***BREAKING NEWS***

The 52nd annual GRAMMY Awards are being held tonight, but the winners in the gospel categories were JUST ANNOUNCED at the pre-show.

My predictions were pretty darn good, if I do say so myself.  I was 5 for 7 in the gospel categories!!!

The winners in the gospel-related categories are highlighted in GREEN below (if I was wrong in my prediction, my earlier predictions are still there in yellow).

The winners are…

 Best Gospel Performance

“Free To Be Me” by Francesca Battistelli
Track from: Free To Be Me

“Jesus Is Love” by Heather Headley feat. Smokie Norful
Track from: Audience Of One

“I Believe” by Jonny Lang w/ Fisk Jubilee Singers
Track from: Oh Happy Day

“Wait On The Lord” by Donnie McClurkin feat. Karen Clark Sheard
Track from: We All Are One

“Born Again” by Third Day
Track from: Revelation

 Best Gospel Song

“Born Again” - Tai Anderson, David Carr, Mark Lee & Mac Powell, songwriters (Third Day)

“City On Our Knees” - Cary Barlowe, Toby McKeehan & Jaime Moore, songwriters (TobyMac)

“Every Prayer” - Dayna Caddell, Israel Houghton, Aaron Lindsey & Ricardo Sanchez, songwriters (Israel Houghton & Mary Mary)

“God In Me” - Erica Campbell, Tina Campbell & Warryn Campbell, songwriters (Mary Mary)

“The Motions” - Jason Houser, Sam Mizell & Matthew West, songwriters (Matthew West)

Best Rock Or Rap Gospel Album

The Big Picture - Da’ T.R.U.T.H.

Crash - Decyfer Down

Innocence & Instinct - Red

Live Revelations - Third Day

The Dash - John Wells-The Tonic

Best Pop/Contemporary Gospel Album

Speaking Louder Than Before - Jeremy Camp

The Power Of One - Israel Houghton

The Long Fall Back To Earth - Jars Of Clay

Love Is On The Move - Leeland

Freedom - Mandisa

Best Southern, Country, Or Bluegrass Gospel Album

Jason Crabb - Jason Crabb

Dream On - Ernie Haase & Signature Sound

The Rock - Tracy Lawrence

In God’s Time - Barry Scott & Second Wind

Everyday - Triumphant Quest

Best Traditional Gospel Album

God Don’t Never Change - Ashley Cleveland

The Law Of Confession, Pt. 1 - Donald Lawrence & Co.

Oh Happy Day - Various Artists

The Journey Continues - The Williams Brothers

How I Got Over - Vickie Winans

Best Contemporary R&B Gospel Album

Audience Of One - Heather Headley

Renewed - Sheri Jones-Moffett

Just James - J Moss

Smokie Norful LIVE - Smokie Norful

Bold Right Life - Kierra Sheard

Congrats to all of ya!

Aaaaand, just FYI– in a poll asking who YOU wanted to win for Best Contemporary R&B Gospel Album, you guys picked Kierra Sheard.  The full break-down:

Kierra Sheard - 41% (90 votes)
J Moss - 23% (51 votes)
Smokie Norful - 20% (44 votes)
Sheri Jones-Moffett - 10% (21 votes)
Heather Headley - 7% (15 votes)

Gospel Artists Nominated In Non-Gospel Categories:

I was 3 for 3 in these predictions!!!

Tonex was nominated for Best Urban/Alternative Performance for his single “Blend” (Unspoken), but as I predicted, it went to India.Arie.

Ann Nesby’s “Sow Love” (The Lula Lee Project) was nominated in Best Traditional R&B Vocal Performance.  As I predicted, it went to Beyonce for “At Last.”

Robert Randolph & The Clark Sisters were nominated in the Best R&B Performance By Group/Duo with Vocals category for their performance of “Higher Ground” (Oh Happy Day), as were Ann Nesby & Calvin Richardson, but as I predicted, it went to Jamie Foxx and T-Pain for “Blame It.”

That’s the full deal, folks!  What do you think of the winners list???

Okay, buddies, it’s that time of year again.  The GRAMMY Awards telecast is this Sunday, January 31st at 8pm ET/PT on CBS.

With that, it’s time for my predictions.  These were REALLY tough and I changed ‘em numerous times over the course of the past two weeks.  I’m finally at peace about them (for today), so I’m posting them before I change my mind again. LOL

Before I give ‘em, I wanna make two disclaimers–

(1) My predictions do NOT necessarily reflect my preferences, nor do they reflect who I ACTUALLY voted for on the GRAMMY ballot this year.  They’re predictions… and nothing more.

(2) The winner is often based on popularity.  Plain and simple.  Now, NARAS (the voting body) has gotten much better about this, even making all of the nominated music available for online listening so that we can make educated votes, but it’s still an uphill climb.  My predictions are based on how I believe the majority voted and that requires consideration of who’s most popular within the entire music biz.

Without further delay, here goes…

 Best Gospel Performance

“Free To Be Me” by Francesca Battistelli
Track from: Free To Be Me

“Jesus Is Love” by Heather Headley feat. Smokie Norful
Track from: Audience Of One

“I Believe” by Jonny Lang w/ Fisk Jubilee Singers
Track from: Oh Happy Day

“Wait On The Lord” by Donnie McClurkin feat. Karen Clark Sheard
Track from: We All Are One

“Born Again” by Third Day
Track from: Revelation

This is a tough one, fresh out of the gate.  I’m thinking it’s gonna go to Heather Headley and Smokie Norful for a couple of reasons– folks adore “Jesus Is Love” and the song has carried mainstream significance for decades.  Similarly, Heather Headley carries mainstream voting power with her, despite the fact that it was a gospel project.  And, all that aside, their duet was quite good.

 Best Gospel Song

“Born Again” - Tai Anderson, David Carr, Mark Lee & Mac Powell, songwriters (Third Day)

“City On Our Knees” - Cary Barlowe, Toby McKeehan & Jaime Moore, songwriters (TobyMac)

“Every Prayer” - Dayna Caddell, Israel Houghton, Aaron Lindsey & Ricardo Sanchez, songwriters (Israel Houghton & Mary Mary)

“God In Me” - Erica Campbell, Tina Campbell & Warryn Campbell, songwriters (Mary Mary)

“The Motions” - Jason Houser, Sam Mizell & Matthew West, songwriters (Matthew West)

I’m betting on The Marys for this one.  The success and popularity of “God In Me” was like a runaway train– it was played everywhere, performed everywhere, talked about everywhere… and with good reason.  I expect this GRAMMY to be the culmination of over a year’s worth of rather deserved acclaim.

Best Rock Or Rap Gospel Album

The Big Picture - Da’ T.R.U.T.H.

Crash - Decyfer Down

Innocence & Instinct - Red

Live Revelations - Third Day

The Dash - John Wells-The Tonic

As much as I enjoy Da’ T.R.U.T.H.’s project, I don’t think he’ll nab this one.  I’m actually torn on this, between Third Day and Decyfer Down… ultimately, I chose Third Day cuz they’re more of a household name.

Best Pop/Contemporary Gospel Album

Speaking Louder Than Before - Jeremy Camp

The Power Of One - Israel Houghton

The Long Fall Back To Earth - Jars Of Clay

Love Is On The Move - Leeland

Freedom - Mandisa

Another REALLY hard one for me… Jars Of Clay, Jeremy Camp and Israel are established artists with great music and big followings.  Mandisa and Leeland are newer, but just as popular in many circles, and also making some great music.  I have NO PEACE about this, but I’m predicting Mandisa.  She has a good project and her widespread exposure (added to her lingering American Idol popularity) may tip the scales in her favor here.

Best Southern, Country, Or Bluegrass Gospel Album

Jason Crabb - Jason Crabb

Dream On - Ernie Haase & Signature Sound

The Rock - Tracy Lawrence

In God’s Time - Barry Scott & Second Wind

Everyday - Triumphant Quest

I never have ANY clue when it comes to this category, cuz it’s just not my thing.  That said, I do know that Jason Crabb is one to watch right now, and I believe it’s because of this project.  That said, my money’s on Jason Crabb.

Best Traditional Gospel Album

God Don’t Never Change - Ashley Cleveland

The Law Of Confession, Pt. 1 - Donald Lawrence & Co.

Oh Happy Day - Various Artists

The Journey Continues - The Williams Brothers

How I Got Over - Vickie Winans

This is another tough call.  Donald Lawrence is simply incredible and he definitely deserves an award, in my opinion, but I fear that voters may not have agreed with his placement in the “traditional gospel” category… on that grounds, is it the best traditional project?  Maybe not… I predict the Oh Happy Day compilation.  It successfully brought together heavyweights in gospel and mainstream music to commemorate one of the most popular gospel songs in history.  It’s hard to ignore that.

Best Contemporary R&B Gospel Album

Audience Of One - Heather Headley

Renewed - Sheri Jones-Moffett

Just James - J Moss

Smokie Norful LIVE - Smokie Norful

Bold Right Life - Kierra Sheard

First of all, shout-out to EMI Gospel for having 4 of 5 the artists in this category.  That said, I’m QUITE unsettled about this one.  Ultimately, I predict that Heather Headley will grab it– she has a nice voice, an album that lots of folks enjoyed, and popularity in the mainstream.  In my opinion, her album was not the best out of this group and I didn’t know that so many people would vote for it.  But I’m inclined to believe that if she got enough votes to get a nomination, she just may have gotten enough to get the win.

Gospel Artists Nominated In Non-Gospel Categories:

Tonex was nominated for Best Urban/Alternative Performance for his single “Blend” (Unspoken), and he might win that, but I also see an India.Arie nod in the same category and she will probably nab the award.

Ann Nesby’s “Sow Love” (The Lula Lee Project) is nominated in Best Traditional R&B Vocal Performance (dunno why), but I’m fairly certain that Beyonce’s rendition of “At Last” will win in that category.

Robert Randolph & The Clark Sisters are nominated in the Best R&B Performance By Group/Duo with Vocals category for their performance of “Higher Ground” (Oh Happy Day), as is Ann Nesby for a Bobby Womack collabo, but I kinda expect the win to go to Jamie Foxx and T-Pain for “Blame It”.

OKAY.  Those are my predictions for the 2010 GRAMMY Awards.  For the full list of nominees in all categories, visit the GRAMMY website here.

What do you think???

One of the most highly publicized events of the Stellar Awards weekend was the Bonnerfide Radio Launch Party, the celebratory event hosted by Gerard Bonner for… well, the entire industry.  The party did not disappoint… it was a virtual who’s-who of folks in the industry and just about everyone rolled through at some point to show their love.

In case you don’t know by now, Bonnerfide Radio is a new internet radio station created and hosted by Gerard Bonner (also of GospelFlava.com).  Within months, the interactive radio show/chat room experience was nominated for a 2010 Stellar Award for Internet Radio Station Of The Year, and garnered the support of MAJOR gospel artists, including Fred Hammond, J Moss, John P. Kee, Sheri Jones-Moffett and countless others.

The night, hosted by popular journalist and personality Jawn Murray, boasted performances and appearances from new and established artists including PJ Morton, Jonathan Nelson, Jason Nelson, George Huff, Melinda Watts, Myron Butler, Candy & Peaches West, Algernon, Tre Thomas, Claude Deuce, Sheri Jones-Moffett, Rae Ellis, CMO, Dominique Side, JJ Hairston, Darnell Davis & Remnant, Lisa Page Brooks… I have to stop there cuz I’m losing myself in the evening again.

But just imagine a relaxed (though packed to the RAFTERS) lounge setting at Nashville’s popular venue, Limelight, featuring food and drink, enhanced by ministry/entertainment from some of the most creative and skilled vocalists in our game.  That’s where I was on Friday night!

Wanna make sure I mention this testimony, too– immediately after THIS event, Gerard Bonner was involved in an automobile accident in which his car was totaled.  From what I understand, he was hit by another car, which sent his car head-on into a truck… an 18-wheeler.  Praise God, Gerard and the passengers with him, walked away with only minor bruises– no internal bleeding or complications whatsoever.  When I spoke with him a few hours later, he was resting up to make sure he had enough energy for the rest of the Stellar weekend!

Now, I’m not big on blaming everything on the devil… I think, sometimes, folks just have auto accidents.  But if you were blessed to watch how God has been dropping miracles for Gerard left and right over the past several months, and if you had seen how that evening was a confirmation of so many of Gerard’s dreams and ambitions (based on his calling), and if you had seen the wreckage and how the accident REALLY could’ve turned out another way… you’d probably be rejoicing that the hand of God remains more powerful than any attempt of the enemy, that His plans can never be ruined, that He’s a God of mercy, grace and love… I’m not thrilled about the accident, but I am thrilled that God is consistent in showing His children “I’m here for you… I’ve got plans for you… I’ve got you– physically, financially, emotionally, spiritually…”  Let’s rest in that.

Anyway… it was kind of a once-in-a-lifetime type of deal, cuz how many launch parties can be thrown?!  But maybe, if we’re nice to him, Gerard Bonner will throw the industry another shindig next year…

In the meantime, you can check out his live radio show EVERY weekday morning, from 9am to 12noon ET, at http://www.getbonnerfide.com/.  You’ll immediately see what everyone is raving about…

The industry was blessed with some really great new music in 2009– we saw some highly-anticipated debut projects, a looooong-awaited reunion project, and fresh music from some of our favorite artists.

I think I’ve heard all of it and here are my 10 favorite albums of 2009, in order:

10.  Coko | The Winner In Me
Coko’s got one of those voices that just screamed CHURCH, even when her R&B group, SWV, was at the height of its popularity.  The Winner In Me is her sophomore gospel project and it demonstrated a firm commitment to gospel.  Even more, it demonstrated a firm commitment to Christ, lest there be any doubters.  She crafted a diverse, yet cohesive, body of work that has received significant rotation from me since its release in July.

9.  Tonex | Unspoken
Despite the talk and controversy that seems to follow him, Tonex’s musical gifts are 100% undeniable.  He provides one of the freshest musical perspectives in gospel music, always pushing the envelope to remind us that God, as Creator, gifted His children with the same mindblowing ability to CREATE.  I’m like a kid in a candy store when I listen to Unspoken.  There’s more musical goodness going on than I have the auditory capacity to take in at once, which is why the project has gotten so many spins from me.  And I’m far from being finished with it.

8.  Melinda Watts | People Get Ready
The winner of Gospel Music Channel’s 2008 season of Gospel Dream gathered an award-winning team of producers and songwriters to assist her in crafting a fresh and exciting debut project that represented her diverse influences and musical preferences.  There’s a little something for everyone on her album, so she’s been able to get major love from CCM and gospel audiences alike.  She’s an up and coming gap-bridger and, with her debut project, Melinda’s carving a nice lil’ spot in the industry for herself.

7.  Ted Winn | Balance
With his debut solo album, Ted Winn demonstrated his ability to handle every form of artistry in the gospel biz– he’s gone from choir, to ensemble, to duo, and has landed firmly as a solo artist.  What’s more– he’s one of a few artists that I trust, musically, to respect the gospel genre while remaining relevant to the marketplace.  The project is bursting with simply good music– from catchy songwriting (primarily his own) to great production and arrangements, Balance provides just that for listeners.

6.  Sheri Jones-Moffett | Renewed
On her debut solo album, Sheri Jones-Moffett “renewed” the industry’s concept of her as a vocalist.  We knew that she could dominate a churchy lead vocal, but we were blessed to see her jump effortlessly from soaring ballads to pop-infused tracks, even a 70’s-themed single and a New Orleans-styled praise chant.  With an inspirational and encouraging message to share, Sheri knocked her debut offering out of the ballpark… and nabbed a much-deserved GRAMMY nod in the process.

5.  Fred Hammond | Love Unstoppable
The pioneer of contemporary praise  & worship in gospel added yet another hit album to his discography with Love Unstoppable.  Perhaps most refreshing about this project is that he successfully tested the waters of other styles– even calypso and jazz– while remaining at all times “classic Fred.”  This album demonstrated why we continue to look to him for musical guidance for the coming years… great things keep coming from his lab.  He’s kinda unstoppable, too.

4.  BeBe & CeCe Winans | Still
The world waited 15 years for gospel’s favorite sibling duo to reunite and make music together again.  The wait proved worth it when BeBe & CeCe finally released a collection of music that was a great reminder of why we loved them in the first place, while remaining relevant to today’s musical climate.  How many duos can, at their height, take a break, experience chart-topping and award-winning solo careers, come back together, and prove that they’ve “still” got it?  Just one, I think…

3.  Israel Houghton | The Power Of One
Israel ventured out on his own, sans New Breed, for his latest project.  The result was a cohesive project from a musician who remained loyal to his gap-bridging musical technique while demonstrating his ability to master other styles within the gospel and Christian genres.  This album affirmed Israel’s ability to make music for the universal Body of Believers, a feat that not all ministers of music are able to perform.

2.  J Moss | Just James
After a year marked by a test, a shortcoming and, ultimately, a triumph, J Moss returned to the marketplace this year with a new perspective on his third major solo release, stripping away all pretense in an attempt to present himself as “just James.”  The result was a collection of work that seems to have been born straight from his time with the Lord– times in which he saw his need for grace and experienced, in a fresh way, God’s redeeming power and love.  We were merely blessed enough to have those experiences translated to music that could encourage us in our own journeys.

1.  Donald Lawrence & Co. | The Law Of Confession, Vol. 1
In recent years, Donald Lawrence has focused a lot of his musical energy on encouraging the Body of Christ by teaching us who God is, who we are in relation to Him, and what we might expect as a result of that relationship.  With his latest release, Donald challenged believers by demonstrating the power of our words, especially in view of God’s words.  As if the message, alone, wasn’t enough to make a great album, he set it to music that is as diverse as it is beautiful.  From instrumentation to his in-demand group of singers, Donald Lawrence is unparalleled in his ability to produce and arrange music that pays homage to the heritage of gospel music while progressing the genre for the glory of God.  The musical manifestation of that ability is, hands-down, what makes The Law Of Confession, Vol. 1 my favorite album of 2009.

If I can do an honorable mention category, I’d have to point out that the following albums got a tremendous amount of play time in my car and on iTunes, too:

JJ Hairston & Youthful Praise | Resting On His Promise

Da’ T.R.U.T.H. | The Big Picture

The Anointed Pace Sisters | Access Granted

Vanessa Bell Armstrong | The Experience

For your musical enjoyment, you can click an album image below to listen to snippets and/or make a purchase.  You’re never too late!

What do you think of my faves?

I’ve got a NEW SERIES just in time for the holidays!  I’ve asked some of your favorite gospel artists what they love most about the holiday season and what they have planned this year.  Over the next week, I’ll share with you what they’ve said.  Deal?

First up, the GRAMMY-nominated vocalist extraordinaire, Sheri Jones-Moffett…

“My favorite part of the holiday is going to my parents’ for breakfast to watch my kids, nieces and nephews open gifts!  That’s my joy.

I also LOVE the fact that this is the ONE time of year when Christians and non-Christians alike share the same thought… GIVING.

I plan to do the aforementioned and have dinner at my Uncle’s house.”

The nominees for the 52nd annual GRAMMY Awards were announced last night during the GRAMMY Nominations Concert Live on CBS.  The awards telecast takes place on January 31, 2010 at 8pm ET/PT on CBS.

Like last year, I’m going to wait to give my predictions until a bit closer to the actual awards telecast.  Last time, I got 4 out of 7 of ‘em right, which wasn’t too bad.  I’m gunning to get ‘em all right this time.

 Until then, however, the nominees in the gospel-related categories are:

 Best Gospel Performance

“Free To Be Me” by Francesca Battistelli
Track from: Free To Be Me

“Jesus Is Love” by Heather Headley feat. Smokie Norful
Track from: Audience Of One

“I Believe” by Jonny Lang w/ Fisk Jubilee Singers
Track from: Oh Happy Day

“Wait On The Lord” by Donnie McClurkin feat. Karen Clark Sheard
Track from: We All Are One

“Born Again” by Third Day
Track from: Revelation

 Best Gospel Song

“Born Again” - Tai Anderson, David Carr, Mark Lee & Mac Powell, songwriters (Third Day)

“City On Our Knees” - Cary Barlowe, Toby McKeehan & Jaime Moore, songwriters (TobyMac)

“Every Prayer” - Dayna Caddell, Israel Houghton, Aaron Lindsey & Ricardo Sanchez, songwriters (Israel Houghton & Mary Mary)

“God In Me” - Erica Campbell, Tina Campbell & Warryn Campbell, songwriters (Mary Mary)

“The Motions” - Jason Houser, Sam Mizell & Matthew West, songwriters (Matthew West)

Best Rock Or Rap Gospel Album

The Big Picture - Da’ T.R.U.T.H.

Crash - Decyfer Down

Innocence & Instinct - Red

Live Revelations - Third Day

The Dash - John Wells-The Tonic

Best Pop/Contemporary Gospel Album

Speaking Louder Than Before - Jeremy Camp

The Power Of One - Israel Houghton

The Long Fall Back To Earth - Jars Of Clay

Love Is On The Move - Leeland

Freedom - Mandisa

Best Southern, Country, Or Bluegrass Gospel Album

Jason Crabb - Jason Crabb

Dream On - Ernie Haase & Signature Sound

The Rock - Tracy Lawrence

In God’s Time - Barry Scott & Second Wind

Everyday - Triumphant Quest

Best Traditional Gospel Album

God Don’t Never Change - Ashley Cleveland

The Law Of Confession, Pt. 1 - Donald Lawrence & Co.

Oh Happy Day - Various Artists

The Journey Continues - The Williams Brothers

How I Got Over - Vickie Winans

Best Contemporary R&B Gospel Album

Audience Of One - Heather Headley

Renewed - Sheri Jones-Moffett

Just James - J Moss

Smokie Norful LIVE - Smokie Norful

Bold Right Life - Kierra Sheard

Gospel Artists Nominated In Non-Gospel Categories:

Best Urban/Alternative Performance – Tonex - “Blend” (Unspoken)

Best R&B Performance By Group/Duo w/ Vocals —  Robert Randolph & The Clark Sisters - “Higher Ground” (Oh Happy Day)

*     *     *

Like I said, predictions coming later.  But in general, I’m SUPER DUPER pleased with these nominations.  I think they’re a fair and accurate representation of the songs, performances, albums and artists that did well in 2009.

I’m proud of all the nominees, but I’m particularly thrilled that Donnie McClurkin & Karen Clark Sheard were acknowledged for “Wait On The Lord,” and that “Every Prayer” (recorded by Israel Houghton & Mary Mary) got a nod.  Glad about J Moss and Da’ T.R.U.T.H. cuz they put out some really great music this year, and I LOVE that Sheri Jones-Moffett got her much-deserved nomination.

As an aside, I got a bunch of Twitter responses last night from people ready to boycott something cuz Mary Mary wasn’t nominated for best gospel album– it’s cuz they were nominated in that category last year. It’s all good!

For a complete list of nominees in all categories, click here.

Okay, folks… do you think of the nominees?

If you’re gonna be REMOTELY close to Nashville for Stellar Awards weekend, make sure you mark the Bonnerfide Radio Launch Party on your calendar.  It’s going to be awesome!

Bonnerfide Radio is the brainchild of host Gerard Bonner.  In just a few short months, the show has raised the bar for what gospel radio should be.  He’s even been nominated for a 2010 Stellar Award for Internet Radio Station Of The Year!

To celebrate the launch of his new show, Gerard is having the launch party of a lifetime on Friday, January 15th.  Featured guests include Sheri Jones-Moffett, JJ Hairston, Lisa Page Brooks, Vashawn Mitchell, Melinda Watts, Jonathan Nelson, Jason Nelson, and MORE.

Click the image below to see the full-size flyer and for more details.  Tickets can be purchased NOW at http://www.GetBonnerfide.com.

I plan to be in the house.  For SURE.  Who else???

And don’t forget– you can tune in to Bonnerfide Radio every weekday morning, from 9am-12:30pm ET (with a little afterparty usually thrown in) at GetBonnerfide.com.

I thoroughly enjoyed talking with Ted Winn.  In addition to being a gifted vocalist and songwriter, he’s intelligent, which always makes for fun conversation.  At a certain point, I wanted to just keep chattin’, but he’s a busy guy and had to step back into the studio where he was working.

You’ve seen Ted Winn in every form of artistry possible in our industry– from choir (Kevin Davidson & The Voices of Binghamton) to ensemble (Richard Smallwood & Vision) to duo (Ted & Sheri).  With the recent release of his anticipated solo project, Ted seems well-positioned for a long and successful career in the industry.

In our chat, Ted talks about his new project, his musical experiences and influences, his passion for empowering aspiring artists and educating current ones, and his thriving publishing venture, Veracity Entertainment.  He even weighs in on why he chose to cut off his signature locs.

I think you’ll enjoy it… here’s my talk with the impressive Ted Winn.

*     *     *

EJ:  Hey man, how are you?

TW:  I’m doing well, thank you.

EJ:  Great.  Well, thanks for taking a quick moment to chat with me.

TW:  No problem.

EJ:  Let’s get right to it.  Your debut solo project, Balance, was released in September, but it seems like rumblings about it were going on for years.

TW:  *laughing*

EJ:  Did it take some time to finish it and get it out there?

TW:  Now, that is funny.  *laughing*  You know, the first single, “God Believes In You,” I recorded it at the end of ‘07 and I went on a tour in ‘08, so I was performing it around that time.  But, it was a while… probably took a year and a half to finish the project.

EJ:  Well, regardless of when it came out, I’m glad it did.  I think it’s a really great piece of work.

TW:  Thank you.

EJ:  No problem.  Now, it’s been released on Shanachie, which is not necessarily a “gospel” label, but they’ve done three major gospel releases this year alone– yours, Vicki Yohe’s and Kim Burrell’s.  How did that relationship come about?

TW:  It came about through my publicist, Bill Carpenter, and through my radio promotions guys at that time, Kendall Duffie.  Each of them had relationships with Randall Grass, over at Shanachie, and they talked to him.  He heard the music and he said that he thought it was good, that there was a novelty about what I did… we started conversations and that’s where I ended up doing the deal.

EJ:  Cool.  Now, lemme ask you about the direction of Balance, because there’s something about the style that surprised me a bit.  I was expecting a studio joint, with some background vocals and that would just be it.  But you really kinda have a live praise & worship vibe on this project, with the band and singers being just as vital as your lead on many of the songs.  Why did you choose that route for this album?

TW:  Honestly, that is… well, most people who know me in a professional sense know me from Ted & Sheri.  That’s how they heard me, which is a duet and, obviously, the focal point was the duet.

But my background, my history, my PASSION, has always been choir music.  I started directing choirs when I was 13 and I grew up listening to Hawkins, Whitfield… the Thompson Community Singers is my favorite choir.  My influences are Ed[win] & Walter Hawkins, Andraé Crouch, Richard [Smallwood] and Donald Lawrence.  Those 5 people helped to shape my musical tastes.

EJ:  Yeah.

TW:  So,  I think that the BGV part being so intricate– and it’s great that you paid attention to that, because that was intentional– I kinda wanted a group, but was told “don’t do that.” *laughing*

EJ:  *laughs*

TW:  But I always wanted a choir or group– I love that whole thing… sharing the stage or the choir stand with another group of singers.  I think it makes for a great opportunity to share in ministry with somebody else.  So, that’s why I went in that direction and this project, sonically and stylistically, is really who “Ted Winn” is.

EJ:  And do you think you’ll ever go that route?  You know, with a group of singers that are set as the people who sing with Ted Winn and kinda have that vibe?

TW:  You know, I definitely won’t rule it out.  It’s something I’ve thought about and would love to be able to create that sort of platform, not just for me, but for other people.

I think there are so many singers out there who are great, but need mentoring.  They need someone to help them develop in terms of their talent and in terms of the focus of ministry, what’s important, how you nuance what you do and say as you move through this industry.  I would love to be a conduit for that for people, so it’s definitely a possibility.

EJ:  Sure.  I wanna ask you– and I hope you understand it and that the readers understand it– I’ll ask the question, then expound.  The question is “how did you make it out of Memphis?”

TW:  *laughs*

EJ:  *laughing* And when I say that, I mean that there are some AMAZING singers in Memphis.  I’ve been over there a few times in the past couple of months and my wife, who’s originally from there, will point out people that she used to sing with years ago.  And these people can SING.  Almost everyone.

But it’s becoming clear to me that, unfortunately, not everyone gets to “get out.”  So, I’m curious to know how people like you, like Sheri, people like Kevin Davidson or Darrel Petties, how you managed to not get caught up in what seems like a cycle there… how did you manage to stand out among all of the great talent there?

TW:  I’ll answer that in two ways.  One– probably the main thing was the push that Sheri and I, in particular, had from O’landa Draper.  Because he was the first breakout artist in gospel to really do what he did, it inspired us (and we aspired) to do something bigger than what we saw.  It was stuff like going to GMWA at that time, maybe mid to late-90’s, and singing.  He introduced us to Donald Lawrence, we started meeting people.  And as we started to travel outside of the city, we started to realize “wow… there’s a whole world of people out here and things to do.”

Unfortunately, and I want to say this in a way that’s not offensive, but there seems to be a mentality in Memphis that is pervasive, and it’s one that causes people, in some instances, to not maximize their potential.

EJ:  Yeah.  And I’ve heard that from people there.

TW:  And I think it has all to do with exposure.  It’s the headquarters of the Church Of God In Christ, it’s a very churched city.  Church is everything.  EVERYBODY goes to church.  And I think that it becomes some people’s microcosm– that’s it.  They don’t go outside of that.

And so I think that, for those of us who were able to make it to a larger stage, or have a larger platform, it had all to do with people outside of Memphis who saw something in us and pushed us to the next place.

Like I said, with Richard Smallwood.  I was in Memphis and O’landa Draper introduced me to Richard.  I moved to DC after I left Morehouse College, he started asking me to sing with Vision, and it went on from there.  Donald met Sheri, heard Sheri sing, asked her to start singing with Tri-City.

So, it really was people and players outside of the city that gave us the platform.

EJ:  Right.

TW:  Now, Memphis has some amazing talent.  And I endeavor to do some things there.  I was talking to some people recently about doing some type of symposium because I want to go back and do some things that give people an opportunity.

EJ:  That would be awesome.

TW:  You know, O’landa Draper used to have a music lover’s conference.  And he would bring in people– that’s where we FIRST heard Melonie Daniels, that’s where I met Richard Smallwood.  He would bring all these people in– Kim Burrell– and they would pour into those of us in the city.  And it would be great if we could get that to happen again.  There’s a talent there, but it needs to be nurtured and corraled.

EJ:  Absolutely.  It’s funny– you and Sheri aren’t recording together right now, but both of you created albums that speak life to, and encourage, your listeners.  Is that a personal passion of yours, or do you just feel that the gospel industry is in that season right now?

TW:  It’s definitely a personal passion of mine.  I have always aspired to push people into a better place.  My friends tell me that I always try to fix everybody. *laughing*

And I think that there’s an anointing that I have that lends itself to healing and to restoration, to give people hope and, hopefully, change their perspective about themselves.  That has a lot to do with why the content of my record is what it is, and moves people to what I feel is a more balanced position.

EJ:  Right.

TW:  And it’s not always easy to do that.  Sometimes you have your own days, you know, where you’re not feeling it.  You get bogged down dealing with the dynamics of the industry– radio, retail and awards shows and all that’s going on.  And you have to stop, take a reprieve, and say “okay, Lord, I need you to refuel me because it’s getting a little crazy.”

But, it’s definitely a passion of mine to see people have peace.  So I want to do whatever I can to help facilitate that.

EJ:  Amen.  That’s a good segue to my next question… what would you say has been the hardest part of launching your solo artistry?  And I don’t mean logistically, I mean at a deeper level.  Was there fear in striking out on your own, or has there been judgment and criticism that you’ve had to rise above… things like that?  What’s been tough for Ted to do?

TW:  It definitely was, first and foremost, the phobia of going it alone.  And it took me a year to even decide to do a solo project.  And it was after I felt like God gave me the title, Balance, and I started writing songs that I halfway liked, after trashing many many songs. *laughing*

EJ: *laughs*

TW:  That was when I said “ok, this is what I’m supposed to do.”  So, it was dealing with that.  And, of course, dealing with the obvious… some of the Ted & Sheri fans’ immediate response was “umm… we want a Ted & Sheri record.”  So, you’re also thinking about how people are going to receive solo projects when they liked what they had with the group.

EJ:  Absolutely.

TW:  So, that was definitely the biggest challenge to overcome– to even get to the place to decide if I wanted to do one.

EJ:  While I have you, I wanna know about Ted, the businessman.  We’ve got several mutual friends and they all sing your praises as an astute businessman.  What do you do, business-wise, in the industry and how do you juggle between that work and your artistry?

TW:  Wow.  Well, I have a company called Veracity Entertainment.  And it’s a publishing administration company that I started almost 3 1/2 years ago.  I started out with one client– Patrick Love, a songwriter.  We represent songwriters, we collect their money, we do their licenses, we argue their splits, the whole nine.

And it was through me having some bad situations in the past that I, basically, became a student of the business.  I started to pick the brains of my attorneys and going to lunch with them.  I had a lot of conversations with Donald Lawrence and with another record executive, Jimmy Maynes, who was at Jive [Records] at the time.  They all were saying “this is something that you can do.”

So, it started with Patrick Love, then, by word of mouth, went to two writers, then three to four to five, and now I’m at about 30.

EJ:  WOW.

TW:  And I represent writers on T-Pain’s latest album– one of my writers did 11 songs on the last T-Pain record… Akon, Ciara, two of my writers just collaborated on the new Toni Braxton single, “Yesterday.”  I was representing Elvin Ross, who scored Madea’s Family Reunion and did the cues for House of Payne… the list goes on and on.  It’s been an amazing run as it relates to that piece.

It’s a very interesting situation and God blessed me to do some amazing things… I was even able to do my deal with David Balfour, who did the T-Pain tracks, in such a way that I now own publishing on those T-Pain records.

EJ:  Wow, Ted!

TW:  And that’s part of the reason that I was able to do my own record and pay for it.  I do believe that the wealth of the world– I don’t say “wicked,” but people can say it how they want to…

EJ:  *laughing*

TW:  The wealth of the world, or of the world system, is laid up for the just.  And I think that means, at least to me, that there’s a system out there in place– we don’t live on it, we live on a Kingdom system– but we definitely can, if we learn it and are able to walk through it, we can definitely benefit from it.  I believe that God wants us to have influence in EVERY area of the world, so that we can influence things in a better direction.

So, it’s great for me to be able to have conversations with the top executives in the music business.  Sometimes I’m sitting talking to these people and I’m like “man, here I am, the dude from Memphis with nobody musical in my family– nobody sings, nobody plays, nothing.”  And to go from that, to Voices of Binghamton, to Ted & Sheri, to Vision, then to be sitting in the office across from people who orchestrate the careers of people who sell MILLIONS of records… it’s phenomenal.

EJ:  It absolutely is.  Absolutely.

TW:  I didn’t mean to give you such a long answer. *laughing*  But that’s Veracity, man.  That’s my baby, that’s my passion right there.  And I love what I do.

EJ:  I’m glad that you have something else because one thing that bugs me– and it’s probably because I love this industry and the artists in it– I hate to see when artists get older and have to struggle.  Here we are, singing your songs at the midnight musicals, and they’re on the compilation albums, and we call it one of the greatest songs of the decade, but the writers and artists can’t pay their medical bills when they have an issue, or what have you.

TW:  Right.

EJ:  So, it’s great to see artists who are not so wrapped up in the music of it that they don’t take time to understand the business of it.

TW:  Yeah.  And I feel it incumbent upon people like myself to not only get this money to help Ted Winn, but also to equip other people.  There have been instances where I’ve found money for Richard Smallwood, for Kim Burrell, Edwin Hawkins… I just found some money for the Clark Sisters and talked to Karen last week about it.

It is my mission to help empower our people and to spread the knowledge and information.  We have so much value in the gospel music industry, we just have to get the information to learn how to make it lucrative for us.

EJ:  Absolutely.

TW:  It’s part of my frustration when I go to different conferences… we have seminars on how to lead worship and 10 ways to grow your praise team… I think that’s fine.  But I really wish I could go to some of these conferences and teach people about handling their songs and their publishing.

EJ:  Sure.

TW:  And, I mean, I never even get invited to them.

EJ:  *laughing*

TW:  But here I am representing people who sell millions of albums.  *laughing*  Maybe people don’t know that I do it, or whatever.  But I’m not asking people to pay me or anything– I just want to be able to go in and empower the Kingdom with this information because I think that they really need it.

EJ:  I’m with you.  Absolutely.  Okay, last question.  I know tons of folks who have, or had, locs.  And they tend to get annoyed when people ask “when are you gonna cut them,” or, after they’ve done so, “why did you cut them,” but please indulge me cuz I think it’s the type of thing I’m supposed to ask in an interview.

TW: *laughing*

EJ:  What made you cut off your locs and what has the response been from folks?

TW:  Well, I grew my locs because I wanted to make a statement– that we can appreciate the natural texture of our hair, as people of color, the way that it grows.  When it came time to do the music, there were no other mainstream gospel artists that had locs.  There was no Stephen Hurd, Tye Tribbett, whoever else has them right now.  No one was doing it.

And I remember I was at [the] AIM [conference] with Sheri.  And we did “Come Ye Disconsolate” and the audience response was lukewarm.  And I’ll never forget it… I talked to Donnie McClurkin about it afterwards and he told me “you know, it’s gonna take people about a year to get used to your HAIR.”

EJ:  Really?

TW:  He said “after they get used to that, and realize that you can still be effective, they’ll be cool.”  And he was about right.  And I think that it kinda broke the stereotype of what people thought it was going to be.

One time, Sheri and I sang at a church and the pastor said “I’m gonna be honest, when you guys got up, I saw you with your hair and I thought ‘are they going to rap’?”  He thought I was going to rap and she was going to sing.  But he said “instead, you got up and you sang.  And not only did you sing, you sang a hymn.”  You cannot base that type of thing on aesthetics.

EJ:  Right.

TW:  So, I grew my locs and I cut them in June of this year.  It was 10 years– a decade, or an era– and I felt like, transitioning into a solo artist, and in this next phase of my life, even as a business person, I just felt like it was time for the next phase for me.

So, I ended it.  And it was a lot.  It took me a year to get prepped to cut my locs.  And the day I cut ‘em, I cried. *chuckles*

EJ:  Aww…

TW:  I did.  I had a moment… definitely had a moment because there were so many experiences I had with that hair, so many places I went around the world.  It had become a part of my I.D.  People knew me as the guy with the locs.

But, that’s why I cut them.  I’m appreciative of that time I had with them and I feel like, as I’ve heard from emails, I encouraged other people to loc their hair, you know?  People said that they can appreciate it because it made them not feel like an outcast or a misfit for having a similar type of expression.  But yeah, that phase is over for me now.

EJ:  That’s a lot deeper than I thought it was gonna be… I thought you might just say “it was hot” or something. *laughing*

TW: *laughs* Nah… it is for some people, but not for me.  I usually don’t do anything on a superficial level.  I’m too psychoanalytical of a person.

EJ:  I hear you, man.  Well, that’s about it from me.  I really appreciate you for chatting with me.

TW:  Thank you, man.  I really enjoyed the interview.

EJ:  No doubt.  And I’ll talk with you soon.

TW:  Okay.

EJ:  Bye.

*     *     *

And that was my chat with Ted.  He’s a really cool dude and he seems to mean what he says.  He’s passionate about the people of God.

AND, it helps that his album is REALLY REALLY good.  If you didn’t see my review of it, click here to check it out.

In the meantime, lemme know what you thought of the interview!

On Sunday, November 29th at 6pm, gospel songstress Sheri Jones-Moffett will celebrate her birthday with a really cool performance concept in Atlanta, GA.

The event, “Up Close & Personal with Sheri Jones-Moffett,” will provide an intimate setting in which she’ll perform some of the hit tracks from her latest project, Renewed.  There will also be an opportunity to mix & mingle over good food and fellowship at the event’s location, the trendy Niche venue.

Only 100 tickets will be made available to the general public, so HURRY to buy your tickets now.  Tix are only $12 and can only be purchased online.  Click the image below for tickets!

Soooo, if you were followin’ my tweets, you got up-to-the-minute results of the nominees.  My fingers HURT from typing so quickly on that BlackBerry!

For those of you who missed it, click here for a full list of nominees.

I’m disappointed that Sheri Jones-Moffett, Coko, 21:03, Melinda Watts, Damita Haddon and Kevin LeVar’s names are not anywhere among the nominees.  Each had great projects and should have been recognized.  Majorly not okay.

I’m very happy, though, for artists like Donald Lawrence (one of my faves this year), Kierra Sheard, Mary Mary, Hezekiah Walker, Israel Houghton, Daniel Weatherspoon, Da’ T.R.U.T.H., Bishop Paul Morton…

Geez.  I just dunno.  Some of the names on there…

What do you guys think of the nominees?