A couple of weeks ago, GospelPundit.com contributing writer Mia Paylor wrote her first editorial in her new series, Purchase Or Pass, regarding Jason Champion. You guys loved it so much (and so did I), that I figured we need to hear from Mia again, sooner than later.
So, without delay, here’s Mia’s… policy… on purchasing music. *giggling*
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Jesus said we should forgive 77 times. But at $10 each, I can’t afford to forgive $770 worth of disappointing CDs! Once I hit $20, you’re CUT from my “MUST BUY” list. My most common disappointment is unmet expectations…and my most recent encounter with it involves Byron Cage.
Byron Cage’s self-titled GospoCentric debut is a CLASSIC. With production headed by Kurt Carr, this CD impacted how Praise & Worship was done…PERIOD. What praise team didn’t sing “The Presence of the Lord is Here”…and beg to cut at least two modulations?! The power of God, a seamless flow from high praise to reverent worship, top-notch background vocals, and well-written, perfectly arranged…very church-friendly songs were all present on this CD. Surely, I’d get more releases like this from Byron. My expectations were sealed!
Already familiar with Isaiah Thomas’ “I Will Bless the Lord”, I didn’t rush out to buy Byron’s 2005 release, An Invitation to Worship (produced by PAJAM). After hearing “We Love You”, which sounds like Byron’s a featured guest on J. Moss’ song, I opted to pass on it altogether. Both songs were nice. I just couldn’t imagine how they fit together on the same CD.
But, I did purchase Byron’s 2007 release, Live at the Apollo (also produced by PAJAM), when I found out Kim Burrell was featured on it. It had its highlights…specifically, “Royalty”, “Anyhow” and “If You Never.” But, where did the seamless flow go? Where were the well-written, church-friendly Praise & Worship songs?
So, this time, my good friend, Cynthia Jones (make-up artist extraordinaire), had to convince me to give Bryon’s most recent release, Faithful to Believe (produced by Aaron Lindsey), a listen. She said that she shared my reservations initially, gave it a shot anyway and was pleased with the CD.
So, I downloaded it…and it’s definitely a step up from the last two releases. “I Give You Praise” is a nice Praise & Worship song. “Simply Yes” and “I Can’t Hold It” are soul-stirring choir selections. And “Lord, You are My Everything”, with Karen Clark-Sheard and Pastor Marvin Winans, is a churchy treat. But, WHERE, OH WHERE is the PLETHORA of songs that praise teams everywhere MUST learn? And why are the background vocals lacking precision?
If Byron hadn’t been marketed as “The PRINCE of Praise”, I’d be at peace with my post Byron Cage purchases. Instead, I’m longing to have my princely expectations met. If my expectations were set in error, tell me!
Artists should use the formula that catapulted their recording career while preparing to record subsequent projects. I think that would decrease the likelihood that CD-buying supporters will be disappointed with what an artist offers as it relates to their future CDs style, flow, lyrics, and overall production.
I’m willing to purchase Byron’s future projects. But, first, I have a question. What should I expect from a Byron Cage CD?! Depending on the answer, I’ll ignore my $20 cut-off limit, tweak my expectations accordingly and prepare to buy the next release.
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I hear you, Mia. I will say that I enjoy his most recent release more than his previous two… but there’s nothing like that first one on GospoCentric!
What do you folks think?

I’m now a changed woman! No more passing on purchasing a gospel CD simply because the artist just hopped off of the secular bandwagon seemingly because they were too broke to stay there! Instead, I’ll do a bit of research…try to get a feel for their true motive for recording the project by reading bios and interviews…listen to their song clips to see if my Spirit-man connects with them. Then, I’ll decide to purchase or pass.






