Israel Houghton returns to the scene today with his newest album, Love God. Love People. The project has been highly publicized, primarily because it was created in London’s famed Abbey Road Studios, the birthplace of much of the Beatles’ historic music.

Produced by Houghton, with Aaron Lindsey and Tommy Sims, the magic and wonder of the recording space can definitely be heard in this musical body of work.  One might criticize it, though, as it likely showcases more musicality than the average consumer can appreciate or follow.  Still, while Abbey Road may not carry as much significance for the gospel community as it does for Israel personally, there’s something quite cool about knowing that this project is unlike others in our genre.

The album opens with the title track, full of funk and a banging beat, before transitioning to another stand-out, “Yahweh.”  This tune is energetic and full of vocal/instrumental nuances that make you wanna listen multiple times in a row, just to ensure that you’ve heard it all.  Up next, is “Love Rev,” with a fun 60′s Motown/British invasion chorus (with a bit of a doo-wop vibe) that you’d expect to have been created at Abbey Road.

Other standout tracks are “That’s Why I Love You,” a mellow, jazzy groove that makes you wanna snap your fingers and fall in love with God all over again, and “You Hold My World,” a heart-wrenchingly performed ode to God’s faithfulness (the song’s build is captivating).

Israel’s also got some solid, but understated guest performances from his industry peers–  the upbeat and dance-ready “Mercies,” features Kirk Franklin.  With its Earth Wind & Fire kind of vibe, it’s just screaming for a skate party. The collabo is so seamless and natural that the song could easily have fit on an album by Kirk, too.  Then there’s “Surprises,” with Fred Hammond giving a vocal that is higher and lighter than we’ve come to expect from him, along with a bass-heavy vamp that showcases Hammond’s musicianship in a way that we don’t always get to hear.

Perhaps one of the most powerful songs on the entire project is the one that ends it– ”Hosanna (Be Lifted Higher).”  In various sections of the song, the tune is as pure and innocent as the children’s choir singing behind it, before becoming as intricate as the background vocals supplied by a cappella wonder-group Take 6.  It’s the type of song that should/will be sung at an outdoor crusade by about 40,000 people at once.  At over 8 minutes in length, “Hosanna” is over-the-top grand. And rightly so– it’s a cry of praise to an over-the-top grand God.

In sum, Love God. Love People. is certainly more experimental than any other project he’s done. If Houghton’s Real album bothered fans of the praise & worship New Breed sound, this one is gonna drive them crazy.  There’s hardly anything that most churches will be adding to their Sunday morning repertoires, but Israel has never claimed to be a limited to what we define as “worship music.”  In my estimation, he’s always explored the more creative side of himself in a way that is uninhibited and undefined.

The masterful production and simply “good music” found on this project is reason enough for any true music lover to grab it.  The fact that we can have it, and know that it’s about an infinitely creative God (who expresses His creativity in innumerable ways)… that’s a bonus.  Worth a purchase.

Click here to listen and/or download it now!

An editorial from Associate Editor Troy Lilly…

It may be hard to believe but it’s been 30 years since Bobby Jones Gospel debuted, making its host, Dr. Bobby Jones, more popular on Sunday mornings than most preachers in the pulpit.

When Bobby Jones Gospel first aired on BET in 1980, the network’s first year, I wasn’t even alive. My parents weren’t married until the following year, and Martin Luther King’s birthday wasn’t a national holiday. Albums were still called LPs then, and everybody’s home entertainment center consisted of a deluxe turntable. Remember those days? Okay, neither do I, but I’ve done some research.

Anyway, what I’m saying is that it’s been really long time since the cameras started rolling on the set over there, and things have changed. A lot.

We’ve come a long way.  We have Sunday Best now, which is the gospel equivalent of American Idol. Singers (and pretenders) belt their hearts out in front of the judges for weeks, and at the end the home viewing audience  votes to decide who wins a recording contract. And then there’s the yearly Celebration of Gospel where gospel and secular artists make music on the same stage while host Steve Harvey tries to tell clean jokes. How’s that for progress? I know some of you are disenchanted with Sunday Best but this isn’t a comparison, so hear me out.

Long before the competitions and musical soirees went mainstream and hit primetime, Bobby Jones Gospel put a face with the music and gave the industry its first national platform. Dr. Jones expanded that platform across the Atlantic and Pacific Oceans , earning the title “Ambassador of Gospel.” I hold him in the highest of regard for everything he’s done for gospel music, and I’m sure you do as well. I just have a couple of questions, and I want to know what you think.

Although the music and mediums have changed over the years, those changes haven’t affected the show very much. You can still find it airing on the same network, on the same day, in the same timeslot, same format, and still hosted by Dr. Jones. In fact, Bobby Jones Gospel is the longest-running show on BET and one of the longest in cable television history. However, do you find it strange that the show has stuck to the same formula for three decades?

I mean, Bob Barker did the same thing with The Price is Right, so maybe it’s not a bad thing. But I’m leaning against it.

Consider this: traditional radio and television viewership is declining; digital music sales via iTunes and online music retailers will eclipse physical sales this year; internet marketing through social media is rapidly becoming the most effective way to market and sell music, aside from the music itself. Let us also remember the rise of blog sites in the last five years, sites like GospelPundit.com (which we love, right?).

Now don’t get me wrong, I’m well aware that many artists who were introduced on Bobby Jones Gospel went on to achieve unprecedented success. Gospel heavyweights like Yolanda Adams and Kirk Franklin, who are two of the best-selling gospel acts of the last 20 years, both got their start there.

I’m just asking you, when was the last time you saw a new artist on the show Sunday morning and headed to Best Buy or jumped on iTunes to cop their album? I’m curious to know.

If anything, I feel like the show has become sort of a rite of passage. It’s the place every major gospel artist must go to pay their respects at some time or another, and there’s nothing wrong with that.

I think it’s very appropriate for us to take this time to appreciate (and congratulate) Dr. Bobby Jones for all he’s has done for gospel music. By introducing the look and sound of gospel to households across the nation, Bobby Jones Gospel has allowed countless artists to share their ministry with the world. And I love a good ole’ gospel jamboree.

As we celebrate 30 years, however, I’m just wondering– will you still be skipping Sunday School to watch?

Umm… Did anyone watch the Soul Train Gospel Experience on gmc a couple of weeks ago?

I DVR’ed it and just watched it over the weekend… I feel a little duped!

I thought it was gonna be a 60-minute compilation of the greatest gospel moments on Soul Train.  Turned out to be a 1996 episode of Soul Train that featured Kirk Franklin, but not until you endured a bunch of scantily clad girls grinding to 90′s R&B artist Mona Lisa lip-synchin’ on stage.

I’m sure it was a licensing issue–couldn’t get the footage of just Kirk without buying the whole episode, or maybe Don Cornelius wouldn’t allow slicing and editing of the episodes (in copyright law, we’d call that a “derivative work”) without getting a bigger financial cut of the pie… WHATEVER the reason, I wish I had known that upfront.

With more installments of Soul Train Gospel Experience coming, I’m gonna have to more carefully consider whether I’ll subject myself to 40 minutes of Shemar Moore dancing in leather pants (it was the 90′s, remember?) just to see 5 minutes of Karen Clark Sheard demolishing the vocals.

Sidebar: It was good to see J Moss hosting the gmc set.  Whoo hoo!

Anyone else watch it?  What did you think???

New Associate Editor Troy Lilly interviewed Fred Hammond for you guys…

In this chat, he talks with Fred about Life in the Word (the new album that hits stores TODAY), Fred’s new relationship with Universal Music Christian Group, and plans for the future.

It’s a great read, so I won’t delay things any further… here’s Troy with Fred Hammond.

*     *     *

Troy: How are you doing this morning, man?

Fred: Good, man. How you feel?

Troy: Good, good. I appreciate you taking time out of your busy schedule to talk with me.

Fred: I appreciate you, doc, for talking to me.

Troy: First off, I want to congratulate you on the new label, fHammond Family Entertainment, and your joint venture with Universal Music Christian Group.

Fred: Yeah.

Troy: Everyone’s really excited about it. Some people are so excited they’ve let their imaginations run wild about what’s going to happen next. I mean really, really wild!

So, tell me how this partnership came about and what exactly this means for future Fred Hammond projects?

Fred: Well, uh, the label is not as new as is kind of being said. It’s fHammond Music, basically, which was on the Verity/Zomba label.

Troy: Ok.

Fred: Verity and Zomba both gave me an opportunity to learn the inside of executive producing …there’s other levels… marketing, and not just finding the talent, but motivating and molding the talent. Verity taught me to do that.

But when we got to the end of our run, Verity wanted to concentrate on less secondary projects and more primary projects. Fred Hammond is a primary and fHammond is a secondary.

Troy: I see.

Fred: Basically, I got dropped! Naw…I’m just kidding! (laughs)

Troy: (LAUGHS)

Fred: And I didn’t really get dropped. We both mutually agreed, you know, it was time to go. It was a good run. We got Joann Rosario [Condrey] out of it, I had the Singletons and Shea Norman … Joann really shined out of that… but I got a chance to learn at each step.

Troy: Right, right.

Fred: But Universal came along. And see, because Universal is not a label – they’re distribution – they can help develop a label, you know.

Troy: Right…

Fred: They don’t have artists to compete with. They were looking for some talented young labels and people who had music and they said, ‘we can help you.’ And when we met up with each other I felt really good about it. I went there and sat down and I felt like this was the place to be.

They allow me, as a businessperson, to say, “this is the plan and this is the direction we’re going.”

Troy: Wow.

Fred: Sometimes I’m almost asking them permission to do something as a label…

Troy: (Chuckles)

Fred: And they’re like… ‘uh, that’s your label. You tell us what to do.’ And I’m like, “oh, ok!” It’s almost like Eddie Murphy in the movie Trading Places when he walked into the house and said, ‘oh, so this vase is mine …so that means I can just throw it down on the ground,’ – POW! You don’t really believe it at the end of the day.

Troy: The first project on the fHammond Family Entertainment label hits stores on July 27th and is titled Life in the Word. What’s the significance of the title?

Fred: It’s interesting that the first CD that comes out is Word-based. It’s what the whole foundation of the company and the label will be based on – life in the Word. So the actual CD itself is a praise and worship devotional.

There’s little narrated scriptures in between most of the music. Some of them are comedic, some are dramatic. But if you just hear them it’ll remind you… that we should go over into the land because we can certainly take it. Whatever your promised land is, go get it.

Troy: Yeah.

Fred: And like I said, some of them are comedic. I play a preacher on one of ‘em, from a store front church, and I scream, “READ!” (Laughs)

Troy: (Laughs)

Fred: And they start reading and I change the words up on ‘em. So they’re reading, ‘for this’ and I say, “No, for that,” then, “no, for this…” (laughs)

Troy: (Laughs)

Fred: It’s funny, but it’s still reading the Word of God.

Troy: Now, I have to say this: the spoken scriptural interludes on the album are a treat and really take me back to the “Inner Court” days with Radical for Christ… stuff like “The Communion Song” where there’s actual reading during the song,

Fred: Yeah!

Troy: And then like “Hear My Cry”…man! That stuff is just ripped from scripture, kind of like hearing people sing the Bible.

Fred: That’s just my style, man.

Troy: You’re credited with creating the sub-genre Urban Praise and Worship, but you described the Life in the Word project as “the other side” of your style. Do you feel this style and sound will appeal to a new, wider audience, or…?

Fred: On this one… it’s a little departure, but it’s not theeeee departure, you know what I’m sayin’? I didn’t wanna shock people too bad. But if they got to listen to “You Are My Dwelling Place” – which I sing on – they’re gonna hear a little alternative and rock edge to it.

Troy: The album features an ensemble of gifted singers such as Lowell Pye, Ericka Warren, Candace Laster, Michael Bethany, and Faith Anderson. What caused you to choose this particular group of singers?

Fred: Man, it’s like these cats…they can really sing! I reached out to Lowell because he’s a friend of mine. I think Lowell has an [amazing] voice. Some people I sit there and like everything they do. Lowell, when he sings, that’s me. He reminds me of John P. Kee, who’s my favorite male vocalist.

Troy: Yeah, probably for a lot of us. (chuckles)

Fred: So at the end of the day, Lowell was a no brainer. And when I asked him he was like, ‘yeah, man, yeah…I’ll do it.’

And then the rest of them kinda sing with me. They go out on the road with me, except Faith, who sings with Kirk [Franklin]. But it was an opportunity and they all jumped at the opportunity. I’ve always had a heart to help people

Troy: How much will we hear you, Fred, vocally on this new record?

Fred: I’m actually singing two songs on there. One of them is a remake, the full version of “Just to Be Close to You” with the verses and everything.

Troy: Yeah, I saw that. So, it sounds like this new album is really similar to the In Case You Missed It… project, which primarily featured and introduced a plethora of guest artists.

Fred: Absolutely. It’s just the same concept. I may even do an In Case You Missed It 2…  on this label. I may take some of my old music that people didn’t’ really catch onto, songs that I thought were great and nobody really listened to…

Troy: (Laughs)

Fred: And let somebody else do it. Folks will hear it and say, “Wow! I didn’t hear that song that way when he sang it.” So there’s an In Case You Missed It 2… coming, a Life in the Word 2 coming.

Troy: Should we expect to see solo projects on this new imprint by some of the guest artists you’ve introduced over the years…perhaps even solo work from Fred Hammond in the future?

Fred: Well hopefully, all of them. Hopefully all of them will get a chance to be able to do their own projects from this – especially in my camp.

And I’m looking to expand this into different voices and different topics.

Troy: Ok.

Fred: My daughter, BreeAnn, is a great vocalist, but I don’t think I should put her out there in the way where she has to go to churches and stand up, and do this and do that. But she can go to youth groups and sing to other 18- and 22-year-olds about what it feels like to be in love and lose love.

They don’t necessarily have to hear it from all from Rihanna, you know what I’m sayin’?

Troy: Yeah!

Fred:  But they can hear it from a woman with “this” instead of that perspective.

Troy: Wow.

Fred: So I want to have new voices. Then I have another guy who’s been out there, another brother. He has a great album. His name is Steve Huff.

Troy: Oh, yeah man! Steve, definitely.

Fred: That’s my dude. We just hooked up and I’m putting him out. He’s got a great album and I believe in it. He’s super urban. – I mean he’s got like 10, 12 songs of “God in Me,” and they’re all killin’! I mean they’re all killin’.

And then there’s another younger guy I got named Silas. He has another sound with another voice, and he’s talking about life. It sounds like a mixture of Hootie and the Blowfish meets…somebody else.

Troy: (Chuckles)

Fred: Honestly, it’s just different sounding music, and it may not all get radio, but there’s a way to get it out. People are getting 50 million hits on YouTube, and you’ve got Pandora radio and Fred radio…

Troy: Yeah, the game is definitely changing.

Fred: Right, the game is changing, and I love gospel radio but I understand that they just don’t have all the room to put everybody out there, so…

Troy: That’s true.

Fred: I’m gonna put out different forms of music.

Troy: Ok.

Fred: I have a jazz CD I’m putting out, but I’m not gonna do “Lord, Help Me to Hold Out” over a piano solo. No, I’m doing a straight-up smooth jazz album. It’s a musician album. I got a group and it’s a jazz CD, just with a Christian guy who happens to be playing jazz.

We’re going to talk about some regular stuff AND still have God and the gospel going in, because believe it or not, God cares about all of that.

Troy: He does.

Fred: He said “cast all your cares,” not your “gospel” cares or your “Christian cares,” but he said every care that you have cast on me, because I care for you.

Troy: After almost 30 years in the business producing, arranging – playing – are you ready to focus on something other than music, or is it still “all about the music?”

Fred: Music is the base, but man, I’m writing books. I figure the world has enough self-help books, so my books are fictional. They’re stories that I’ve met and seen in my lifetime – people dealing with childhood issues, murder. These are things that I’ve seen. Several of my friends have been killed, executed.

Troy: Man! (gasps)

Fred: That’s the kind of life I’ve dealt with, you know. I’ve been in the church and in the streets, so I’m gonna tell the story. But, I’m going to tell you where God shows up, how God heals that moment!

Troy: Right!

Fred: And it doesn’t have to sell a billion books. But it’s going to be unique.

Troy: I’m excited.

Fred: It’s a start, you know? One day, Commissioned had a record called “I’m Going On,” and people were excited. But, we also heard the other side: “it’s not as good as the Winans,” and “you guys aren’t big time…” I heard all of that.

But you still put something out, and you do another one and another one, until you look up and you’ve sold millions of records and you’re doing an interview talking about your first label. (Laughs)

Troy: (Laughs) That’s how it happens.

Fred: That’s it.

Troy: I want to say congratulations again. I hear the vision and I see that you are really taking the reigns, creating opportunities, not only for yourself, but for other people as well. I enjoyed the talk, man, and I hope you did as well.

Fred: Yes sir. Yeah, I appreciate you, man. Keep doing what you’re doing and anything you need to ask, just hit me up. We gotta work together.

Troy: Definitely.

Fred: Very good, man. Thanks.

Troy: You’re welcome. Take it easy.

*     *     *

Niiiiiiiiice!

Glad to hear, officially, what all the fuss is about over Fred and Universal Music.  And, I’m glad to know more about the direction he’s heading, musically– some of those projects (especially that jazz one)… I want them NOW!

So, what did you guys think of Troy’s interview with Fred Hammond?

The latest project in the Gotta Have Gospel series– this one, featuring Choirs– will be in stores on July 27th.  There will also be an accompanying DVD released on the same day.

Check out the track listing–

1. Lift Him Up -Hezekiah Walker
2. Victory (Live) -Tye Tribbett & G.A.
3. Zion Rejoice (featuring Erica Campbell of Mary Mary) -Faithful Central Church
4. Let The Praise Begin -Fred Hammond & Radical For Christ
5. You Are Good -Lakewood Church
6. High And Lifted Up -Joe Pace
7. God Is Featuring The Tri-City Singers -Dewayne Woods
8. Imagine Me -Kirk Franklin
9. I Speak Life -Donald Lawrence featuring Donnie McClurkin
10. Total Praise -Richard Smallwood With Vision
11. God Great God -Kurt Carr
12. Holy Is The Lord -The Brooklyn Tabernacle Choir
13. Show Up! -The New Life Community Choir Featuring John P. Kee
14. The Lord Will Make A Way Somehow -Bobby Jones & New Life with The Nashville Super Choir
15. Stand! -VIP Mass Choir featuring John P. Kee
16. Give Thanks- T.D. Jakes

For anyone who doesn’t already have the individual projects that first featured these songs, this is a pretty decent line-up.  I am, however, givin’ the side-eye to the notion that Kirk Franklin’s “Imagine Me” should be listed as a choir song…

Again, it’s in stores next Tuesday, but you can pre-order now by clicking here.

Anyone thinking of grabbin’ it?  Do you guys typically buy compilation projects like this???

Full disclosure– I love tons of new artists, but rarely get excited about ‘em.

It’s just that the concept of “longevity” in the gospel music industry is becoming increasingly foreign (maybe I’ll do a blog post about that later), so I rarely put my eggs of excitement into any new artist’s basket.

Immediately after listening to track 3 of More Than I Ever Had, the new album from developing group Rashad McPherson & Divine Purpose, I chucked away a few worshipful tears and immediately went to call Rashad McPherson’s team.  My sentiments: I am more passionate about this group’s raw ability and potential than ANY new artist I have seen in gospel music in a while.

Why?  A couple of reasons.

The artist format– frontman with an ensemble behind him– is familiar, but fresh because each of the singers with him can sing the walls DOWN (I’ve already got a personal fave from among them!).  The music is beautiful.  Just downright beautiful– lyrically, melodically, instrumentally.  McPherson has captured the sound of authentic “gospel,” and gives just enough to stir up nostalgic nuances of Kirk Franklin, Donald Lawrence or Hezekiah Walker, while still taking us on a musical journey into new terrain.

Rashad McPherson is a Berklee College of Music grad, as evident in the superb musicality you’ll hear in the tunes.  Standout tracks for me are “Everything You Are,” “The Promise,” “You’re My Reason For Breathing,” “I Would Be Lost Without You,” “He Made Me Well” and “More Than I Ever Had.”

I kid you not, nor do I intend to deceive and waste your money– if you adore contemporary gospel music by ensembles, you will not be disappointed by this project.  I endorse it wholeheartedly.  Big time.

To prove my point, I convinced Rashad McPherson to let me stream three tracks (I’m too excited) for you guys to listen to!

CLICK HERE to launch the PunditPlayer and Check ‘Em Out on the tracks ”Everything You Are,” “I Would Be Lost Without You” and “More Than I Ever Had.”  Geez… I also kinda wanna add “The Promise,” but I’ll wait… I believe you’ll still get a dose of what this phenomenal group has to offer.

And if you like what you’re hearing, listen to more and grab a copy of your own at CDBaby.com.  Also, make sure you connect with them on Facebook (click here) and on Twitter (click here).

Okay, folks– what do you think of what you’ve heard so far???

Word has it that Relevé Entertainment is just about ready for the return of its annual entertainment conference, The Merge Summit, from August 26-28, 2010 in Los Angeles, CA.

The Merge Summit “integrates faith and entertainment, and provides a platform and education for men and women of faith to interface and partner with executives and talent in the entertainment industry.” The event provides info and networking opps in film, television and music.

Confirmed attendees include Kirk Franklin, Hezekiah Walker, J Moss, Brian Courtney Wilson, James DuBose, Suzanne de Passe, Sheryl Lee Ralph, Wendy Raquel Robinson, and countless executives from entertainment companies including BET, ABC Networks, William Morris, Lionsgate, Creative Artists Agency, and Columbia Records.

Holly Carter, President of Relevé Entertainment, manages the careers of Mary Mary, Deitrick Haddon, Kierra Sheard and more.

For additional information and registration for the event, please visit www.themergesummit.com.

Anyone attend last year’s Summit? Anyone planning to attend this year?

Word has it that Israel Houghton is set to release his new album on August 31st, titled Love God. Love People.

The 12-track project features guest vocals from Kirk Franklin, Fred Hammond and Take 6.  He’s also co-written a few tracks with wife Meleasa, Tommy Sims, Aaron Lindsey and Michael Gungor.  The album was recorded at London’s legendary Abbey Road Studios (hence the visual homage to the Beatles’ Abbey Road album).

According to Israel, “Love God. Love People. is a return to a simple, foundational Gospel command: Love the Lord your God with all your heart and your neighbor as yourself.”

The full track listing for the project is as follows:

1. Love God Love People
2. Yahweh (The Lifter)
3. Love Rev
4. That’s Why I Love You
5. Others
6. You Hold My World
7. You Won’t Let Me Go
8. Our God
9. Mercies (feat. Kirk Franklin)
10. Surprises (feat. Fred Hammond)
11. Name of Love
12. Hosanna (Be Lifted Higher) (feat. Take 6)

Sounds niiiiiice!  Okay, talk to me– who’s pickin’ it up?!

This prayer train is still rollin’ and I’m ready to add a new addition to GospelPundit.com’s weekly series, The Prayer List.

This week, we’re praying for Myron Butler.

Myron gained national exposure and attention over a decade ago, through his songwriting/lead vocals on the history-making God’s Property album with Kirk Franklin.  Since then, however, the Lord has established Myron has a frontman in his own right, having released three albums with his group, Levi (the most recent of which, Revealed… Live In Dallas, hit stores in March of this year).

More than a gifted singer/songwriter, he’s a husband and father.  He’s a super humble guy with a fun personality and big ol’ heart.  Let’s lift him up in prayer, family.  Cool?

Lord, thank You for the life and ministry of Myron Butler.  Thank You for gifting him in so many ways, and thank You for giving him a heart to serve You and to worship You with his life.

I pray, Father, that You will accept Myron’s sacrifice of praise and worship, that it would please You and bring You glory.  I pray that You will grant Myron divine wisdom in all areas of his life– as a husband, as a father, as a leader of his group… I pray for clarity of thought and boldness to believe in all that You are able (and faithful) to perform in his life, and in the lives of those surrounding him.

Lord, please bless Myron with patience– in a natural and spiritual sense.  And allow him to rest in You… to rest in all that You’ve promised and revealed to him.  Help his unbelief, in whatever areas You may find it, God… And help him to never grow anxious as he waits for all that You have in store for him.  Encourage Myron’s heart, Lord.  Hear every prayer and let him know that You are always with him.

I pray that you would spark in him a new hunger for You, for Your Word, for Your character… I pray that Myron would continue to marvel at Your beauty, God, and that he would fall more deeply in love with You with each passing day.

Father, I pray that, as a result of his love for You, he would gain greater understanding of You and, in turn, impart that into Your people through his ministry.  I pray that You would give him all that he’ll need to do Your great work on this Earth.  In Jesus’ Name, Amen.

Okay, post your prayers for Myron Butler in the comment section!

Word has it that Marvin Sapp took home a BET Award last night– he won in the category for Best Gospel Artist.  I think we all called this one and could’ve seen it comin’ a mile away.  But I’m THRILLED for him!

Also nominated in the category were Vickie Winans, Kirk Franklin presents Artists United (for Haiti Relief song), Tamela Mann and The Anointed Pace Sisters.

By the way, did anyone catch the show???

An obvious highlight for the gospel industry was Kirk Franklin’s performance of “Are You Listening?” with Fred Hammond, Marvin Sapp, Kim Burrell, Yolanda Adams and Karen Clark Sheard.  Everyone was in great voice and looked great and all that.  I could’ve used a BIT more Karen Clark Sheard on the ad libs– but couldn’t we all?

But before all that happened, we had another dope-for-gospel type of moment. I was thrilled to hear Alicia Keys, in the middle of her medley of hits, introduce Kim Burrell, who joined Keys in singing “If I Ain’t Got You” (Burrell changed the lyrics to say ”if it ain’t you, Jesus… if I ain’t got you, Jesus…”).  It was an incredible moment– the audience went BANANAS as if they, too, were die-hard Kim fans since the days of her indie release of Try Me Again (y’know, with the short haircut on it).  I’m glad for where God’s taking her.

(An aside: El DeBarge wasn’t doing gospel, but that medley ministered to my VERY SOUL, so… yeah.  Just needed to say that cuz I grew up on DeBarge.)

OKAY, tell me what you thought of the show, if you caught it, and blah blah blah…

Go!