From the Heart, the debut album from Jessica Reedy seems to have been long-awaited since before she was actually working on it. The season two Sunday Best runner-up collaborated with some of gospel music’s finest writers and producers (Warryn Campbell, Big Jim Wright, Daniel Moore and more) to create the 13-track project that Reedy says is truly an outpouring of what God gave her to do.
At first listen, I was a bit taken aback. While I wasn’t expecting a churchy traditional gospel album, I also wasn’t expecting the progressive, soul-laden music that Reedy has delivered. Once I got past my own expectations, though, I could listen to the songs for what they are– testaments of love and gratitude, straight from Jessica Reedy’s heart to God’s ears. And I can’t deny that the impressive vocals, creative songwriting and tight production now have me returning for more.

The album is mellow for sure–a bit cozier than I would want on a road trip– with only a few up-tempo tunes. Among them is the project’s latest single, the bouncy ”Put It On the Altar,” and “Doctor Love,” the clever remake of the 70′s classic dance club tune, featuring Faith Evans.
Musically, From the Heart is jam-packed with soulful sounds, at times even featuring Motown-styled production and doo-wop backrounds vocals. Tunes like “Marching On,” which is reminiscent of an Otis Redding groove, and the tight harmonies of “Always,” resonate with my old school heart and take me back a musical era or two.
Jessica also dabbles in urban flair, though, as heard on songs like “So In Love With You (Amazing),” which is first driven by a thunderous bass before it reaches an ethereal chant of “so amazing,” with Jessica ad libbing in worshipful gratitude. Or, just listen to “Something Out of Nothing,” an R&B-styled ballad that showcases greater vocal range than we’ve typically heard from her.
Lyrically, the album’s messages are often couched in more abstract prose than this industry gets on a regular basis. The Mali Music-penned “Blue God,” for example, is a knock against our selfishly skewed relationships with God, demonstrated through wittily placed punctuations of “my” this and “my” that. Listen closely and the sarcasm screams loud and clear– it’s not about us.
Though progressive, the rich heritage of gospel music is foundationally present in gems like “I’m Still Here,” an excellent collaboration between Jessica Reedy and The Soul Seekers, blending Jessica’s rich tone with the group’s quartet-style background vocals, and lead singer Teddy Campbell’s classic crooning. It’s also heard in “God Has Smiled On Me,” the full arrangement of the mellow groove that placed Jessica as a frontrunner on Sunday Best in 2009.
Throughout From the Heart, Jessica’s passion is felt in her pulsing vibrato and colored tone. She intensely delivers each note as if it counts the most. For her, it does.
I won’t deny it– making this album was risky. At first listen, it’s not what the fans are expecting. But, as she shared in a recent interview with me, Jessica knows that and isn’t really phased by it. It’s clear that she is most interested in expressing herself musically than impressing people.
But, with From the Heart, I believe she’ll do both. It’s good music… from-the-heart music. And in an industry increasingly dominated by numbers games and PR gimmicks, it’s a relief to know that an artist decided to simply be herself, express herself, and leave the rest out of the equation.
Listen and buy it on Amazon, iTunes, or right here–