It’s no secret that Donald Lawrence is one of my favorite artists in gospel music.  There aren’t many artists who can honor the rich heritage and sound of gospel, while still adding their own element to it.  He’s not of this era– he’s got few contemporaries– but he’s still relevant. That’s not an easy feat.

In case you haven’t already done so, I encourage you to read my album review at gmc’s official website.  That’s my official and formal deal on Donald Lawrence’s new album, YRM (Your Righteous Mind).

Here, I’ll allow myself to be a fan, just chattin’ about my favorite parts of the project… let’s go!

The a cappella intro to D. Lawrence’s remake of Commissioned’s “How Can We Sing (In A Strange Land)”… perfection.  And it only gets better, as Keith Staten and Jason Nelson take turns on lead.

Listen to “Spiritual,” the latest single from this album, to hear how masterfully Donald incorporated the classic “fruits of the Spirit” segment from the Clark Sisters’ 1981 tune “Walk In the Spirit” (Twinkie was before her time, by the way). THIS type of stuff is where he shines.

If you attended any of the regional Verizon Wireless How Sweet the Sound events last year, you probably remember Marvin Sapp and CeCe Winans performing the Walter Hawkins classic “When the Battle Is Over” with Donald. On the album, singers Kim McFarland and Dante Hall (one of Donald’s newer full-time vocalists) tag team on it. It’s gospel like it’s s’posed to be.

There aren’t many duos like sisters Tobbi and Tommi.  And they demonstrate it on their remake of Chaka Khan’s “Through the Fire.”  The bass line is true to the original, which is wise– this feels like a great, updated version of something we’re still jamming to anyway.

I adore the complex harmonies on the vamp of “The I AM Factor.”  That, with the string arrangement… wow!

Aaaand Floyd Wilkinson’s performance of the Daryl Coley tune “II Chronicles,” is a more-than-fitting pairing. He executes it with precision and passion– definitely a fave.

Other stand-outs for me are “Second Wind” (featuring Anita Wilson) and “We Agree” (featuring Israel Houghton), the latter of which is a refreshing and unexpected pairing.

In a nutshell… buy it.

By the way, for street day (August 9, 2011), Amazon.com is selling it for $3.99!
Grab it here!

I woke up incredibly hoarse this morning.  I know that I talked on the phone quite a bit yesterday for business, and that I went to bed later than usual because I was celebrating at a friend’s party, but I knew neither of those things was the culprit.

Jason Nelson is to blame.

See, I listened to Jason Nelson A LOT yesterday while riding in my car. More than listening, though, I sang along.  Tried to, anyhow…

Jason’s got one of those voices that just makes you wanna try it. Like, perhaps you’ll accidentally stumble upon being able to sing like him, if only for one moment.  You’ll go hoarse trying to sing with Jason Nelson.

But Jason’s not the only one– at times, for me, it’s been Teddy Campbell, Isaac Carree, Floyd Wilkinson, Donnie McClurkin, Melonie Daniels, Kim Burrell…

And I know I’m not alone in this because I’ve driven alongside some churchy people putting on a full CONCERT in their car.

So, tell me– who is an artist that you go hoarse trying to sing with?

Immediately following the taping of the 25th Annual Stellar Awards, social networking sites were flooded with praises, lauding THIS show as the best Stellar Awards EVER.  And I agree.

I’ve attended numerous times and I’ve watched the show since I was kid growing up in Chicago– the performances on this show were innovative and you’ll be hard-pressed to find more memorable and captivating performances right now.

!!!SPOILER ALERT!!!

During the taping, I sent tweets via Twitter about who was on stage, but intentionally left off the songs that were being performed.  Here, I’m recapping the ENTIRE taping, so if you wanna leave anything to your imagination, don’t read any further.

If you wanna know the juicy details, do proceed…

As you probably know, the show was hosted by Donnie McClurkin, Vickie Winans and Kirk Franklin.  They did a great job, especially Vickie, who served as comic relief for much of the night.  There was no hype man between set changes this year, so we could’ve gotten really restless but for Vickie’s jokes about herself.

For the first time, the Stellar Awards featured a live house band, which was led by producer Percy Bady.  This made a WORLD of difference because the sound was tighter than ever, the performances came to life, and we weren’t bound by the restrictions of each artist’s performance track.  EXCELLENT decision.

If you follow my tweets, you know that I said that the theme for this year’s show would be COLLABORATIONS.  Almost all of the performances on the show are medleys between artists that have made significant contributions to gospel music over the past 25 years.  The others were performances from artists that left a great impression on the industry in the past year.

The show opened with a collabo between Ricky Dillard & New G and Hezekiah Walker & LFC.  If you love choirs, you’ll get a glimpse of Heaven within the first coupla minutes of the program!

Ricky Dillard & New G performed “Search Me” before transitioning into the classic vamp of “More Abundantly”… you know, the part where the sopranos, altos and tenors break down into parts, singing “JOYYYYY!”  During this time, the Love Fellowship Choir had joined them on stage, just in time for Bishop Hezekiah Walker to lead them in their hits “I Need You To Survive” and “Souled Out.”  It was electrifying.

The next performances came from the legendary Vanessa Bell Armstrong, performing her hit single “Good News.”  She looked incredible and sounded even better.

In a traditional female vocalist collaboration, we were super blessed to witness Lady Tramaine Hawkins sing “Changed” (it doesn’t matter how many years have passed– her voice DOES NOT CHANGE) before Dottie Peoples came on stage to sing “On Time God” like you wouldn’t believe.  As if that wasn’t enough, Pastor Shirley Caesar came to the stage to tell us about ol’ Shoutin’ John in “Hold My Mule”  Y’all remember that song?!  It was a classic performance.

The next collabo came from Richard Smallwood and Smokie Norful.  This was absolutely one of the best performances.  Fortunately, I had seen it during some rehearsals, because I could’ve missed the whole thing.  An usher at the Grand Ole Opry House used this time to SCREAM in my area, talkin’ about “are there any SEAT FILLERS over here?!”  Fortunately, my wife told her to “shhhhh!!!” and we still caught some of it.  Don’t mess with Janice Gaines, y’hear?

Picture it– Smallwood and Norful, both in tuxedos (with tails), each at a black grand piano, tickling the ivories like nobody’s business.  Richard Smallwood started by playing Smokie’s “I Need You Now,” then Smokie followed by playing Richard’s “Center Of My Joy.”  Smokie then played and sang “Dear God” (from his latest project) and Richard Smallwood capped the performance off with his classic anthem, “Total Praise.”

New Artist Of The Year Crystal Aikin came to the stage next with her hit single “I Desire More,” and left the entire room desiring more… I could’ve heard her on that vamp all day.  Her voice soars, effortlessly, and she’s got such control and sincerity… a true treasure.

Another stand-out performance came from our favorite bro & sis– BeBe & CeCe Winans, singing their latest single “Grace.”  They looked like a million bucks and they sounded like they never took a 15-year break.  They’re just pros who don’t miss a beat.

Up next was another classic performance– Kirk Franklin performed with his singers– new and old– a medley of his greatest hits, including “Silver & Gold,” “Why We Sing,” and a bunch of others I’m forgetting.  The best part of the performance was probably when Tamela Mann and Dalon Collins joined them to sing “Now Behold The Lamb.”  That auditorium went UP and IN.  CLASSIC!

Up next was the popular single “I Trust You” from James Fortune & FIYA.  They gave a great performance and reminded everyone why he had such great success at radio– it’s a singable anthem that encourages souls… great stuff.

The next performance is one that you’d BETTER watch for on the broadcast.  Don’t take bathroom breaks even remotely close to this segment.  I’m talking about the all-male vocalist collaboration between Donnie McClurkin, Byron Cage and Marvin Sapp.  There are hardly words to describe it.  The song list was great–  ”Never Would Have Made It,” “The Presence Of The Lord Is Here,” “Faithful To Believe,” “Marvelous” (by Walter Hawkins), and “Stand.”

Each of the three guys took turns singing on “Never Would Have Made It” and “Stand.”  By the end of their set, the ENTIRE room was on its feet worshipping.  They came back in on “Stand” and the taping had to take a break.  I’ve NEVER heard Byron Cage sing the way he did, Donnie’s range was limitless and powerful (as always) and Marvin Sapp was simply incredible.

At this point, Kirk came out and shared some of what’s been on his heart.  One thing that stood out was a quick phrase he gave– “IN ADVANCE.”  He shared that, as we sleep, as we doubt, while we’re not knowing what is going to happen, GOD has thoughtfully already worked everything out for us, in advance.  Our response to THAT should be that we praise Him, in advance.  It was a very powerful moment– I know I’m not typing it well enough to convey that, but… you’re gonna have to trust me.

The fire was kept burning by the next performance, which came from Israel Houghton and Mary Mary.  Israel performed via satellite from London, while Erica & Tina Campbell looked and sounded great on stage as they sang the Grammy-nominated “Every Prayer.”  I loved the concept of it and the execution.  Great job.

The finale of the show came sooner than I had prepared for– I guess I wanted to go until midnight or something– but when it came, it was great.

Donald Lawrence & The Co. (and you guys KNOW I love me some Co.!) sang “Back II Eden” with the Atlanta West Pentecostal Church Choir, winners of How Sweet The Sound (HSTS), behind them.  It was a great concept to include the choir because HSTS was such a great and popular part of the gospel industry this year.  And when Floyd Wilkinson came up to do his vamp… I’m sayin’… I could listen to that vamp 10 times in a row and never got tired of it.

What I think you WON’T see on camera is Vickie Winans clownin’… she won Female Vocalist Of The Year and the award was presented by Shirley Caesar, Dorothy Norwood and Albertina Walker.  When she won, she was so overwhelmed and blown away that she went to the podium and said to Albertina (who sat with an oxygen tank next to her), “girl, gimme some of this [oxygen].”  I NEED them to not edit that out! LOL

Also, you probably won’t see Tina Campbell with her gorgeous new lil’ baby, TJ.  She walked to her seat with him at one point, and the whole audience awww’ed and oooo’ed cuz it was just priceless.

Even without those moments, you’re gonna get all the rest… and that’ll be one of the best set of televised gospel performances you’ve ever witnessed.

I commend Don Jackson, Central City Productions, Barbara Wilson, and the entire Stellar Awards production crew for an incredible show– definitely my favorite over the past decade, and probably EVER.  Elegant, professional, classic… it was more than just a celebration of 25 years of the Stellars… it was a celebration of gospel music.  Perfect!

Soooooooooooo… sound good to anyone else?  Anyone attend and wanna chime in?  Did I miss anything???

I will admit that I was skeptical– if you remember last year’s Celebration Of Gospel, there were just a bunch of moments that left us wondering… “WHY?!”

But this year, for its 10th anniversary, BET seems to have taken time and done things well and with purpose.  I honestly thought it was a GREAT show.

My quick comments about each song, in order:

Fred Hammond featuring Kelly Price and Shirley Caesar – “Awesome God”
I loved the album version of this song (and wondered if it should’ve been the single) for months now. For me, the addition of Kelly Price to the performance made this song a great opener.

Yolanda Adams – “Victory”
It’s a great song, and Yolanda always gives an incredible live performance, but I didn’t necessarily NEED it. Just seemed a bit random.

Anthony & Tarsha’ Hamilton – “Better Is One Day”
One of the best performances of the night for me. It was an awesome arrangement of a CCM favorite, it was heartfelt and simple. And Tarsha’ can SING! Geeeeeeez.

Bobby Jones & The Nashville Super Choir featuring Y’Anna Crawley – “The Lord Will Make A Way Somehow”
Dunno what was up with Dr. Jones’ costume in the beginning (it was creative, but the bubble wrap thing threw me for a loop), but by the time the singing started, I was all in. Y’Anna sounded & looked great, the Nashville Super Choir went hard, and it was a solid performance.

Kelly Price & Ledisi – “How Great Thou Art”
From what I hear, BET edited some of the best parts of this performance from the TV broadcast. No matter… even as an edited shadow of itself, the performance was one of the night’s best. These are two of the most gifted female vocalists in the music biz right now. Loved it.

BeBe & CeCe Winans – “Close To You”/”Grace”
I sent a tweet last night that, though I love them, BeBe & CeCe could’ve done a throwback tune for me and I would’ve been thrilled. From a business standpoint, I get it (and they still did a great job)… I’m just even more eager for that reunion tour!

City Of Refuge P.S.A.L.M.S. Choir – “Shout”
I’m not a huge fan of the choir, but they did a great cover of this classic Milton Brunson tune. Lots of energy and a clean look make them stand out. Nice job.

Shirley Caesar – “Celebration”
The First Lady of Gospel always delivers a solid performance. Performing her newest single, she remained consistent and demonstrated that traditional vocals will NEVER go out of style.

James Fortune & FIYA – “I Trust You”
A bit underwhelmed by the use of background vocal tracks instead of live bgv’s until the vamp, but the song is powerful and so was the performance. This group is solidifying itself as a mainstay in the gospel landscape.

Fred Hammond – “They That Wait”
Actually, I wasn’t as interested in this song without John P. Kee being there. Makes me wonder if, in the end, it wasn’t the collabo that made the song so popular. I didn’t necessarily need to see this performance, especially given that he did the opener…

Fantasia & Diane Barrino – “He’s Done Enough”
From the moment she hit the stage, Fantasia’s shoes were off and she was jumpin’. It’s how she does gospel and I LOVE it. I also loved seeing her mama lookin’ like an artist herself… they performed together at the 2009 Chicago GospelFest and on Bobby Jones last season– I could get used to this!

Rance Allen Group – “Something About The Name Jesus”
Watching Rance Allen perform is always an adventure– you never know where the riffs & squalls are gonna come from, but you know they’re coming! It was great to hear him sing this classic tune, but I’m beginning to see less of a need for the “Group.”

Tye Tribbett & G.A. – “So Amazing”
It’s been said that this is the last we’ll see of G.A., as Tye is reportedly disbanding the group (per in-the-know journalist Jawn Murray, who attended a “farewell concert” on New Year’s Eve). If so, this was a nice performance to end their run. The song is good, the energy was what we’ve come to expect… cool deal.

Donnie McClurkin – “We Fall Down”
Donnie continues to demonstrate why there is no substitute for a good song and a solid vocal performance. No frills or gimmicks– just a 10-year-old tune and a vocalist who never really misses. Excellent.

Marvin Sapp – “The Best In Me”
This song was a hit from the moment he sang the first note at his live recording. And you all have been listening to it here for a while now, and lovin’ it. Another dynamic performance from an incredibly gifted singer. Chalk up another one for Marvin Sapp.

Donald Lawrence – “Back II Eden”/”The Best Is Yet To Come”
An awesome finale performance, with the incredible Floyd Wilkinson on the vamp, from the man with the Midas touch. The only thing missing for me was Donald’s group of singers, but I’m just spoiled.

All in all, this show was really great. The tribute to Steve Harvey was heartfelt and touching. And I’ll say this– if some of the greatest ministers of music in our industry come together annually, and interact with non-believers, we’re SUPPOSED to see a change in people. What that says for other annual televised gospel programs, I’m not sure… but it’s encouraging to see what God’s been doing in Steve’s life through Celebration Of Gospel.

Now… WHAT DID YOU THINK OF THE SHOW?!

Wednesday at GMWA was a slower day, not cuz there wasn’t plenty to do, but because people were kinda dragging and showing their fatigue… folks were skippin’ events and what not. LOL

I got a chance to chat with Floyd Wilkinson, who leads the hit Donald Lawrence & Co. single, “Back II Eden.”  To be one of the singin’-est dudes you’ll find in the game, he is incredible kind, humble and down to earth.  And he’s hilarious.  Gotta love that.

I stopped by the “Tribute To The King” concert, which was being hosted by Kurt Carr.  I didn’t stay for the whole tribute, but I noticed some of his singers, so I’m sure they ministered their faces off.  I also got a chance to see Dottie Peoples and Chrystal Rucker backstage.  The attendance at the tribute was rather low, but they were goin’ in on some classic James Cleveland tracks before I had to leave.

Took a quick break for dinner at some Korean bistro (it was pretty good) before heading to the Youth & Young Adult showcase, which featured a bunch of great aspiring/new artists.

When I arrived, Isaac Cates & Ordained were on stage and sounded GREAT.  Not long after, Sunday Best finalist Zebulon Ellis got on the piano to play and sing the classic Milton Brunson tune “For The Good Of Them.”  I’ll say this– we, the Sunday Best viewing audience, were cheated out of experiencing how awesome his vocal ability is.  Dude can blow, FOR REAL.

A bit later, Melinda Watts performed “There Will Come A Day” from her new album, followed by a organ-accompanied “When We All Get To Heaven” and “When I See Jesus” medley.  It was HOT.

After her, JJ Hairston & Youthful Praise took the stage and performed their hit song “Incredible God, Incredible Praise.”  Lemme tell ya– incredible PERFORMANCE, too.  They ended their set with their new single, “Resting On His Promise,” and had Bishop Eric McDaniel join them for the vamp (as he does on the recorded version).  They had great energy and an even better sound.

I ducked out before the end, lest I fell out from fatigue– this week will wear you OUT if you don’t get your rest!  Geeeeez.

That’s it for now.  ‘Til later!

As you’ve gotta know by now, Y’Anna Crawley was crowned Sunday Best on BET last night!  Whooo hooooooooooooo!!!  If you recall, I called that one (despite my oft-proclaimed love of Jessica’s artistry).  Congrats to you, Y’Anna!  BIG things are in store.

I guess this is my last recap until next season.  You ready?  Let’s go get ‘em.

The show opened with Kirk talking about the car they’d win, but I was just anxious to see some good singin’.  Right after the first commercial break, Donald Lawrence & Co. took to the stage with their hit single, “Back II Eden.”  LOVED IT.  First, they sounded and looked great (of course).  But by the time Floyd Wilkinson took the mic for the vamp, I nearly lost it.  That dude sounded like a trillion bucks and he brought his game, for real.  I want a D. Lawrence tour– who do I have to talk to???

As if THAT wasn’t enough, Y’Anna and Jessica followed with a performance of New Edition’s classic R&B song, “Can You Stand The Rain.”  WHAT?!  At first, I was like “who would’ve thought to do this,” but as my boy, Al, reminded me: The Murrills just re-made it on their debut album, Family Prayer.  In any event, Y’Anna and Jessica sang it like they owned it– great job.

Next came individual performances from Y’Anna (“Encourage Yourself”) and Jessica (“I Surrender All”).  Both performances were great, of course.  Y’Anna was noticeably hoarse, but she’s a pro– she pulled through and still gave a great performance.  Jessica gave her all, as usual, and had BeBe and Erica crying so tough that they couldn’t gather the words to comment on it.

The “concert” continued with BeBe & CeCe Winans reuniting on stage with new music for the first time in yeeeeaaaars (note: I say “new music,” cuz they reunited to perform “Hold Up The Light” with Melinda Doolittle on American Idol in 2007).  The performed their single, “Close To You,” from their forthcoming, highly anticipated reunion album.

It was GREAT to see them together again.  They sounded amazing (both have age-less, classic voices that I can listen to day-in, day-out).  Someone on Twitter (follow me!) said that they didn’t really play off of each other that well this time, but I think they just haven’t done it in a while… it’ll be SOOOO on point by the time they start their Reunion Tour!

Finally, Kirk announced that Y’Anna won the competition.

And I wrote that as anticlimactically as it occurred on the show, which brings me to an important note…

A lot of people expressed EXTREME disappointment over the fact that the entire season was taped in less than two weeks, including the finale (two versions of it were taped, one with each finalist winning, and our votes determined which version would air).  People said “but, it should be live like American Idol,” or “it takes away some of the excitement.”  And I said “well, let’s just wait and see… it should still be emotional for the ladies.”

When the announcement was made, both Jessica and Y’Anna looked as casual as if they were being selected for softball teams.  No tears, no shaking, no arms waving in praise… I needed SOMEbody to fall out!

Hear me clearly:  I do not fault THEM for that.  I think they gave as much of a “real” expression as they could, considering that one had to conjur up excitement and the other had to fabricate disappointment, then flip it and re-record it again… but that’s the magic of television for ya!

Y’Anna closed the show out with her upcoming single, “I Promise,” produced by Buster & Shavoni (ain’t heard from y’all in a minute!).  From Twitter to text messages, I think we AAAALLLL screamed out “this is like a BRANDY track!”  And it soooooooo coulda been– but Yannie’s got this one… and I’m glad to hear it.

What did you all think of the finale?!