Archive for "lowell-pye"

In Stores: Nakitta Foxx’s Debut Solo Album Available Digitally

For years now, you’ve probably been most familiar with Nakitta Foxx’s ministry vis a vis the ministry of Kurt Carr– she’s one of the awesome vocalists that sings with him. Need a refresher? Listen to “God Blocked It.”

But now, Nakitta Foxx steps out on her own, independently releasing her solo debut album, Let Us Worship, TODAY on iTunes, Amazon and CDBaby only.

This 11-track project is said to be a blend of gospel styles, all of which highlight Foxx’s soaring soprano and passionate delivery. Plus, there’s a guest appearance from Lowell Pye, which is always a good thing.

Listen to it and buy it right here

And learn more about Nakitta at her official website: http://www.NakittaFoxx.com.

The Charts: Project From Fred Hammond Debuts At #2, Lowell Pye At #10

Life In the Word, the first project in the joint venture between Fred Hammond’s fHammond Family Entertainment and Universal Christian Music Group has debuted at #2 on the Billboard Gospel Albums chart. Fred’s 2009 release, Love Unstoppable, came in at #6 this week, so he’s got TWO albums in the Top 10.  Congrats!

Also, kudos to Lowell Pye for debuting at #10 on the chart, with his solo debut, Finally, which hit stores last Tuesday. Click here to listen to snippets and to buy it!

The rest of the top 10 shakes out to look a little something like this…

The full run-down of the top 10 looks like this…

#1 | Marvin SappHere I Am
#2 | Various ArtistsLife In the Word
#3 | WOW Gospel 2010
#4 | Hezekiah Walker & LFCSouled Out
#5 | Trip LeeBetween Two Worlds
#6 | Fred HammondLove Unstoppable
#7 | Brian Courtney WilsonJust Love
#8 | Forever JonesGet Ready
#9 | BeBe & CeCe WinansStill
#10 | Lowell PyeFinally

To be honest, I haven’t grabbed Lowell’s project yet– anyone got it?  Anyone lovin’ it?

Tell me about!

He Said: Exclusive Interview with FRED HAMMOND

New Associate Editor Troy Lilly interviewed Fred Hammond for you guys… :-)

In this chat, he talks with Fred about Life in the Word (the new album that hits stores TODAY), Fred’s new relationship with Universal Music Christian Group, and plans for the future.

It’s a great read, so I won’t delay things any further… here’s Troy with Fred Hammond.

*     *     *

Troy: How are you doing this morning, man?

Fred: Good, man. How you feel?

Troy: Good, good. I appreciate you taking time out of your busy schedule to talk with me.

Fred: I appreciate you, doc, for talking to me.

Troy: First off, I want to congratulate you on the new label, fHammond Family Entertainment, and your joint venture with Universal Music Christian Group.

Fred: Yeah.

Troy: Everyone’s really excited about it. Some people are so excited they’ve let their imaginations run wild about what’s going to happen next. I mean really, really wild!

So, tell me how this partnership came about and what exactly this means for future Fred Hammond projects?

Fred: Well, uh, the label is not as new as is kind of being said. It’s fHammond Music, basically, which was on the Verity/Zomba label.

Troy: Ok.

Fred: Verity and Zomba both gave me an opportunity to learn the inside of executive producing …there’s other levels… marketing, and not just finding the talent, but motivating and molding the talent. Verity taught me to do that.

But when we got to the end of our run, Verity wanted to concentrate on less secondary projects and more primary projects. Fred Hammond is a primary and fHammond is a secondary.

Troy: I see.

Fred: Basically, I got dropped! Naw…I’m just kidding! (laughs)

Troy: (LAUGHS)

Fred: And I didn’t really get dropped. We both mutually agreed, you know, it was time to go. It was a good run. We got Joann Rosario [Condrey] out of it, I had the Singletons and Shea NormanJoann really shined out of that… but I got a chance to learn at each step.

Troy: Right, right.

Fred: But Universal came along. And see, because Universal is not a label – they’re distribution – they can help develop a label, you know.

Troy: Right…

Fred: They don’t have artists to compete with. They were looking for some talented young labels and people who had music and they said, ‘we can help you.’ And when we met up with each other I felt really good about it. I went there and sat down and I felt like this was the place to be.

They allow me, as a businessperson, to say, “this is the plan and this is the direction we’re going.”

Troy: Wow.

Fred: Sometimes I’m almost asking them permission to do something as a label…

Troy: (Chuckles)

Fred: And they’re like… ‘uh, that’s your label. You tell us what to do.’ And I’m like, “oh, ok!” It’s almost like Eddie Murphy in the movie Trading Places when he walked into the house and said, ‘oh, so this vase is mine …so that means I can just throw it down on the ground,’ – POW! You don’t really believe it at the end of the day.

Troy: The first project on the fHammond Family Entertainment label hits stores on July 27th and is titled Life in the Word. What’s the significance of the title?

Fred: It’s interesting that the first CD that comes out is Word-based. It’s what the whole foundation of the company and the label will be based on – life in the Word. So the actual CD itself is a praise and worship devotional.

There’s little narrated scriptures in between most of the music. Some of them are comedic, some are dramatic. But if you just hear them it’ll remind you… that we should go over into the land because we can certainly take it. Whatever your promised land is, go get it.

Troy: Yeah.

Fred: And like I said, some of them are comedic. I play a preacher on one of ‘em, from a store front church, and I scream, “READ!” (Laughs)

Troy: (Laughs)

Fred: And they start reading and I change the words up on ‘em. So they’re reading, ‘for this’ and I say, “No, for that,” then, “no, for this…” (laughs)

Troy: (Laughs)

Fred: It’s funny, but it’s still reading the Word of God.

Troy: Now, I have to say this: the spoken scriptural interludes on the album are a treat and really take me back to the “Inner Court” days with Radical for Christ… stuff like “The Communion Song” where there’s actual reading during the song,

Fred: Yeah!

Troy: And then like “Hear My Cry”…man! That stuff is just ripped from scripture, kind of like hearing people sing the Bible.

Fred: That’s just my style, man.

Troy: You’re credited with creating the sub-genre Urban Praise and Worship, but you described the Life in the Word project as “the other side” of your style. Do you feel this style and sound will appeal to a new, wider audience, or…?

Fred: On this one… it’s a little departure, but it’s not theeeee departure, you know what I’m sayin’? I didn’t wanna shock people too bad. But if they got to listen to “You Are My Dwelling Place” – which I sing on – they’re gonna hear a little alternative and rock edge to it.

Troy: The album features an ensemble of gifted singers such as Lowell Pye, Ericka Warren, Candace Laster, Michael Bethany, and Faith Anderson. What caused you to choose this particular group of singers?

Fred: Man, it’s like these cats…they can really sing! I reached out to Lowell because he’s a friend of mine. I think Lowell has an [amazing] voice. Some people I sit there and like everything they do. Lowell, when he sings, that’s me. He reminds me of John P. Kee, who’s my favorite male vocalist.

Troy: Yeah, probably for a lot of us. (chuckles)

Fred: So at the end of the day, Lowell was a no brainer. And when I asked him he was like, ‘yeah, man, yeah…I’ll do it.’

And then the rest of them kinda sing with me. They go out on the road with me, except Faith, who sings with Kirk [Franklin]. But it was an opportunity and they all jumped at the opportunity. I’ve always had a heart to help people

Troy: How much will we hear you, Fred, vocally on this new record?

Fred: I’m actually singing two songs on there. One of them is a remake, the full version of “Just to Be Close to You” with the verses and everything.

Troy: Yeah, I saw that. So, it sounds like this new album is really similar to the In Case You Missed It… project, which primarily featured and introduced a plethora of guest artists.

Fred: Absolutely. It’s just the same concept. I may even do an In Case You Missed It 2…  on this label. I may take some of my old music that people didn’t’ really catch onto, songs that I thought were great and nobody really listened to…

Troy: (Laughs)

Fred: And let somebody else do it. Folks will hear it and say, “Wow! I didn’t hear that song that way when he sang it.” So there’s an In Case You Missed It 2… coming, a Life in the Word 2 coming.

Troy: Should we expect to see solo projects on this new imprint by some of the guest artists you’ve introduced over the years…perhaps even solo work from Fred Hammond in the future?

Fred: Well hopefully, all of them. Hopefully all of them will get a chance to be able to do their own projects from this – especially in my camp.

And I’m looking to expand this into different voices and different topics.

Troy: Ok.

Fred: My daughter, BreeAnn, is a great vocalist, but I don’t think I should put her out there in the way where she has to go to churches and stand up, and do this and do that. But she can go to youth groups and sing to other 18- and 22-year-olds about what it feels like to be in love and lose love.

They don’t necessarily have to hear it from all from Rihanna, you know what I’m sayin’?

Troy: Yeah!

Fred:  But they can hear it from a woman with “this” instead of that perspective.

Troy: Wow.

Fred: So I want to have new voices. Then I have another guy who’s been out there, another brother. He has a great album. His name is Steve Huff.

Troy: Oh, yeah man! Steve, definitely.

Fred: That’s my dude. We just hooked up and I’m putting him out. He’s got a great album and I believe in it. He’s super urban. – I mean he’s got like 10, 12 songs of “God in Me,” and they’re all killin’! I mean they’re all killin’.

And then there’s another younger guy I got named Silas. He has another sound with another voice, and he’s talking about life. It sounds like a mixture of Hootie and the Blowfish meets…somebody else.

Troy: (Chuckles)

Fred: Honestly, it’s just different sounding music, and it may not all get radio, but there’s a way to get it out. People are getting 50 million hits on YouTube, and you’ve got Pandora radio and Fred radio…

Troy: Yeah, the game is definitely changing.

Fred: Right, the game is changing, and I love gospel radio but I understand that they just don’t have all the room to put everybody out there, so…

Troy: That’s true.

Fred: I’m gonna put out different forms of music.

Troy: Ok.

Fred: I have a jazz CD I’m putting out, but I’m not gonna do “Lord, Help Me to Hold Out” over a piano solo. No, I’m doing a straight-up smooth jazz album. It’s a musician album. I got a group and it’s a jazz CD, just with a Christian guy who happens to be playing jazz.

We’re going to talk about some regular stuff AND still have God and the gospel going in, because believe it or not, God cares about all of that.

Troy: He does.

Fred: He said “cast all your cares,” not your “gospel” cares or your “Christian cares,” but he said every care that you have cast on me, because I care for you.

Troy: After almost 30 years in the business producing, arranging – playing – are you ready to focus on something other than music, or is it still “all about the music?”

Fred: Music is the base, but man, I’m writing books. I figure the world has enough self-help books, so my books are fictional. They’re stories that I’ve met and seen in my lifetime – people dealing with childhood issues, murder. These are things that I’ve seen. Several of my friends have been killed, executed.

Troy: Man! (gasps)

Fred: That’s the kind of life I’ve dealt with, you know. I’ve been in the church and in the streets, so I’m gonna tell the story. But, I’m going to tell you where God shows up, how God heals that moment!

Troy: Right!

Fred: And it doesn’t have to sell a billion books. But it’s going to be unique.

Troy: I’m excited.

Fred: It’s a start, you know? One day, Commissioned had a record called “I’m Going On,” and people were excited. But, we also heard the other side: “it’s not as good as the Winans,” and “you guys aren’t big time…” I heard all of that.

But you still put something out, and you do another one and another one, until you look up and you’ve sold millions of records and you’re doing an interview talking about your first label. (Laughs)

Troy: (Laughs) That’s how it happens.

Fred: That’s it.

Troy: I want to say congratulations again. I hear the vision and I see that you are really taking the reigns, creating opportunities, not only for yourself, but for other people as well. I enjoyed the talk, man, and I hope you did as well.

Fred: Yes sir. Yeah, I appreciate you, man. Keep doing what you’re doing and anything you need to ask, just hit me up. We gotta work together.

Troy: Definitely.

Fred: Very good, man. Thanks.

Troy: You’re welcome. Take it easy.

*     *     *

Niiiiiiiiice!

Glad to hear, officially, what all the fuss is about over Fred and Universal Music.  And, I’m glad to know more about the direction he’s heading, musically– some of those projects (especially that jazz one)… I want them NOW!

So, what did you guys think of Troy’s interview with Fred Hammond?

Word Has It: New Fred Hammond Music… Kinda… Drops 7/27

Word has it that Fred Hammond will be releasing a new album, Life In the Word, on July 27, 2010 through a new deal between his fHammond Family Entertainment and Universal Music Christian Group.

Folks have butchered this news to smithereens… “Fred Hammond has a new album coming out!” and “Fred is with Universal now!”  Admittedly, I had to read through the press release several times to figure out what in the world was happening… but here’s the skinny:

Did Fred Hammond leave Verity?  No.  Not yet, anyway… Fred Hammond, the recording artist, is still signed to Verity.  His fHammond Family Entertainment label is not.  This deal (with the Universal distribution camp instead of the Sony distribution camp) likely signals an intent to hop over to Universal once he, himself, fulfills his recording obligations at Verity, but only time will tell… I’m not tryna be all up in his contractual commitments. ;-)

Is Fred Hammond singing on it?  No, not on the overwhelming majority of it.  But, it does feature lead vocals from developing artists Michael Bethany, Candace Laster, Terry, Ericka Warren and Dynna Wells.  It even has some tracks featuring Men of Standard’s Lowell Pye.

Should you still buy it?  SURELY!  At the end of the day, Fred is much more than a recording artist, he’s a gifted songwriter, producer and arranger– if that was his chief function on this album, you’re still gonna get “Fred Hammond music”… you just won’t hear HIM on all of it.

You can pre-order the digital version of it at WalMart.com NOW by clicking here.

Hopefully, this clears things up a bit… now, who’s grabbin’ it?

Out & About: Follow Me For Nonstop Stellar Weekend Recaps

Okay, good news and bad news…

The bad news is that there won’t be any new posts on the site today.  The good news is that you can follow me on Twitter for up-to-the-minute tidbits and recaps of EVERYTHING I do during Stellar Weekend… and that’s gonna be quite a bit.

My wife and I already hit up two events and saw a bunch of folks last night.  Today, there’s the BMI Trailblazers luncheon, the Nominee luncheon, an advance listening suite for Lowell Pye, the Stellar Awards Pre-Show, the Bonnerfide Radio Launch Party… geeeez!

Then Saturday, there’s a Stellar Award Radio Station luncheon, the Notes On The Red fashion show, the Stellar Awards Red Carpet, the Stellar Awards taping, a Stellar Awards Post-Party and an afterparty hosted by Urban Soul Cafe.

I know I’m leaving stuff out cuz I can barely remember it all– suffice it to say, you don’t wanna miss a minute of it.  You’ll feel like you’re here in Nashville! LOL

See you on Twitter!

Word Has It: Lots Of Guest Spots On Upcoming James Fortune Album

Word has it that James Fortune & FIYA’s new album, entitled Encore, will feature quite a few guest vocalists.

Expect to hear tracks featuring Kierra Sheard (on “The Greatest”), William Murphy (on “I Need Your Glory”), Isaac Carree (on “I Want To Praise You”), Nikki Ross (on “Can’t Stop”), Lowell Pye & Zacardi Cortez (on “You Are Here”) and Anaysha Figueroa (on “Draw Me”).

James FortuneEncore is the group’s third project and will be available in stores on January 26, 2010.  The first single, which is the title track, will hit radio this month.

Also, wanna clarify something about their upcoming recording on December 3rd in Houston, TX.  Despite earlier reports that the group would be recording a live album that night, the recording is just a DVD recording.  Don’t fret, though– the live DVD is expected to mirror the studio album, just… live.  The DVD will be released in May of 2010.

Who’s going, who’s buying, who’s supporting?  Talk to me!

Gearing Up: VaShawn Mitchell To Record Live

VaShawn Mitchell is prepping for a live CD/DVD recording for his fourth album, to be titled Triumphant.  On tap to participate in the live recording are Lowell Pye, Lisa Page Brooks (of the group Witness) and Lecresia Campbell.  YesSUH!

The recording take place on Saturday, August 8th at 6pm at Higher Living Christian Church, Atlanta, GA, where VaShawn is the Minister of Worship.

vashawn_recording

Visit http://www.vashawnmitchell.com for more info.

Now THAT is somethin’ I may hafta make my way to!

Hmmm… who to call… *gettin’ my dialing finger ready*

Word Has It: Lowell Pye's Solo Project

Word has it that Lowell Pye (of one of my faaaaaavorite gospel groups, Men Of Standard) is preparing for the release of his long-awaited debut solo project, titled The Beginning.  The album, produced by Asaph Ward, is due in August of this year, with the first single expected to be released in June.

I cannot WAIT!  Anyone else???

Goodies: Kirk and 'Em

Wanted to toss some Goodies your way real quick.  This was one of my favorite performances from this year’s BET Celebration of Gospel.

It’s Kirk Franklin’s “Little Boy” featuring Lowell Pye, Isaac Carree and Rance Allen.  ALL FOUR of ‘em are giving it to us, for real.

Enjoy:

After watching, I had a thought: what’s the difference between the showmanship of Rance Allen as compared to some of the urban gospel artists who dance and entertain, as well, in their performances?  How come gospel consumers seem more willing to accept HIS entertaining than the entertaining of younger artists (i.e., G.I., 21:03 or V3)?

Anyone wanna weigh in???

On TV: BET Celebration of Gospel

Oooooooh boy.  There was so much on TV yesterday… I’m gonna try to recap it all and say what I gotta say about it, but I’m CERTAINLY going in reverse order so I can talk about BET’s Celebration of Gospel first!

Me no likey! :cry:

There were a small handful of performances that I thought were really good, the rest ranged from so-so to mediocre, with the exception of one that was really… just something special and unexpected. :roll:

First, the good news: Kirk Franklin gave an INCREDIBLE performance of “Little Boy,” with Rance Allen, Isaac Carree and Lowell Pye.  These brothers saaang the way singing is supposed to happen.  Also, Hezekiah Walker & LFC featured Marvin Sapp and DJ Rogers on “God Favored Me,” and they almost too me outta here!  Awesome.  And, of course, Karen Clark-Sheard, one of the greatest voices EVER, closed the show with Donnie McClurkin on his new cut, “Wait on the Lord.”  Phenomenal.

And, thanks to all you artists who are generally consistent in bringing a good performance.  You didn’t disappoint:  21:03, Mary Mary, Vickie Winans (one of the singing-est women in this industry… why don’t people really acknowledge that?), Bobby Jones and Shirley Caesar.

Kurt Carr’s performance was aight, mostly because his singers ripped it… as usual.  But what was with the random church ladies dancing on the side?  Speaking of which, did anyone happen to catch The Color Purple on Broadway? :mrgreen:

kurtcarrcog

Let’s see… what else…

Smokie Norful and Heather Headley… y’know, I was expecting VERY little from this performance, so I was pleasantly surprised that it wasn’t a trainwreck.  He sang well, she sang well, they sang well together.  Somebody’s gonna blast her on here, I KNOW, but I say it wasn’t bad.

Now, I know I’ve read at least one comment saying that Trin-i-tee 5:7′s performance of “Get Away” left much to be desired.  I’m not one of those “cover yourself up” kind of Christians, but I think a good performance requires more than trendy clothing… make sure we understand your concept, or see a theme, or at least some synchronized choreography.

About LL Cool J:  I thought he was going to be featured on a Mary Mary song, not vice versa.  In either case, I looked up at some point and saw money flying on the stage.  And I checked out.  Good thing, though, I did hear him say the name “Jesus,” finally… (see my earlier post to see what I’m talking about).

Finally, and I guess somebody’s gotta say it, so it may as well be me:  Teena Marie. :shock:

BET Celebration of Gospel

Yeah, that’s pretty much what we thought, too, Teena.

I can’t tell you how many Facebook status changes I saw after this woman got off stage.  Pure hatred.  LOL

I’ll say this:  I think that Teena Marie gave us what she’s been giving us for the past decade– a diminished vocal ability and lackluster performances.  Don’t get me wrong, she is absolutely a legend, but like so many legends these days, the voice ain’t what it used to be.  But that’s where she is, that’s where she’s been.  I don’t fault her.

Personally, I’m looking cross-eyed at BET for booking her.  I don’t think we (and by “we,” I mean YOU) should be booking artists to perform on any event, especially not a gospel music event, based solely on their prior contributions to the music industry.  Consider the event, consider the genre and consider the audience.  Consider the respect due to those three things, then choose your artists.

Ok, I’ve released all of that.  I am carefully opening the floodgates to comments from you all.

WHAT DID YOU THINK?