Word has it that Karen Clark Sheard’s fifth solo album, All In One, will be available for pre-order from iTunes beginning on March 23rd.  The project will be in-stores everywhere on April 6.

Featuring guest vocals from her sister, Dorinda Clark Cole, daughter Kierra Sheard and niece Angel Chisholm, keys by her cousin Bill Moss Jr., and production by both her son, J Drew Sheard II, and cousin J Moss, this project is definitely a family affair.

The lead single, “Prayed Up,” is already doing well at radio (and you can hear it on the Pundit Player here, too).  Make sure you call your local stations to request it.

What do you think of the album cover?  What do you think of the single?  Who’s gettin’ excited???

One of the most widely discussed events of the Stellar Awards weekend was not really planned at all; rather, it came suddenly, in response to the earthquake in Haiti.  Kirk Franklin successfully brought together the gospel and Christian music communities to record a new song that he wrote, the proceeds from which will be donated directly to the relief efforts in Haiti.

Though Franklin wrote and produced the track, entitled “Song For Pain,” he’s not getting a cut, nor are any of the dozens of artists and musicians who participated.  And I mean DOZENS.  Some of the artists and musicians who rolled through the session include Mary Mary, Natalie Grant, Donnie McClurkin, J Moss, CeCe Winans, Kierra Sheard, Dorinda Clark-Cole, Marvin Winans, Micah Stampley, Karen Clark Sheard, Smokie Norful, Shirley Caesar, Amy Grant, BeBe Winans, Brian Courtney Wilson, Stephen Hurd, Nicole C. Mullen, and MORE.  Every penny is going to Haiti.

Over the course of several recording sessions throughout the weekend, Kirk (who also co-hosted and performed at the Stellar Awards, and had to attend rehearsals and run-thru’s for the same) spent every moment of his “spare time” in Nashville’s Quad Studios, generally until around 6am.  I don’t think he got any sleep all weekend.

Let’s continue to pray for Haiti, that the offering of our music community would be used greatly to take Christ and His healing power to that nation.  And, let’s pray for our own artists and musicians, especially Kirk Franklin, who selflessly gave of their time and energy for this cause.

AAAAND, when the single hits the internet stores this week, BUY IT.  I’ll be sure to let you know when and where.  Deal?

Aside from the actual taping of the Stellar Awards, folks eagerly anticipate the BMI Trailblazers Awards each year.   In fact, people often say that the BMI event features greater and more memorable performances than the Stellar Awards taping, though, this year… that MIGHT not be the case… I’m gonna call it a TIE!

In any case, BMI annually honors folks in gospel who’ve made significant contributions to the genre.  This year, Donnie McClurkin and Andraé Crouch were honored.  The celebration consists of a great lunch and some incredible tribute performances.  It went a lil’ something like this…

Before the honoring went down, Dorinda Clark-Cole came to the stage to perform her hit single “Take It Back,” which received a BMI Song Of The Year award (songwriter, Derrick Starks).  You already know that Dorinda brings it like none other and I was on my feet before I could even finish my salad.

Following that, we got a surprise performance from Jessica Reedy, who sang “God Has Smiled On Me” like a seasoned professional.  She really holds her own in this game and it’s great to see how welcoming the industry is of her.

The vocal production for the afternoon came from the incomparable Donald Lawrence and DeWayne Woods.  In the background– Tobi Darks, Dawn Jordan, San Franklin, Latrice Pace, Blanche McAllister and Anita Wilson.  YES!  The band– Joe Wilson on keys, Stanley Brown on organ, Kevin Stancil on bass, Jonathan DuBose on guitar, Marvin McQuitty on drums and Lloyd Barry on horns.  GOOD LORD!

The formal program began with the tribute performances to Donnie McClurkin, hosted by Byron Cage.  The background vocalists did a snippet of “That’s What I Believe” before Latice Crawford came to deliver her rendition of “I Call You Faithful.”  After that, Micah Stampley sang his heart out on “Speak To My Heart.”  McClurkin’s best friend and pastor, Marvin Winans, set the room ablaze with his performance of “Stand” (for which he also brought up BeBe Winans) before Yolanda Adams came to the stage to perform “We Fall Down.”

The McClurkin tribute performances were great, but I wish they had done some more songs for him– they could’ve dug a little deeper into the New York Restoration Choir days, pulled some more tracks from the Live In London album, or even focused a little more on songs that he’s written for other artists (like, “This Is The Gospel Of Jesus Christ” for Hezekiah Walker or “It Is To You” by Byron Cage).  Still, awesome job and I’m glad he was honored for his great contributions to the game.

After McClurkin accepted his award, it was on to the Andraé Crouch tribute, which was hosted by Yolanda Adams.  First, Donald Lawrence led the singers in a mindblowing medley of classic Crouch tunes including “Right Now” (led by Blanche McAllister), “Quiet Time,” “Soon And Very Soon”… it was just incredible.

Up next was the one and only Táta Vega, a longtime friend of, and singer with, Andraé Crouch.  She did an intro of “Speak Lord,” (which she recorded for The Color Purple decades ago) before transitioning into a soul-stirring performance of “Oh It Is Jesus.”  It was at THAT moment that the atmosphere of the entire room shifted from tribute to worship, and the event wasn’t the same again.

After that, Yolanda Adams couldn’t even regain her composure to introduce the next performance– BeBe & CeCe Winans singing “The Blood Will Never Lose Its Power.”  They just came on stage and took us to new heights, followed by Mary Mary’s staggering performance of “We Are Not Ashamed.”

Finally, Marvin Winans returned to the stage and shared some great stories about how instrumental Crouch was to the career of The Winans, even down to changing their stage name from “The Testimonial Singers” to simply, “The Winans” (thank God!).  He wrapped his segment with a performance of “Jesus Is Lord,” for which he simply had to call the legendary Karen Clark Sheard to the stage!

Andraé Crouch accepted his award and shared how he had been recently diagnosed with diabetes.  His doctors wanted to amputate his toe after discovering a large hole in it, but he shared that he had been miraculously healed!  He asks for continued prayer from the industry… great speech.

Finally, Marvin Winans led an impromptu segment of EVERYONE singing some classic Crouch songs that weren’t even on the program.  He called up Shirley Caesar, J Moss, Marvin Sapp, Donnie McClurkin… there are no words!

That’s that, essentially.  Dunno how much of it will make the edited televised program, but look for it on February 21st on Gospel Music Channel.  I’ll remind you as the time comes closer!

Soooo… whatd’ya think?!

Word has it that Yolanda Adams and Byron Cage will be co-hosting BMI’s annual Trailblazers Awards this weekend in Nashville, during Stellar Awards weekend.

According to my buddy, Torrence Glenn at BET.com, the performers slated to honor Donnie McClurkin and Andraé Crouch at the event have also been announced.  They include Yolanda Adams, CeCe Winans, Micah Stampley, Latice Crawford, Marvin Winans, Dorinda Clark-Cole, Mary Mary, Tata Vega… WOWWWWZERS.

Can you tell that this luncheon is gonna be BANANAS?!  Tryna figure out if I’m gonna tweet from the event… I think I may be too distracted. LOL

Fortunately for all of you can’t attend, I think they’re taping it for TV again, so you can probably catch it later on Gospel Music Channel or something.

What do you think of the list of performers?

I interviewed Karen Clark-Sheard on Friday.  I’m telling you guys, but I’m partly reminding myself, because it was just a little incredible.

She had just shared advance music from her upcoming album (click here for that recap), so life was already feeling a little surreal.  But to realize that we now sat across from each other in a conference room, me with a BUNCH of questions and her with a willing heart to answer ‘em… FOR REAL?

I’ll admit that I kinda broke protocol and became the UBER-FAN for a minute before launching into the interview, telling her how I used to watch her when I was a kid and blah blah blah… whatever!  I have no regrets EXCEPT for the fact that I totally forgot to grab a photo with her.

So, what did we chat about?  LOTS.

The Clark Sisters were in Nashville on Thursday night for the taping of a TBN Christmas special.  It was actually historic for them because it was the first time that The Clark Sisters have ever had their own TBN program (she shared that they’ve always been invited by other hosts, but never had their own special).  The 30-minute musical program will PROBABLY air sometime next week– I’ll let you know details when I get ‘em.

We chatted briefly about her new album and its direction.  Karen went the studio route for her upcoming album, All In One, instead of doing a live album because, as she explained, “it was just time” to do it this way.  She’s been writing more and the studio afforded her the opportunity to really take her time and put her heart into her writing, a gift that she’s not always felt comfortable with.

Compared to Twinkie Clark, and more recently to Dorinda Clark-Cole, Karen shared that she often ”felt inadequate” as a songwriter.  She was encouraged, though, when God allowed her to win a GRAMMY for Gospel Song Of The Year in 2008 for her hit “Blessed And Highly Favored.”  “It was God’s way of saying ‘don’t question the gift’ that was placed inside of me,” she recounted.

In addition to her GRAMMY win, Karen has recently started her own label, Karew Records.  She’s incredibly proud of it because it’s truly a family affair– even her kids, J Drew II and Kierra, have positions in the company.  The first project on the label was the Clark Family Christmas album, which will be followed by her own project.  After that?  Expect to see a new album from The Clark Sisters.

Take note– despite all of the hard work and success, Karen really doesn’t see herself as a celebrity.  As hard as I tried to explain that she’s considered one of the greatest female vocalists alive, she kinda doesn’t get it.  LOL

Instead, she tries to remain as accessible as possible, especially because of her role as a pastor’s wife.  “The people of our church need to be able to reach me and have access to me,” she shares.  That attitude hasn’t been without its problems, though, as she has also had to change her mobile number in the past.  “People would call and just be breathing on the other end, or they’d call and play one of my songs and hang up,” she shared.

I asked Karen why she doesn’t have a Twitter account yet and she said she wasn’t sure about using technology much because she’s seen how negative it can be.  “I saw how some people had hurtful things to say about Kierra for doing the track ["God In Me"] with Mary Mary.”  Apparently, Karen even reached out to encourage Mary Mary after fans came down on them for not featuring Kierra on the BET Awards.  “We weren’t even thinking about that stuff.  Kierra was just so happy to have been included in the song, she didn’t care about all of that.  She’s just happy for them.”  Karen shared that it’s sad to see how nasty things can get on the internet.

Still, I tried to convince her that the web has some merits and, no promises, but we may see a Karen Clark-Sheard Twitter account soon… y’all can thank me later.

Before we wrapped up her chat, we talked a bit about the new track that she recorded with Aretha Franklin.  It was actually completed a while ago, but the opportunity was unreal to Karen because Aretha is her favorite singer.  I got the impression that the song, which will be on Aretha’s upcoming project, turned out very well.

Aaaaand that’s about it.  To say that I enjoyed interviewing Karen Clark-Sheard would be an understatement.  At its core, though, it was just a really great conversation.

Hopefully, you guys got some cool info out of it, too.  Whatd’ya think?

On Friday, I was fortunate enough to be invited to the offices of EMI Gospel, where the INCOMPARABLE Karen Clark-Sheard visited with the execs of the company to share some music she’s been working on.  (I also interviewed her, so check back here in a couple of hours to read what she had to say in our one-on-one!)

After she shared a bit about her heart, her vision and her new label (Karew Records), she played some tracks for us– REALLY GOOD STUFF.

Some info about the album…

The upcoming album, her fifth solo project, is titled All In One.  Her daughter, Kierra Sheard, came up with the title as a way to represent all that her mother does– she’s a wife, a mom, an artist, a pastor’s wife, and now a label president… and she wears each hat well.

Karen played several tracks for us and all were really good.  “Take Me,” which features her daughter, Kierra, and her niece, Angel Chisholm (Jacky’s daughter), has a sort of urban/acoustic feel to it.  Her son, JDS, produced the track and it captures a great performance from all three ladies.

The styles of music are varied, but she handles each genre well.  For example, “Never Let Me Go” is a strong praise & worship track, while another tune, ”Crazy Praise,” starts with an urban vibe before going straight churchy.  A sure favorite for the album will be “He Knows,” which is written by J Moss and features Dorinda Clark-Cole.  It’s kinda got an ol’ skool soul vibe to it.  “What He Did” is J Moss-written, PAJAM-produced, and has so much ear candy that you’ll wanna repeat it just to make sure you didn’t miss anything.

The single from the album, which has hit radio as of last week, is “Prayed Up.”  It’s got a tight sound and is written by Karen & her son, JDS.

AS IF that wasn’t enough, Larry Blackwell (VP of EMI Gospel) convinced Karen to do a little impromptu performance in the board room.  She kinda tossed out the first verse of “O Come, O Come Emmanuel” like it was NOTHING, but managed to leave all of us speechless.  I tried to clap for her, but I was all late… mesmerized and what not. LOL

In any event, that’s the deal on the album.  It’s expected to drop in early 2010, so save up NOW.  It’s Karen Clark-Sheard… it’s worth it.

Major shout-out to Ken Pennell, Larry Blackwell and Cameron Hilson for the invitation and hospitality.  Thanks also to Karen Clark-Sheard & Cynthia Ellis for sharing with me.

The Allstate Gospel Superfest is preparing to tape a new season of their successful program of live gospel performances.  Hosted by Flex Alexander and Vivica Fox, the concert will take place on Saturday, January 9, 2010 at the Cintas Center (Xavier University) in Cincinnati, OH.

The anticipated artist line-up is star-studded, as always, including Karen Clark-Sheard, Vickie Winans, Hezekiah Walker, DeWayne Woods, J Moss, Dorinda Clark-Cole, Ricky Dillard, Kierra Sheard and many others.  Should be good.

Last season, episodes of the program aired on Gospel Music Channel… hopefully, they’ll pick it up again.

Visit www.gospelsuperfest.com for more details.

Anyone planning to attend?  Anyone planning to watch the show?  Lemme know…

Word has it that DeWayne Woods is prepping for a new album, My Life’s Lyric, which is expected to hit stores in February of 2010. On tap to produce the album is hitmaker Aaron Lindsey.

As recently as yesterday, DeWayne was working on a track that will feature the legendary Dorinda Clark-Cole. Niiiiiiice!

I’m still lovin’ his first project, but I don’t mind adding a second fave to my collection.

Chatted with MY DUDE, JJ Hairston.  Not only does he lead the dynamic choir, Youthful Praise, he’s a man who simply adores God and wants to serve Him through his gifts and calling.

Although I kinda wanted to cut up with him during the interview, we managed to keep it professional.  The result is a great interview in which JJ shares his heart for this current album, talks about how Youthful Praise has evolved, and tells us what’s next for him.

Without further delay, here’s JJ Hairston…

*     *     *

EJ:  Hey!

JJ:  What’s up, dude?!

EJ:  *laughs* How are you?

JJ:  I’m good.  How are you doing?

EJ:  Good, good, good.  Let’s jump to it– you’ve got your fifth album coming out on September 1st, entitled Resting On His Promise.  Tell me about the vision of this particular project.

JJ:  Well, we usually praise and worship the Lord, which is what we’re called to do.  But for this album, we wanted to do something a little different– not only did we want to worship God, but we wanted to encourage His people.  So, we used some more thematic songs… songs that kind of speak for the day.  Normally, we sing all of our songs UP… this time, we’re singing to the people, encouraging them that, even in these times, God is still able to take them through anything.

EJ:  That’s needed, man.  Do you have a favorite track on the project?

JJ:  Umm… “Close To You” is my favorite track.  It’s a worship track, it’s intimate.  Everyone knows that I just love to worship Him– that’s just me.  I’m not saying it’s gonna be everybody’s favorite, but that’s mine.

EJ:  Talk to me about some of the collaborations you’ve got on this album–guest spots from Shirley Caesar, Dorinda Clark-Cole, Deon Kipping, Myron Butler, Bishop McDaniel…  how did those come about?

JJ:  Well, the first one I knew I was doing was with Dorinda.  That was just something… I knew, for this record, I wanted to get my favorite female vocalist and she is still, by far, my favorite.  So that was something I knew I was doing.

Everything else kinda happened in the process.  Pastor Shirley Caesar, of course, is on the label.  That was something I really wanted to do.  The song was kinda traditional to me and I wanted to the “queen”of traditional gospel to sing it.

EJ:  That’s wise.

JJ:  Myron, that was something that James Robinson [of Evidence Gospel] and I were just talking through… it was like, “which one of your friends would you love to do a song with?”  Me and Myron are so cool, but we never really got to work together in that aspect, so we did that and it turned out great.

We actually weren’t in the same room– he was in a studio in Dallas, I was in a studio here, but we kinda compliment each other very well.

EJ:  Wow.  You’d never have known it.

JJ:  Yeah.  William Murphy was supposed to sing the song “Lord, You’re Mighty.”  The night before the recording, he wasn’t able to make it because of some vocal issues.  I called Deon [Kipping] and said “look, I need you to sing this song tomorrow!”  He was like “are you serious?” *laughs*

EJ:  For real?  Did he know it before that, or did he just learn it?

JJ:  No, we rehearsed it the night before, and then an hour before the recording.  And that song, we actually sang on the stage together.  It worked out very well.  Bishop McDaniel– he’s just a great singer and I just feel like he delivers a song so well, so I wanted to include him.  That’s pretty much how it all happened.

EJ:  That’s great stuff.  Talk with me about how Youthful Praise has evolved over the years.  You all started out a long time ago as a youth choir and, as you got older, your sound was similar to other New York-area choirs at the time– a heavy vibrato (like on “Awesome God,” for example) and a killer band.

You’ve still got a killer band, but less vibrato.  And the style of music is a bit different.  Why the shift?

JJ:  I think that as I changed, and as the music I was drawn to changed, the music I wrote changed as well.

EJ:  Yeah.

JJ:  When we did Thank You For The Change, everybody doesn’t know it, but Shawn Brown and I were both directing during that record.  But in the midst of production on that record, Shawn went on to pastor.  So, though I’m the only one on the cover, we did that record together.

Live… The Praise, The Worship was the first record that I had done by myself and it was what was in my heart as opposed to being two different aspects of music.

EJ:  Definitely.

JJ:  Of course, Shawn and I are both church choir dudes and we were doing that type of music, but when it came time for me to do my own type of record, I had to do what was closest and dearest to my heart.  And that’s why that change kinda happened.

Now, because we grew up singing that way, we still have the vibrato.  It’s not as heavily accented by the style of song, but it’s still there.  I heard one guy say that we worship with a squall. *laughing*

EJ:  *laughs* I think that’s accurate!

JJ:  Yeah!  But that’s how it evolved.  Then, the Exalted record really went ALL the way worship.  So what I did with this album, Resting On His Promise, was tried to bring it back to the middle where the live praise and worship was, where everyone that likes church choirs will be able to enjoy it, but people who like praise & worship will also be able to enjoy it.

EJ:  Sure.  And I think you did that well– it’s got variety, but it’s clearly ONE project.  While we’re talking about choirs, I’ve got a more philosophical question for you.

JJ:  Okay.

EJ:  It seems like fewer choirs are getting recognition these days in the gospel industry… almost as if there aren’t as many mainstay choirs.  Do you feel like the choir scene in gospel is changing?  If so, how are you working to remain relevant?

JJ:  Wow.  I think the choir scene has changed because the industry has changed.  And I don’t mean “industry” as far as what people want, I mean “industry” as far as money.  Just to keep it real.

EJ:  Mm-hmm.

JJ:  It’s harder to move a choir because you can only move up to a certain number of people.  So, if you have a concert, you can have someone like J Moss– you have his honorarium, plus one ticket for him and travel for his background singers.  Or, you can bring in Ricky Dillard, who has 50 people.  Even though the honorarium may be different, the cost to move the group is just so much higher.

EJ:  Wow.

JJ:  So, what has happened now is that people are scaling down everywhere they can.  One of those areas is travel.  And choirs are taking the brunt of that because we have the most people.

What I’ve been doing to compensate for that is that I travel with less people, but still maintain the choir sound.  So as opposed to carrying 20 to 30 people, we travel with between 9 and 12 singers and a band.  We still give you the choir sound that you’re accustomed to from us, but you won’t have to pay as much for travel.  Still, 9 to 12 is a lot sometimes, but we move as many as we can.  It’s just a strain financially.

EJ:  Absolutely.  Just getting to the gig.

JJ:  Yeah.  I remember hearing that one choir took a bus all the way from California to New York.  People aren’t doing that anymore.  So, it’s just different, financially, in this industry than it was 15 years ago.

EJ:  Sure.  You mention traveling with fewer members, but you have a large choir.  How do you choose who’s going where and how do you deal with choir members who say “Well, he didn’t pick ME to go, why should I still do it?”

JJ:  Even to this day, we still have the same issue.   There’s a certain sound that has to be produced, regardless of how many people we bring.  And what we try to do is rotate as much as possible because I’ve been blessed with a large group of singers that can really represent the choir well.

Of course, at the same time, we have certain lead singers that people look for when we go places and I can’t leave them home.

EJ:  Right.

JJ:  So, it’s always a hard balance, but we try to move them around as much as we can.  You know, I explain to the choir what the issues are and they seem to understand.  We just try to be as fair as possible when we move people around.

EJ:  That’s a good approach.  You mentioned some of those lead singers we expect to see and I’ve gotta tell you– at GMWA, I nearly lost my mind about David McClure.  I think everybody was like “who?!  WHAT?!” *laughs*

JJ:  *laughing*  You know, honestly, I’ve been blessed over the last year or year and a half with some GREAT lead singers– of course, David McClure… we have a lead singer from New Jersey named Melissa Bell, and another singer named Jennifer Johnson out of New Haven, CT.  I didn’t go out to search for singers, we just happened to go places and we ministered with them there.

David is actually a member of our church and it just felt so right at that point… the timing was right for him to start traveling with us.  He’s great and he’s really a humble guy.  It’s just been a blessing.

EJ:  That’s great to hear.  Now, you’re a husband, a father, an artist.  How do you manage it all?  We hear stories about artists falling prey to different situations– how are balancing your commitment to family and your commitment to ministry?

JJ:  Well, one of the blessings is that my wife sings in the group, so where the choir goes, she goes.  But even if I’m doing a workshop or make certain appearances by myself, I take her with me.  Not because I think I’m going to go out and make a mess if I’m not with her, but because there are so many things that happen today– I wanna make sure I’m covered and SHE covers me.

And with our kids, we try to be there for them as much as we can.  When we’re home, we are HOME.  And when time allows, we do bring them on the road with us, so we’re not away from them every weekend.  Otherwise, we’d never seem them on weekends.

EJ:  Right.

JJ:  It’s worked out well so far.  I was just looking at the schedule for the rest of the year and it’s crazy.  When we go to Italy, I’m taking my kids with me.

EJ:  Are you?

JJ:  I told the promoter, if you want us, you’ve gotta bring my kids.  It’s Christmas and they’re coming with me.

EJ:  You’re a good dad.  So, what’s next for you?  Of course, you’re about to be working this album, but down the line, what do you have in mind?

JJ:  Well, one thing that’s been a blessing is that some people have heard the record and they’ve started asking me to help them with their records.  So what I’m trying to do is– my musical director and I– we’re looking into starting to produce a little bit.

EJ:  That’s awesome, man!

JJ:  We praise God that people enjoy our sound and we wanna be able to place that sound in some other places, maybe even where it’s not a choir– groups and soloists… I’ve gotten a lot of flack from people who say “you turned the choir into a praise & worship group.”  Well, that’s what I enjoy.  But now, I may be able to deal with other groups and soloists that are geared more toward praise and worship, and help to accentuate that sound for them.

EJ:  Very good.  I think that’ll be hot and, of course, I’m looking forward to it! I really appreciate you for taking a minute to chat, man.

JJ:  This is so funny… you’re sounding so professional!

EJ:  *laughs* I’m trying to put on my professional voice!  It’s all I can do to be like “Hi there, JJ Hairston, how are you?”

JJ:  *laughing*  Well, I’ll be professional and say “thank you very much.”

EJ:  Yes. You do that! *laughing*  And may God continue to bless your many ministry endeavors. *laughs*

JJ:  *laughs* Alright, thanks man.

EJ:  Bye man.

*     *     *

That’s it, folks!  What did you think???

One thing that stood out to me is that, no matter how large or successful, the issues that are real for smaller choirs are the same issues that are real for major choirs.

Don’t forget that Resting On His Promise, the new album, is due in stores THIS TUESDAY.  Click here to read my review of the album.

And lemme know what you think!

 

JJ Hairston & Youthful Praise boldly return to the gospel scene with their fifth album, Resting On His Promise, due in stores this Tuesday, September 1st.  From this 12-track project, two things are abundantly clear to me– the choir is establishing itself as the contemporary choir standard, and it’s only getting better with time.

There’s plenty to love on this album– from the great songwriting to the talented band and excellent production.  What I appreciate most, however, is that JJ Hairston & YP are able to significantly contribute to the progression and development of the choral genre, while respecting the foundation upon which it is based.

It’s clear in the varied, but cohesive, styles of songs on the project.  YP easily navigates the rock-infused “Hear Me Lord,” the staggering worship ballad “Awesome Wonder,” and the jazz-laced “Still Mighty, Still Strong,” with vocals from powerhouse Dorinda Clark-Cole.  But they remind us that they’re more than capable of mastering the traditional “High Praise,” featuring the legendary Pastor Shirley Caesar, and the downright churchy “You Can Make It.”

Other stand-out tracks are “Great Expectation,” a timely single-worthy song of encouragement featuring Myron Butler, “Powerful God,” with jaw-dropping ad libs from YP’s own David McClure, “Lord You’re Beautiful,” with the boundless Lorraine Stancil leading the vamp, and the title track (and current single), “Resting On His Promise” featuring Bishop Eric McDaniel.

More than catchy songs, the album’s message of trusting in God is timely, encouraging and full of life.  I urge readers to not regard this project as “just another choir album.”  Resting On His Promise is definitely worth a listen (and probably a purchase) from any lover of gospel music.

The project is available everywhere on September 1st, but you can pre-order it NOW by clicking on the image to your right. >>>