I’m already poppin’ my popcorn and gettin’ in front of the TV.

The one and only Donald Lawrence will appear on TBN’s Praise The Lord tonight at 10pm ET in a special MLK episode.  He will be interviewed and will perform his newest single, “There Is A King In You” (a personal fave).

As if that wasn’t enough, Ted Winn will also be on hand, performing THREE songs from his debut album, Balance.  THREE, I tell ya!

Ok, don’t say you weren’t given notice.  Tune in tonight!

Caught up with Ted Winn about his favorite part of the holiday season and what he plans to do this year…

“My favorite part of the Christmas Holiday is spending time with my family
and celebrating my mom’s bday, which is ON xmas day.

My holiday plans are to go home to Memphis to spend time with my family, and to take some down-time to reflect on the year and plan for 2010.”

This dude… he’s everywhere.  I guess I’ll tack on the word “international” when I refer to him from now on.

Ted Winn has shot to #1 on London’s R&B radio charts with “Balance,” the title track of his debut solo project.  It’s no small feat, but the song, with its 70’s-styled soul groove, fits very well in the British marketplace.  They’re kinda lovin’ him!

Congrats to ya, Ted.

HOPEFULLY, you guys already have the album and can attest to how good it is… if not, click here to check out some tracks and make a purchase.  You’ll love it.

Tomorrow, GospelPundit.com turns ONE YEAR OLD!

It’s humbling to see how much growth my blog has experienced in just one year.  From hard-hitting interviews to exclusive premieres of highly anticipated singles, God has blessed me to play a pivotal role in the industry.  I’m blown away by that because I DO NOT deserve to fulfill all that He’s called me to do and be.

Moreover, I’m grateful to each of you for visiting the site on a regular basis, for telling folks about it, and for every encouraging comment or email I’ve received about it.  Daily readership continues to skyrocket and I promise that I’ll continue to give you my absolute best, for the glory of God alone.

I’ve got some major things planned for the coming year.  But, first, we’re gonna celebrate the past year!!!

Beginning MONDAY, I’m giving away a bundle of recent releases EVERY SINGLE DAY!

Each day next week, I’ll pose a question about SOMETHING I’ve said on the site in the past year.  Your task will be to find the answer and email it to me.  From among those emails, I’ll randomly select a winner to receive my hand-picked bundle pack of new music, which will include the new releases from BeBe & CeCe Winans, Fred Hammond, Byron Cage, Israel & New Breed, Ted Winn, Kierra Sheard, J Moss, Rizen, Shirley Caesar, Coko, JJ Hairston & Youthful Praise AND MORE… even an autographed copy of the newest album from Smokie Norful!  For real, guys… it’s big.  Kinda like the “new release JACKPOT.”

Do you hear what I’m saying?  Every day, ONE person will win about 20 new CDs.    Just my little way of sayin’ “thanks.”

Okay, so spread the word and get ready to celebrate all week long.  Sound good?

Love you guys.

I thoroughly enjoyed talking with Ted Winn.  In addition to being a gifted vocalist and songwriter, he’s intelligent, which always makes for fun conversation.  At a certain point, I wanted to just keep chattin’, but he’s a busy guy and had to step back into the studio where he was working.

You’ve seen Ted Winn in every form of artistry possible in our industry– from choir (Kevin Davidson & The Voices of Binghamton) to ensemble (Richard Smallwood & Vision) to duo (Ted & Sheri).  With the recent release of his anticipated solo project, Ted seems well-positioned for a long and successful career in the industry.

In our chat, Ted talks about his new project, his musical experiences and influences, his passion for empowering aspiring artists and educating current ones, and his thriving publishing venture, Veracity Entertainment.  He even weighs in on why he chose to cut off his signature locs.

I think you’ll enjoy it… here’s my talk with the impressive Ted Winn.

*     *     *

EJ:  Hey man, how are you?

TW:  I’m doing well, thank you.

EJ:  Great.  Well, thanks for taking a quick moment to chat with me.

TW:  No problem.

EJ:  Let’s get right to it.  Your debut solo project, Balance, was released in September, but it seems like rumblings about it were going on for years.

TW:  *laughing*

EJ:  Did it take some time to finish it and get it out there?

TW:  Now, that is funny.  *laughing*  You know, the first single, “God Believes In You,” I recorded it at the end of ‘07 and I went on a tour in ‘08, so I was performing it around that time.  But, it was a while… probably took a year and a half to finish the project.

EJ:  Well, regardless of when it came out, I’m glad it did.  I think it’s a really great piece of work.

TW:  Thank you.

EJ:  No problem.  Now, it’s been released on Shanachie, which is not necessarily a “gospel” label, but they’ve done three major gospel releases this year alone– yours, Vicki Yohe’s and Kim Burrell’s.  How did that relationship come about?

TW:  It came about through my publicist, Bill Carpenter, and through my radio promotions guys at that time, Kendall Duffie.  Each of them had relationships with Randall Grass, over at Shanachie, and they talked to him.  He heard the music and he said that he thought it was good, that there was a novelty about what I did… we started conversations and that’s where I ended up doing the deal.

EJ:  Cool.  Now, lemme ask you about the direction of Balance, because there’s something about the style that surprised me a bit.  I was expecting a studio joint, with some background vocals and that would just be it.  But you really kinda have a live praise & worship vibe on this project, with the band and singers being just as vital as your lead on many of the songs.  Why did you choose that route for this album?

TW:  Honestly, that is… well, most people who know me in a professional sense know me from Ted & Sheri.  That’s how they heard me, which is a duet and, obviously, the focal point was the duet.

But my background, my history, my PASSION, has always been choir music.  I started directing choirs when I was 13 and I grew up listening to Hawkins, Whitfield… the Thompson Community Singers is my favorite choir.  My influences are Ed[win] & Walter Hawkins, Andraé Crouch, Richard [Smallwood] and Donald Lawrence.  Those 5 people helped to shape my musical tastes.

EJ:  Yeah.

TW:  So,  I think that the BGV part being so intricate– and it’s great that you paid attention to that, because that was intentional– I kinda wanted a group, but was told “don’t do that.” *laughing*

EJ:  *laughs*

TW:  But I always wanted a choir or group– I love that whole thing… sharing the stage or the choir stand with another group of singers.  I think it makes for a great opportunity to share in ministry with somebody else.  So, that’s why I went in that direction and this project, sonically and stylistically, is really who “Ted Winn” is.

EJ:  And do you think you’ll ever go that route?  You know, with a group of singers that are set as the people who sing with Ted Winn and kinda have that vibe?

TW:  You know, I definitely won’t rule it out.  It’s something I’ve thought about and would love to be able to create that sort of platform, not just for me, but for other people.

I think there are so many singers out there who are great, but need mentoring.  They need someone to help them develop in terms of their talent and in terms of the focus of ministry, what’s important, how you nuance what you do and say as you move through this industry.  I would love to be a conduit for that for people, so it’s definitely a possibility.

EJ:  Sure.  I wanna ask you– and I hope you understand it and that the readers understand it– I’ll ask the question, then expound.  The question is “how did you make it out of Memphis?”

TW:  *laughs*

EJ:  *laughing* And when I say that, I mean that there are some AMAZING singers in Memphis.  I’ve been over there a few times in the past couple of months and my wife, who’s originally from there, will point out people that she used to sing with years ago.  And these people can SING.  Almost everyone.

But it’s becoming clear to me that, unfortunately, not everyone gets to “get out.”  So, I’m curious to know how people like you, like Sheri, people like Kevin Davidson or Darrel Petties, how you managed to not get caught up in what seems like a cycle there… how did you manage to stand out among all of the great talent there?

TW:  I’ll answer that in two ways.  One– probably the main thing was the push that Sheri and I, in particular, had from O’landa Draper.  Because he was the first breakout artist in gospel to really do what he did, it inspired us (and we aspired) to do something bigger than what we saw.  It was stuff like going to GMWA at that time, maybe mid to late-90’s, and singing.  He introduced us to Donald Lawrence, we started meeting people.  And as we started to travel outside of the city, we started to realize “wow… there’s a whole world of people out here and things to do.”

Unfortunately, and I want to say this in a way that’s not offensive, but there seems to be a mentality in Memphis that is pervasive, and it’s one that causes people, in some instances, to not maximize their potential.

EJ:  Yeah.  And I’ve heard that from people there.

TW:  And I think it has all to do with exposure.  It’s the headquarters of the Church Of God In Christ, it’s a very churched city.  Church is everything.  EVERYBODY goes to church.  And I think that it becomes some people’s microcosm– that’s it.  They don’t go outside of that.

And so I think that, for those of us who were able to make it to a larger stage, or have a larger platform, it had all to do with people outside of Memphis who saw something in us and pushed us to the next place.

Like I said, with Richard Smallwood.  I was in Memphis and O’landa Draper introduced me to Richard.  I moved to DC after I left Morehouse College, he started asking me to sing with Vision, and it went on from there.  Donald met Sheri, heard Sheri sing, asked her to start singing with Tri-City.

So, it really was people and players outside of the city that gave us the platform.

EJ:  Right.

TW:  Now, Memphis has some amazing talent.  And I endeavor to do some things there.  I was talking to some people recently about doing some type of symposium because I want to go back and do some things that give people an opportunity.

EJ:  That would be awesome.

TW:  You know, O’landa Draper used to have a music lover’s conference.  And he would bring in people– that’s where we FIRST heard Melonie Daniels, that’s where I met Richard Smallwood.  He would bring all these people in– Kim Burrell– and they would pour into those of us in the city.  And it would be great if we could get that to happen again.  There’s a talent there, but it needs to be nurtured and corraled.

EJ:  Absolutely.  It’s funny– you and Sheri aren’t recording together right now, but both of you created albums that speak life to, and encourage, your listeners.  Is that a personal passion of yours, or do you just feel that the gospel industry is in that season right now?

TW:  It’s definitely a personal passion of mine.  I have always aspired to push people into a better place.  My friends tell me that I always try to fix everybody. *laughing*

And I think that there’s an anointing that I have that lends itself to healing and to restoration, to give people hope and, hopefully, change their perspective about themselves.  That has a lot to do with why the content of my record is what it is, and moves people to what I feel is a more balanced position.

EJ:  Right.

TW:  And it’s not always easy to do that.  Sometimes you have your own days, you know, where you’re not feeling it.  You get bogged down dealing with the dynamics of the industry– radio, retail and awards shows and all that’s going on.  And you have to stop, take a reprieve, and say “okay, Lord, I need you to refuel me because it’s getting a little crazy.”

But, it’s definitely a passion of mine to see people have peace.  So I want to do whatever I can to help facilitate that.

EJ:  Amen.  That’s a good segue to my next question… what would you say has been the hardest part of launching your solo artistry?  And I don’t mean logistically, I mean at a deeper level.  Was there fear in striking out on your own, or has there been judgment and criticism that you’ve had to rise above… things like that?  What’s been tough for Ted to do?

TW:  It definitely was, first and foremost, the phobia of going it alone.  And it took me a year to even decide to do a solo project.  And it was after I felt like God gave me the title, Balance, and I started writing songs that I halfway liked, after trashing many many songs. *laughing*

EJ: *laughs*

TW:  That was when I said “ok, this is what I’m supposed to do.”  So, it was dealing with that.  And, of course, dealing with the obvious… some of the Ted & Sheri fans’ immediate response was “umm… we want a Ted & Sheri record.”  So, you’re also thinking about how people are going to receive solo projects when they liked what they had with the group.

EJ:  Absolutely.

TW:  So, that was definitely the biggest challenge to overcome– to even get to the place to decide if I wanted to do one.

EJ:  While I have you, I wanna know about Ted, the businessman.  We’ve got several mutual friends and they all sing your praises as an astute businessman.  What do you do, business-wise, in the industry and how do you juggle between that work and your artistry?

TW:  Wow.  Well, I have a company called Veracity Entertainment.  And it’s a publishing administration company that I started almost 3 1/2 years ago.  I started out with one client– Patrick Love, a songwriter.  We represent songwriters, we collect their money, we do their licenses, we argue their splits, the whole nine.

And it was through me having some bad situations in the past that I, basically, became a student of the business.  I started to pick the brains of my attorneys and going to lunch with them.  I had a lot of conversations with Donald Lawrence and with another record executive, Jimmy Maynes, who was at Jive [Records] at the time.  They all were saying “this is something that you can do.”

So, it started with Patrick Love, then, by word of mouth, went to two writers, then three to four to five, and now I’m at about 30.

EJ:  WOW.

TW:  And I represent writers on T-Pain’s latest album– one of my writers did 11 songs on the last T-Pain record… Akon, Ciara, two of my writers just collaborated on the new Toni Braxton single, “Yesterday.”  I was representing Elvin Ross, who scored Madea’s Family Reunion and did the cues for House of Payne… the list goes on and on.  It’s been an amazing run as it relates to that piece.

It’s a very interesting situation and God blessed me to do some amazing things… I was even able to do my deal with David Balfour, who did the T-Pain tracks, in such a way that I now own publishing on those T-Pain records.

EJ:  Wow, Ted!

TW:  And that’s part of the reason that I was able to do my own record and pay for it.  I do believe that the wealth of the world– I don’t say “wicked,” but people can say it how they want to…

EJ:  *laughing*

TW:  The wealth of the world, or of the world system, is laid up for the just.  And I think that means, at least to me, that there’s a system out there in place– we don’t live on it, we live on a Kingdom system– but we definitely can, if we learn it and are able to walk through it, we can definitely benefit from it.  I believe that God wants us to have influence in EVERY area of the world, so that we can influence things in a better direction.

So, it’s great for me to be able to have conversations with the top executives in the music business.  Sometimes I’m sitting talking to these people and I’m like “man, here I am, the dude from Memphis with nobody musical in my family– nobody sings, nobody plays, nothing.”  And to go from that, to Voices of Binghamton, to Ted & Sheri, to Vision, then to be sitting in the office across from people who orchestrate the careers of people who sell MILLIONS of records… it’s phenomenal.

EJ:  It absolutely is.  Absolutely.

TW:  I didn’t mean to give you such a long answer. *laughing*  But that’s Veracity, man.  That’s my baby, that’s my passion right there.  And I love what I do.

EJ:  I’m glad that you have something else because one thing that bugs me– and it’s probably because I love this industry and the artists in it– I hate to see when artists get older and have to struggle.  Here we are, singing your songs at the midnight musicals, and they’re on the compilation albums, and we call it one of the greatest songs of the decade, but the writers and artists can’t pay their medical bills when they have an issue, or what have you.

TW:  Right.

EJ:  So, it’s great to see artists who are not so wrapped up in the music of it that they don’t take time to understand the business of it.

TW:  Yeah.  And I feel it incumbent upon people like myself to not only get this money to help Ted Winn, but also to equip other people.  There have been instances where I’ve found money for Richard Smallwood, for Kim Burrell, Edwin Hawkins… I just found some money for the Clark Sisters and talked to Karen last week about it.

It is my mission to help empower our people and to spread the knowledge and information.  We have so much value in the gospel music industry, we just have to get the information to learn how to make it lucrative for us.

EJ:  Absolutely.

TW:  It’s part of my frustration when I go to different conferences… we have seminars on how to lead worship and 10 ways to grow your praise team… I think that’s fine.  But I really wish I could go to some of these conferences and teach people about handling their songs and their publishing.

EJ:  Sure.

TW:  And, I mean, I never even get invited to them.

EJ:  *laughing*

TW:  But here I am representing people who sell millions of albums.  *laughing*  Maybe people don’t know that I do it, or whatever.  But I’m not asking people to pay me or anything– I just want to be able to go in and empower the Kingdom with this information because I think that they really need it.

EJ:  I’m with you.  Absolutely.  Okay, last question.  I know tons of folks who have, or had, locs.  And they tend to get annoyed when people ask “when are you gonna cut them,” or, after they’ve done so, “why did you cut them,” but please indulge me cuz I think it’s the type of thing I’m supposed to ask in an interview.

TW: *laughing*

EJ:  What made you cut off your locs and what has the response been from folks?

TW:  Well, I grew my locs because I wanted to make a statement– that we can appreciate the natural texture of our hair, as people of color, the way that it grows.  When it came time to do the music, there were no other mainstream gospel artists that had locs.  There was no Stephen Hurd, Tye Tribbett, whoever else has them right now.  No one was doing it.

And I remember I was at [the] AIM [conference] with Sheri.  And we did “Come Ye Disconsolate” and the audience response was lukewarm.  And I’ll never forget it… I talked to Donnie McClurkin about it afterwards and he told me “you know, it’s gonna take people about a year to get used to your HAIR.”

EJ:  Really?

TW:  He said “after they get used to that, and realize that you can still be effective, they’ll be cool.”  And he was about right.  And I think that it kinda broke the stereotype of what people thought it was going to be.

One time, Sheri and I sang at a church and the pastor said “I’m gonna be honest, when you guys got up, I saw you with your hair and I thought ‘are they going to rap’?”  He thought I was going to rap and she was going to sing.  But he said “instead, you got up and you sang.  And not only did you sing, you sang a hymn.”  You cannot base that type of thing on aesthetics.

EJ:  Right.

TW:  So, I grew my locs and I cut them in June of this year.  It was 10 years– a decade, or an era– and I felt like, transitioning into a solo artist, and in this next phase of my life, even as a business person, I just felt like it was time for the next phase for me.

So, I ended it.  And it was a lot.  It took me a year to get prepped to cut my locs.  And the day I cut ‘em, I cried. *chuckles*

EJ:  Aww…

TW:  I did.  I had a moment… definitely had a moment because there were so many experiences I had with that hair, so many places I went around the world.  It had become a part of my I.D.  People knew me as the guy with the locs.

But, that’s why I cut them.  I’m appreciative of that time I had with them and I feel like, as I’ve heard from emails, I encouraged other people to loc their hair, you know?  People said that they can appreciate it because it made them not feel like an outcast or a misfit for having a similar type of expression.  But yeah, that phase is over for me now.

EJ:  That’s a lot deeper than I thought it was gonna be… I thought you might just say “it was hot” or something. *laughing*

TW: *laughs* Nah… it is for some people, but not for me.  I usually don’t do anything on a superficial level.  I’m too psychoanalytical of a person.

EJ:  I hear you, man.  Well, that’s about it from me.  I really appreciate you for chatting with me.

TW:  Thank you, man.  I really enjoyed the interview.

EJ:  No doubt.  And I’ll talk with you soon.

TW:  Okay.

EJ:  Bye.

*     *     *

And that was my chat with Ted.  He’s a really cool dude and he seems to mean what he says.  He’s passionate about the people of God.

AND, it helps that his album is REALLY REALLY good.  If you didn’t see my review of it, click here to check it out.

In the meantime, lemme know what you thought of the interview!

In the current music industry climate, it’s refreshing to see artists who have taken the time to actually develop, rather than simply throwing an album into the marketplace.  And, in the gospel industry, I tend to expect that level of commitment to one’s ministry.

With his debut project, Balance, Ted Winn enters the gospel marketplace as a solo artist with grace, purpose, and a sound that is certain– a reflection of his experience in this industry and a decided commitment to God’s timing.

The 11-track musical offering tends to present Winn as more of an ensemble leader than a solo artist (perhaps a la Hawkins or Crouch), but it’s clear that he is, at all times, the captain at the helm of this album’s sound.  Writing on all but one of the tracks (a remake of “Moving Forward” by Israel Houghton & Ricardo Sanchez), Winn demonstrates that he shines as brightly behind the scenes as on stage.

Standout tracks for me include the album opener, “Connected To The Kingdom” and “His Favor,” featuring Vanessa Bell Armstrong, both of which are high-energy tunes with a bit of a throwback vibe to them.  “Reap” and “Trust His Name” are both more mellow grooves that display the vocal agility for which Winn is well-known.

Other gems on the project include the worship track “Oh My Soul,” which is reminiscent of a beautifully penned Richard Smallwood ballad (the song is, in fact, inspired by Smallwood, Winn’s mentor) and “Great Is Our God.”  The latter tune is both catchy (it’s an instant Sunday-morning praise team or choir hit) and cleverly done, in that it features Winn in right company with three of the industry’s other new, premier male vocalists– DeWayne Woods, Jonathan Nelson and Myron Butler.

In short, Ted Winn’s Balance provides just that– a collection of great music able to both nourish and encourage the Body of Christ.  It’s an impressive debut project worth purchasing.

You can click here to check it out.

The Master Plan, the new album from Tamela Mann, is in stores today.  I plan to write a full review on it, but I wanted to urge you guys to check it out now.

It’s got some great tracks on it and, of course, Tamela’s demonstrating her incredible vocal ability throughout the album.  Favorites on the project, so far, are “In Him” (written by Tamela Mann) and “Anoint Me Lord” (written by Myron Butler & Ted Winn).

If you have it already, lemme know what you think.

Anybody planning to buy it today???

If you were at Marvin Sapp’s live recording (or at www.VerityRecords.com) on Friday night, you heard the great music that he plans to put on his new project, tentatively titled Here I Am, expected in the first quarter of 2010.

My wife and I were fortunate enough to make it to Grand Rapids for the event.  Once we got there, we met up with Gerard Bonner (Bonnerfide Radio, GospelFlava.com), Jawn Murray (AOL Black Voices, Tom Joyner Morning Show, etc.) and Sheilah Belle (The Belle Report) before heading to the venue.  Once there, we got settled in the front row along with Neechy (RocSpace) and the folks from Verity before the recording began.  When I tell you we were cutting up from JUMP… let’s just say we were a rowdy group.

Before the recording, Aaron Lindsey’s wife, Adrian, surprised him with an award to recognize him for his commitment to the gospel/Christian industry, and for writing and producing such GREAT music.  It was kinda awesome of her… wanna point it out cuz you wouldn’t know it if you weren’t there.

Next, Marvin Sapp’s brother, Henry Sapp, performed a stand-up routine to get the crowd ready.  I’m not a huge fan of stand-up, but he had the crowd laughing a bit.  Finally, drummer extraordinaire and MC-for-the-night Ray Bady came to the stage to introduce Marvin Sapp.

With lights and energy at level 10, Marvin Sapp took to the stage and performed some reeeeaaally great music.  For me, it got even better as the recording progressed.  Aaron Lindsey served as musical director/producer while Myron Butler worked the vocal production with some of the tightest background vocals you’ll find in the game (shout out to Candy & Peaches West and Deonis Cook).

My favorites of the night: “Fresh Wind,” a song with a churchy/quartet feel to it, the vamp of which we stayed on for a good while; “Comfort Zone,” an encouraging ballad penned by Ted Winn (who was in the house); and, of course, ”He Saw The Best In Me,” written by Sapp and Lindsey, which reminds me of “Never Would Have Made It” in terms of its lyrical simplicity but easy-to-relate-to sentiment.  I also enjoyed “Wait On Him,” “I’m In His Hands,” and “I Came.”  It was just an evening of really good music.

He capped off the night by thanking and acknowledging various people in the audience, which included Commissioned mastermind Michael Brooks (and, of course, his lovely wife Lisa Page Brooks!).  Almost as if unable to help himself, Sapp went into a quick impromptu medley of classic Commissioned songs written by Brooks– “City,” “Will You Be Ready,” “Giving My Problems To You”… it was tons of fun.  I got several tweets that the live feed was cut, probably because of licensing issues for those songs.  Sorry ya missed it!

Other folks of note in the crowd– Deborah Smith Pollard (Detroit radio DJ, author, speaker, professor and gospel historian), Michael Williams (drummer and former member of Commissioned) and Ken Reynolds (Integrity Music worship artist).

Pastor Sapp ended the entire evening by singing a small bit of “Never Would Have Made It,” like I’ve NEVER heard him sing in my life.  His range was limitless and he made me feel like it was the first time I heard the song, which is a very tough task given how much it’s been played.

Special shout-out to Kymberlee Norsworthy, Jazzy Jordan, Jeff Grant and Joseph Burney of Verity Gospel Music Group– you were fantastic hosts and you made the weekend great for us.  Plus, it was just good to see ya!

I’ve got a few photos for you below, but I urge you to check out Gerard Bonner’s website (http://www.GetBonnerfide.com, in the “In Concert” section) for a full collection of great shots.  And I also got a chance to chat with Marvin Sapp, Aaron Lindsey and Myron Butler after the recording.  I’ll tell you what they had to say later this week, so stay tuned.

Who else was in the house in Grand Rapids?  Who heard the recording online?  Which songs were your faves?

TALK TO ME!

Word has it that we no longer need to wait to find out who’s slated to appear on the new episodes of BET’s Bobby Jones Gospel.

GospelFlava.com reports that BeBe & CeCe Winans, Vanessa Bell Armstrong, Fred Hammond, Vickie Winans, Kim Burrell, Karen Clark-Sheard, Vashawn Mitchell, Ricky Dillard & New G, Sheri Jones-Moffett, Ted Winn, Shirley Caesar, Byron Cage, Y’anna Crawley and Jessica Reedy are among the artists expected to perform.

Amendment: AND, I just heard from one of my sources that George Huff is also slated to tape!

THAT’S gonna be a good season!

And I’m glad about it, too, cuz I get so annoyed when I tune in and it’s just a bunch of unknown quartets like Rufus Jenkins & The Anointed West Virginia-aires…

A quick heads-up, folks:  Ted Winn will appear on TBN’s Praise The Lord program tonight at 10pm ET, performing songs from his upcoming debut album, Balance (due September 29th on Shanachie).  The episode will be hosted by Dr. Zachary Tims.

Who’s tuning in???