It’s rare that I pass on doing a CD review, then fall so helplessly in love with a project that I change my mind. The Anointed Pace Sisters’ latest project, Access Granted, was one such CD and this, the debut album of Smokie Norful’s Victory Cathedral Choir, is another.
The album, Smokie Norful Presents Victory Cathedral Choir (EMI Gospel), was released this Tuesday and, in a nutshell, I’m loving it. BIG TIME. Song after song, this project delivers classic choir music that will fit well into the 11am service at anybody’s church. From choir vocals, to lead vocals, to songwriting and production, the project is a must-have that does not disappoint.
While Smokie Norful is responsible for “presenting” his church choir, I’m glad that it doesn’t feel at all like a Smokie Norful album. In fact, you’ll only remember that he’s involved with it two times– on the two songs he leads. Everything else screams “Chicago old school choir” like Milton Brunson & The Tommies or something.
The album opens with the invitational chant “Rejoice” before moving to the band-banging “Come Too Far,” led by Norful. The vibe slows a bit with “Your Latter,” with a lead vocalist slightly reminiscent of Kim McFarland.
Up next is the shout-ready single, “The Greatest Name,” followed by “You’re All I Need,” a beautiful choral piece that almost sounds like it could have been recorded by Richard Smallwood & Vision. The worship ballad “You Are Holy” comes next, set delicately to a beautiful piano with an equally beautiful lead vocal over it. From there, the cohesive project continues to moves seamlessly, from Smokie Norful’s lead on the downright churchy “I’m Still Here,” to “Refuge” and “Just Knowing Jesus.”
The project ends with what might be my favorite track on the album (and which, in my humble opinion, might have been a better single), “I Made It.” The precise syncopation of the band, choir and lead vocalist on this classic churchy, hand-clapping tune… it’s Sunday morning in all of the right ways.
I think what I like most about this project is that it’s an ode to the true church choir. It reminds of the days when choir soloists were content to sing their song on Sunday and go back to their 9-to-5 during the week. The fact that they could sing the walls down at church didn’t make them want to be national recording artists– they were content to serve in their local body. And serve WELL.
That rant will be for another post, but in the meantime– click here to purchase this project!
I added the single, “The Greatest Name,” to the PunditPlayer several weeks ago (click here to listen again).
Anybody else have this incredible album yet? Anybody gonna check it out???