Saginaw, MI), Willie Mae MacIver (Dallas, TX) and Michael A. Davis (Memphis, TN).

I was surprised only by about two of these wins– I thought that Praise & Worship CD Of The Year would go to Israel Houghton.  He really got shafted this year, because The Power Of One was one of the best albums to come out in 2009.  The fact that he was only nominated in three categories, one of which was for packaging… c’mon.  But, kudos to Stephen Hurd anyhow.

Second, I didn’t think Hezekiah Walker & LFC would walk away with Artist Of The Year.  I really figured it would go to Donald Lawrence.  Either way, I’m thrilled.  I have loved Pastor Walker for YEARS and I couldn’t be more excited for him… he definitely deserved to be recognized and that album is an absolute favorite from the past year.

So, that’s THAT.  If you get Gospel Music Channel, the show airs on February 28th at 8pm ET/7pm CST.  BUT, it will likely air in your region before that… I’ll post the local dates and times when the Stellars post it… I can’t type all of that! LOL

And check back here throughout the week for my recaps– I went a lot of places, chatted with a lot of folks, and I’ve got LOTS to tell you.  Deal?  DEAL!

In the meantime, TELL ME WHAT YOU THINK of the winners!!!

TidBits: Mahalia Jackson

As September comes to a speeding end, I didn’t wanna let Gospel Music Heritage Month end without making sure I talked about the incomparable Mahalia Jackson.  Many people hear the name her name and think to themselves, “yeah, gospel pioneer… I get it.”

But few of us, if we’re honest with ourselves, will acknowledge that we actually know very little about her.  So, here goes…

Mahalia Jackson (1911-1972) was born in New Orleans, LA.  At the age of 16, she moved to Chicago, where she worked as a domestic, then as a beautician.  At age 18, she met Thomas A. Dorsey and, shortly thereafter, began touring with him as his primary vocalist and collaborator.

At age 24, she landed her first recording contract (Decca Records) after being heard singing at a funeral.  From that record deal, she later went to sign with Apollo Records, then Columbia Records (you thought Mary Mary was Columbia’s first gospel artist??? ;-) ).

She married Isaac Lanes Grey Hockenhull in 1936, but divorced him in 1941 (allegedly because of his racehorse gambling addiction and persistent pressure from him that she sing secular music, which would be more profitable).

Meanwhile, her success in gospel music began bringing her international acclaim as she toured throughout Europe.  In 1958, Mahalia’s version of “He’s Got The Whole World In His Hands” peaked at #68 on Billboard’s singles chart, which was unprecedented at the time.

Toward the latter portion of her life on Earth, Mahalia was very involved with the Civil Rights Movement.  She is known to have joined Dr. Martin Luther King, Jr. at many events, the most famous of which was probably the 1963 March On Washington, where Dr. King gave his “I Have A Dream” speech.

Mahalia Jackson passed from heart failure in January of 1972, in Evergreen Park, IL.  Two services were held–one in Chicago and one in New Orleans.  Aretha Franklin closed the Chicago service with “Precious Lord, Take My Hand,” the now classic song made famous by Jackson.  The majority of her estate, with an estimated value of over a million dollars, was left to her family back in New Orleans.

Following her death, she was honored with a GRAMMY Lifetime Acheivement Award and, since then, has been inducted into the Rock & Roll Hall Of Hame and has her face on a U.S. postal stamp.

I remember seeing some great videos of Mahalia on YouTube a while back… just HAD to post one of ‘em.  In this one, “Just A Closer Walk With Thee,” watch how Mahalia WORKS this song so tough that, by the end, she’s in another DIMENSION! LOL

In the News: Israel Houghton

israel_houghton1Israel Houghton is putting the finishing touches on his latest solo album, The Power of One, which will be released on March 24, 2009 on Integrity Music/Columbia Records.  The album features co-writing from long-time writing pals Aaron Lindsey and Tommy Sims, and guest performances from Mary Mary (on the powerful ballad “Every Prayer”) and tobyMac (on the rock track “You Found Me”), among others.

This album represents a return to the studio for Israel, as he hasn’t released a full studio album in a while– maybe Real, released in 2002, which STILL gets heavy rotation on my playlist.  And even though it’s a solo album, we’ll probably still get a little bit of that “New Breed feel” on some tracks.

image001The multiple Grammy, Dove and Stellar Award winner says that the theme of his upcoming album is in line with the message of much of his later music– “social and global concerns, focusing on identity and the purpose of God in everyone’s life.”

Now, I’ve spoken with several people who felt that Israel’s music was becoming somewhat formulaic– still great music, mind you, but predictable.  And I could see that point.  But I’m actually really excited to hear this album!

This is the first time that I’ve heard his musical objective articulated so well.  He’s linking the connection between worship and justice– and that’s desperately needed in this industry.  We all love a song that inspires worship about what God has done for us.  But how many artists write music to praise God for breaking the chains of child prostitution or slavery for a stranger in a third-world country?

Anyway (*stepping down from soapbox*), look for the album.  It sounds promising and I really think it’s gonna deliver.