In the penultimate episode of gospel music’s most popular TV competition, finalists Andrea Helms and Amber Bullock squared off for the title of Sunday Best.

Before they did, though, the show opened with James Fortune & FIYA singing their hit single “I Believe,” with Shawn McLemore and Zacardi Cortez. It was a rousing performance showcasing ranges, agility and skill, and the audience went straight to the cross on this one.

Kirk Franklin said the show would feature the finalists singing classic tunes from the incomparable Walter Hawkins. And so they began…

Andrea Helms – “Changed”
This is the best I’ve heard her all season– it was tasteful and controlled, backed by her signature passion. I agree with Donnie on this one– glad Andrea didn’t try to recreate a Tramaine Hawkins moment. I wanted a bit more vocal styling at the end (it got a bit wordy with ad libs that, while passionate, were a lot to follow at times), but it was a solid performance.

Amber Bullock – “Thank You”
At first, I heard the acoustic vibe and I thought “nooooo,” but when I heard the beat come in, I thought “yeaaaaah!” I do agree with the judges that she added a bit too much riffing and movement, and didn’t stay true to the simple complexity of the song, BUT the woman just flat out sang it.

It appears that the Walter Hawkins theme was just for a time, because they moved on to Richard Smallwood and Kurt Carr for round two… I’ll allow it.

Andrea Helms – “I Love The Lord”
I really wanted a fast song from her, but her voice seems to do better on ballads. I echo my season-long issue– passion and purity does not overshadow the need for precision on pitch, a controlled tone and the execution of the runs an artist attempts. Now, I DID enjoy her impromptu worship flow at the end– I think that’s what has sustained her in this competition– but from a technical standpoint, this wasn’t her best.

Amber Bullock – “For Every Mountain”
Kirk was right when he introduced her– “she’s gonna have to sing from the heart” if she wants to win. It began as pensive and trained as she’s been all season, but mid-way through it, the game was OVER. Amber lost herself in every note and word, and we saw a part of her that we haven’t seen all season– passion, conviction, connection with God, then us. I’ve never seen a finalist send the judges IN to wrap up your song.

Richard Smallwood followed with his latest single “Trust Me.” He consistently writes classic tunes– they just come out “classic.” It’s always great to see and hear from him.

Coulda sworn Kierra Sheard was gonna be on the show– they even did a teaser about it– but I guess not. *shrugs*

And that was it, folks!

Check my earlier post for all the details on how to vote for Amber or Andrea. You have until this Saturday at noon Eastern Time, and can vote up to 10 times per voting method.

I pick Amber. What about you???

Is it just me, or don’t we need a major tribute to Walter Hawkins at the Stellar Awards in January 2011?

I’m talkin’ MAAAAJOR… like, get the folks together and start preppin’ and rehearsin’ TOMORRUH.

*shrugs*

My ideal tribute would include Richard Smallwood, Donald Lawrence, Donnie McClurkin, Kevin Bond, The Hawkins Singers… and a few others.

Anyone?  Who would your ideal tribute feature???

Bishop Walter Hawkins, one of the greatest contributors to gospel music to ever live, has passed into his next life in Heaven.

At the age of 61, Bishop Hawkins passed yesterday at his home in Ripon, CA, after a battle with pancreatic cancer. Hawkins, the pastor of Love Center Church, leaves two children to celebrate him– Walter Hawkins, Jr. (aka Jamie Hawkins) and Trystan Hawkins.  His older brother, Edwin Hawkins, shared: “I lost my brother, my pastor, and my best friend. Bishop Hawkins suffered bravely but now he will suffer no more, and he will be greatly missed.”

With an impeccable songwriting ability and a gift to arrange vocals like few others can, the Grammy and Stellar-award winning Hawkins still stands strong as a giant in gospel music. Known for such classic songs as “Changed,” “Be Grateful,” “Goin’ Up Yonder,” “I’m Not the Same,” “Holy One,” and “Jesus Christ Is the Way,” he left an indelible mark on the sound and style of contemporary gospel music.  And introducing us to voices like that of his sister, Lynette Hawkins-Stephens, and his former wife, the incomparable Tramaine Hawkins, Walter Hawkins’ contribution to gospel music is multi-faceted.

He informed us, decades ago, of what an ensemble should sound like. And we now hear it today in the vocal arrangements and styles of gospel greats Donald Lawrence and Richard Smallwood.

He showed us, decades ago, how a man’s voice can soar limitlessly into the stratosphere, and we hear it today in the range, approach and ability of Donnie McClurkin.

Hawkins demonstrated for us, decades ago, how a church choir can record music for the Kingdom, and still be as relevant more than 30 years later. And we see it in the representation of the albums Love Alive I, Love Alive II, Love Alive III, Love Alive IV and Love Alive V. And we would have seen it in Love Alive VI, which was to be recorded live later this year.

I didn’t say anything about it yesterday, not here on the blog, nor on Twitter or Facebook, where comments and questions ran rampant. I guess I couldn’t quite bring myself to confirm it. I wanted so badly for all of us, even those who were with him at the time of his passing, to just be wrong. I wanted the message I got about it to have been a typo, or that the person who told me was simply misinformed, or perhaps joking.

But I knew that it was true. I knew it.

I grew up on the gospel music of two families in my household– the Winans family and the Hawkins family. No one has informed my understanding of gospel music more than Walter Hawkins. No one can be credited with sparking my passion for the gospel industry more than Walter Hawkins. No one’s music is as classic, as memorable, as timeless in my own life as the music of Walter Hawkins.

How can a man that I’ve spoken with only once have been used by God to contribute so greatly to the course and direction of my life? I know where he is, and that it’s better than being around here. I, admit, though, that I selfishly want him here. I want more– more music from him, and more community with him.

And then, I have to remind myself that the music will be even better later. Fellowship and community with him will be infinitely greater, later. And so, I’ll wait.

In the meantime, I’ll miss him here. I’ll miss impomptu performances by him at various musical events across the country. I’ll miss knowing he’s just over in Oakland whenever someone sings a Hawkins tune (because forever, they will be sung). I’ll miss looking forward to his next album.

All week, I’ll be posting videos of Walter Hawkins, perhaps some random thoughts and facts about him and/or the songs that he wrote. I don’t know how I’ll decide what to post– so much of what he did meant so much to me. But stick around here, if you want, and celebrate his incredible life and legacy with me.

Oh my!

I remember when this live performance of MC Hammer’s hit “Do Not Pass Me By” came on television in 1992– it was MAJOR in my house because Tramaine Hawkins was being given significant mainstream attention on the American Music Awards.

Now, I look at it and I’m like “WHAT THE WORLD?!” LOL

The significance of it is still great– at the height of his success, MC Hammer had two singles with a gospel message– “Pray” and “Do Not Pass Me By.”  The latter featured the legendary Tramaine Hawkins on the hook. That’s huge.

But this here choreography nearly took me out this morning!

Check it out (apologies in advance for the poor video quality in the beginning… it clears up early on, I promise)–

Who remembers that?! And by the way, is it just me, or is the arrangement STILL hot to this day?! Woww….

I enjoyed Troy Lilly’s Sunday Best recap so much last week, I figured… let’s give it another go!

So, without any delay, here’s our new BFF Troy…

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And then there were five.  Last night on Sunday Best, two more contestants went home, leaving behind season three’s Top 5.  But it had to be the toughest elimination call for the judges thus far.  There was not a single “bad” performance, so their decisions really came down to finite observances of the seven performers.

Regular Judge Tina Campbell of duo Mary Mary returned this week, while Kim Burrell continued to provide pre-performance mentoring behind the scenes.  R&B vocalist Chrisette Michele was the show’s opener, to the surprise of virtually everyone.  Singing Donnie McClurkin’s “Stand,” she put a unique supper club-like spin on the hit.

The focus for the evening was particularly on vocals.  Kirk Franklin announced that night’s theme was “One Mic,” meaning musical accompaniments would be scaled back to emphasize each contestant’s voice.  Here’s the rundown:

Dathan Thigpen – “Friend of God”
During the mentor moment with Kim Burrell, we saw her encourage Dathan to embrace his “performer” side in addition to his “worship” side.  He seemed to explore the stage more than before, but not at the sacrifice of his signature vocals.  He sounded great as usual.  The judges, however, were split.  I’m not sure the upbeat number was the best fit for an evening of more intimate – unplugged if you will – performances.

Tiffany Carlin-Laird – “Goin’ Up Yonder”
Although she sang second, Tiffany really set the tone for the night with her slow simmering delivery of another song made famous by Tramaine Hawkins.  She showed great skill by harnessing her powerhouse voice with precision.  There were opportunities for her to revert to screaming, but she maintained a beautiful tone that showed her versatility.  I absolutely loved it.  The judges did, too.

Durward Davis – “Lean on Me”
Durward pretty much pulled a Tiffany on us.  He guided the audience through the poignant lyrics of Kirk Franklin’s song with a conviction that we saw on his face and heard in his voice.  He also demonstrated precise vocal ability, giving just enough without launching into growl mode.  He’s clearly a seasoned singer knows how minister.  Tina was very concise in her critique and used the word “perfection” to describe his performance.  Kirk said Durward made him want to rewrite the song.

Martha Buries – “Holy, Holy, Holy”

A week after returning to Sunday Best as the wildcard contestant, Martha showed she’s here to stay.  The chopped-and-screwed arrangement of the traditional hymn was risky, but Martha didn’t hold back.  I love that she showed the velvety side of her voice without abandoning her style as a singer.  She was yet another contestant who got the most of her voice by caressing the notes instead of attacking them.  One other observation: it is just me, or does she have a look of sheer terror in her eyes at times?  Homegirl is doing a great job.  Just hope she knows it.

Brian Smith – “Lord I Lift Your Name on High”
I must say that Brian has one of the best voices this season.  And his styling is so unique… kind of contemporary and soulful at the same time.  However, he really needed to knock the judges socks off tonight.  He didn’t really do that until the very end of his song.  Man, Brian is probably the most likeable contestant on the show.  He’s so humble and receptive to all the advice he’s gotten.  At this point, though, I feel the other singers could be performing professionally tomorrow and have eclipsed him.  He still has a bit of artistic growth to do.

LeAndria Johnson – “Endow Me”
The folks at Sunday Best read my mind. I was longing for a Clark Sisters song, and who better to channel all four sisters than LeAndria?  She didn’t tone down her voice at all, but gave me a little Karen, Dorinda and Twinkie in less than two minutes.  She nailed the Karen-like runs, Dorinda’s smoky scat, and belted out Twinkie’s growl in one breath.  This girl can sing an-y-thing.  She received and deserved a standing ovation.  The applause also gave her time to collect herself because she looked like she was about to dance.  Whew.

Elder Goldwire McLendon – “How Great Thou Art”
At age 79, Elder McLendon is as smooth as they come.  He again showed that he’s just a great singer.  I’m impressed by the sound of his voice alone, which made “How Great Thou Art” sound almost operatic.  Then he sealed his fate for sure by ending the song with a sustained note that was simply amazing.  His competition is praying they sound this good in thirty or forty years.  The judges couldn’t help but admire his craft.  Tina said his vocal ability was bananas.

The judges had to make some very difficult eliminations tonight. I personally didn’t want to see anyone go, but I was pretty confident I knew who was going.

So here’s the Top 5:

Tiffany Carlin-Laird
Durward Davis
Martha Buries
LeAndria Johnson
Elder Goldwire McLendon

As for Dathan and Brian, both guys have a future in gospel music.  I’m sure we’ll be hearing from them soon.  But, I also understand why they were eliminated at this stage in the show.

What are you thoughts, people?  Wasn’t this an amazing show?

I’ve been traveling this weekend, so I enlisted the help of one of GospelPundit.com’s newest guest contributors for this week’s recap– Troy Lilly.  You remember Troy’s great work from his recap of Jason Nelson’s live recording a few weeks ago.  Well, he’s back with his perspective on last night’s episode of Sunday Best on BET.  I think it’s both thoughtful and thorough– I feel like I watched it already!  Check it out…

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This week ‘s episode of Sunday Best was extra special for two reasons – a wildcard contestant who was sent home last week got a second chance to shine. And the incomparable Kim Burrell dropped in as a guest judge alongside Donnie McClurkin and Yolanda Adams!

So, I was expecting a pretty memorable show.

But when J Moss hit the stage to open the show singing “We Must Praise,” the first single from his 2004 debut album, it seemed Sunday Best had pulled another “throwback” performance out of the hat. Fret not, though, because he quickly snapped back to 2010 with a powerful performance of his latest hit, “Rebuild.” The lyrics in the song are already powerful, but he really sang them – dare I say he was squalling at the end.

The bar was clearly raised for the 10 remaining contestants and there was added pressure since each singer got to choose their song, too. By the end of the night the true artists would stand apart from the rest of the pack.

Brian Smith – “I Won’t Complain”
Dubbed by the Sunday Best judges as Mr. Bowtie, Brian kicked things off with a mid-tempo rendition of the song. The arrangement was refreshing and allowed him to find his sweet spot vocally and command the stage a bit more. Judges agreed and enjoyed his performance and his nice “spirit.”

Orlando Wright – “Can’t Nobody Do Me Like Jesus”
There were signs of trouble with Orlando’s voice in the rehearsal footage. In my opinion, not much changed in his actual performance. He struggled to plant his voice in the melody and sufficed to improvise with plenty of questionable phrasing choices. The judges’ critiques were mostly succinct and vague. ? Hmm…

AND NOW FOR THE WILDCARD contestant…

Martha Buries – “Change”
Martha deserves to be back and she proved it by giving Tramaine Hawkins a run for her money on this traditional rendition of “Change.” In fact, her jazzy chops reminded me a lot of contestant Jessica Reedy from last season. I want to see her move ahead and Yolanda noted, “I knew God wasn’t through with you!” Definitely not.

Franklin Davis IV – “Savior More Than Life to Me”
No one was more disappointed in Franklin’s performance than he was. For all the flair he brings to the stage he wasn’t very sure this time around. Maybe he got nervous singing Kirk’s song in front of him, but then again, he picked it. He’s got the range but didn’t believe what he was singing. Before the judges said a word he was hanging his head.

Dathan Thigpen – “Speak to My Heart”
For Dathan, his song choice – a Donnie McClurkin classic – was a perfect choice. He literally tore it up, especially when he jumped from the bridge to the vamp. That big jump was make or break and Donnie applauded him for pulling it off. Yolanda called him “phenomenal” and Kim said he “exceptionally sang.”

Tawanna Tarvin – “Now Behold The Lamb”
Was Kirk song #2 the charm? Well let’s say it started very strong…maybe a little too strong. Tawanna has quite a range, and she started the song in the rafters and never came down. Her upper register was hurting a bit by the end. But there’s still no doubt she can rip a song apart, she just has to take her time doing it.

Durward Davis – “That’s When You Blessed Me”
Durward took on a big L.A. Mass Choir song, and with amazing background vocalists, he pulled that thing off up in Sunday Best time – and he was so sincere. Tears were welled in his eyes the entire time. Kudos to him for “doing just what he said,” as Kim put it.

LeAndria Johnson – “He Was There All the Time”
Singing a “testimony” song, LeAndria was true to form, which is to say flawless. From beginning to end she delivered. At this point, she’s the one contestant I would say is ready to launch. Stage presence, vocal control and dynamism and anointing. She’s the full package.

David Wilford – “Great is Thy Faithfulness”
David is a very cool dude. And that’s exactly what came across in his performance. To be honest, he kind of had a duet with the saxophone and the arrangement was very mellow, almost soothing. David crooned without missing a note. Somehow I feel he failed to grab the attention of the audience or the judges. It was certainly a safe performance. Sadly, it may have been a forgettable one as well.

Tiffany Carlin-Laird – “I Need Thee”
The judges told her she needed to own the stage and Tiffany ran with their advice. She tackled the traditional hymn with fervor, showing she could be soft and still pack a nice growl, too. I hope she continues to mature and grow comfortable with her gift.

Elder Goldwire McLendon – “Yes, Jesus Loves Me”
When I watch Elder McLendon all I can think is “oil”. There is oil all over him. Even before he opened his mouth to sing, he ushered in the Presence of God. We already know he can sing in the purest sense of the word, so what’s more intriguing is the way his singing changes the atmosphere. The audience (and judges) couldn’t contain the power that followed Elder McLendon’s performance. He literally shouted off the stage.

But in the end, only 7 contestants remained.
The Top 7:
Brian Smith
LeAndria Johnson
Elder Goldwire McLendon
Martha Buries (Wildcard)
Tiffany Carlin-Laird
Dathan Thigpen
Durward Davis

For once I agree totally with the cuts from the lineup. The remaining contestants have a certain degree of artistry. They are no longer just singing songs, but they have a unique style and approach to singing that is distinguishable. A few can still benefit from the professional mentoring. For the most part, though, they’ve got “it.”

By the way, this episode got me thinking: I would love for Kim Burrell to open the show at least once before the season is over.

Now what did you really think?

*     *     *

Well, shooooooooot… I guess I’ll start by saying I think that’s a dope recap!

Then, I’ll add that I am quite pleased with the top 7– these would probably have been my choices, too, even from the week before.  I would have loved to see David Wilford progress through the competition a bit more, but I’ll have to see the performance footage from last night.

So, like Troy asked, what did you really think?

Immediately following the taping of the 25th Annual Stellar Awards, social networking sites were flooded with praises, lauding THIS show as the best Stellar Awards EVER.  And I agree.

I’ve attended numerous times and I’ve watched the show since I was kid growing up in Chicago– the performances on this show were innovative and you’ll be hard-pressed to find more memorable and captivating performances right now.

!!!SPOILER ALERT!!!

During the taping, I sent tweets via Twitter about who was on stage, but intentionally left off the songs that were being performed.  Here, I’m recapping the ENTIRE taping, so if you wanna leave anything to your imagination, don’t read any further.

If you wanna know the juicy details, do proceed…

As you probably know, the show was hosted by Donnie McClurkin, Vickie Winans and Kirk Franklin.  They did a great job, especially Vickie, who served as comic relief for much of the night.  There was no hype man between set changes this year, so we could’ve gotten really restless but for Vickie’s jokes about herself.

For the first time, the Stellar Awards featured a live house band, which was led by producer Percy Bady.  This made a WORLD of difference because the sound was tighter than ever, the performances came to life, and we weren’t bound by the restrictions of each artist’s performance track.  EXCELLENT decision.

If you follow my tweets, you know that I said that the theme for this year’s show would be COLLABORATIONS.  Almost all of the performances on the show are medleys between artists that have made significant contributions to gospel music over the past 25 years.  The others were performances from artists that left a great impression on the industry in the past year.

The show opened with a collabo between Ricky Dillard & New G and Hezekiah Walker & LFC.  If you love choirs, you’ll get a glimpse of Heaven within the first coupla minutes of the program!

Ricky Dillard & New G performed “Search Me” before transitioning into the classic vamp of “More Abundantly”… you know, the part where the sopranos, altos and tenors break down into parts, singing “JOYYYYY!”  During this time, the Love Fellowship Choir had joined them on stage, just in time for Bishop Hezekiah Walker to lead them in their hits “I Need You To Survive” and “Souled Out.”  It was electrifying.

The next performances came from the legendary Vanessa Bell Armstrong, performing her hit single “Good News.”  She looked incredible and sounded even better.

In a traditional female vocalist collaboration, we were super blessed to witness Lady Tramaine Hawkins sing “Changed” (it doesn’t matter how many years have passed– her voice DOES NOT CHANGE) before Dottie Peoples came on stage to sing “On Time God” like you wouldn’t believe.  As if that wasn’t enough, Pastor Shirley Caesar came to the stage to tell us about ol’ Shoutin’ John in “Hold My Mule”  Y’all remember that song?!  It was a classic performance.

The next collabo came from Richard Smallwood and Smokie Norful.  This was absolutely one of the best performances.  Fortunately, I had seen it during some rehearsals, because I could’ve missed the whole thing.  An usher at the Grand Ole Opry House used this time to SCREAM in my area, talkin’ about “are there any SEAT FILLERS over here?!”  Fortunately, my wife told her to “shhhhh!!!” and we still caught some of it.  Don’t mess with Janice Gaines, y’hear?

Picture it– Smallwood and Norful, both in tuxedos (with tails), each at a black grand piano, tickling the ivories like nobody’s business.  Richard Smallwood started by playing Smokie’s “I Need You Now,” then Smokie followed by playing Richard’s “Center Of My Joy.”  Smokie then played and sang “Dear God” (from his latest project) and Richard Smallwood capped the performance off with his classic anthem, “Total Praise.”

New Artist Of The Year Crystal Aikin came to the stage next with her hit single “I Desire More,” and left the entire room desiring more… I could’ve heard her on that vamp all day.  Her voice soars, effortlessly, and she’s got such control and sincerity… a true treasure.

Another stand-out performance came from our favorite bro & sis– BeBe & CeCe Winans, singing their latest single “Grace.”  They looked like a million bucks and they sounded like they never took a 15-year break.  They’re just pros who don’t miss a beat.

Up next was another classic performance– Kirk Franklin performed with his singers– new and old– a medley of his greatest hits, including “Silver & Gold,” “Why We Sing,” and a bunch of others I’m forgetting.  The best part of the performance was probably when Tamela Mann and Dalon Collins joined them to sing “Now Behold The Lamb.”  That auditorium went UP and IN.  CLASSIC!

Up next was the popular single “I Trust You” from James Fortune & FIYA.  They gave a great performance and reminded everyone why he had such great success at radio– it’s a singable anthem that encourages souls… great stuff.

The next performance is one that you’d BETTER watch for on the broadcast.  Don’t take bathroom breaks even remotely close to this segment.  I’m talking about the all-male vocalist collaboration between Donnie McClurkin, Byron Cage and Marvin Sapp.  There are hardly words to describe it.  The song list was great–  ”Never Would Have Made It,” “The Presence Of The Lord Is Here,” “Faithful To Believe,” “Marvelous” (by Walter Hawkins), and “Stand.”

Each of the three guys took turns singing on “Never Would Have Made It” and “Stand.”  By the end of their set, the ENTIRE room was on its feet worshipping.  They came back in on “Stand” and the taping had to take a break.  I’ve NEVER heard Byron Cage sing the way he did, Donnie’s range was limitless and powerful (as always) and Marvin Sapp was simply incredible.

At this point, Kirk came out and shared some of what’s been on his heart.  One thing that stood out was a quick phrase he gave– “IN ADVANCE.”  He shared that, as we sleep, as we doubt, while we’re not knowing what is going to happen, GOD has thoughtfully already worked everything out for us, in advance.  Our response to THAT should be that we praise Him, in advance.  It was a very powerful moment– I know I’m not typing it well enough to convey that, but… you’re gonna have to trust me.

The fire was kept burning by the next performance, which came from Israel Houghton and Mary Mary.  Israel performed via satellite from London, while Erica & Tina Campbell looked and sounded great on stage as they sang the Grammy-nominated “Every Prayer.”  I loved the concept of it and the execution.  Great job.

The finale of the show came sooner than I had prepared for– I guess I wanted to go until midnight or something– but when it came, it was great.

Donald Lawrence & The Co. (and you guys KNOW I love me some Co.!) sang “Back II Eden” with the Atlanta West Pentecostal Church Choir, winners of How Sweet The Sound (HSTS), behind them.  It was a great concept to include the choir because HSTS was such a great and popular part of the gospel industry this year.  And when Floyd Wilkinson came up to do his vamp… I’m sayin’… I could listen to that vamp 10 times in a row and never got tired of it.

What I think you WON’T see on camera is Vickie Winans clownin’… she won Female Vocalist Of The Year and the award was presented by Shirley Caesar, Dorothy Norwood and Albertina Walker.  When she won, she was so overwhelmed and blown away that she went to the podium and said to Albertina (who sat with an oxygen tank next to her), “girl, gimme some of this [oxygen].”  I NEED them to not edit that out! LOL

Also, you probably won’t see Tina Campbell with her gorgeous new lil’ baby, TJ.  She walked to her seat with him at one point, and the whole audience awww’ed and oooo’ed cuz it was just priceless.

Even without those moments, you’re gonna get all the rest… and that’ll be one of the best set of televised gospel performances you’ve ever witnessed.

I commend Don Jackson, Central City Productions, Barbara Wilson, and the entire Stellar Awards production crew for an incredible show– definitely my favorite over the past decade, and probably EVER.  Elegant, professional, classic… it was more than just a celebration of 25 years of the Stellars… it was a celebration of gospel music.  Perfect!

Soooooooooooo… sound good to anyone else?  Anyone attend and wanna chime in?  Did I miss anything???

In the gospel music industry, collaborations are BIG.  You wanna create a crazy buzz about your project before it hits the stores?  Tell folks you’ve got an exciting collabo on it.  You wanna kick up your television performance a notch?  Perform a collabo.

This year was a great year for collaborative work.  But I’ve decided to narrow the list down to my 5 favorite collabos.  In order, they are:

5.  “You Bring Out The Best In Me” – Vanessa Bell Armstrong feat. Rance Allen (from Vanessa Bell Armstrong’s The Experience)

When Vanessa Bell Armstrong decided to remake her own 80′s hit on her latest album, she prolly could’ve just done it herself and knocked it out of the ballpark.  But she’s a kind and gracious woman, apparently, because she gave us the gift of some classic Rance Allen moaning and groaning that took this live performance to a whole… ‘notha… level.  Their two voices grooving over some Donald Lawrence-produced background vocals– you kinda don’t want the track to end.

4.  “The Joy Of The Lord” – Coko feat. Israel Houghton (from Coko’s The Winner In Me)

Coko is a masterful collaborator in gospel.  It’s like she reads our minds and gives the mic to the VERY folks we’re aching to hear.  On her debut album, she featured everyone from Faith Evans to her mama (Lady Tibba).  This time around, she kept her mama, plus grabbed Kelly Price and Canton Jones.  My fave collabo on the album, though (and, thus, one of my faves of the entire year), was with Israel.  It’s a feel-good track with great vocal performances from both of ‘em… a true treat.

3.  “Available To You” – Melinda Watts feat. J Moss (from Melinda Watts’ People Get Ready)

After a much buzzed-about debut album, Melinda Watts entered the gospel scene with a project that had a little something for everyone.  Perhaps one of her strongest tracks was this duet with J Moss.  Kudos for taking a song that is performed too much at midnight musicals and making it fresh for us again, and double kudos for enlisting the vocal assistance (not that Melinda was at all in need) of one of the best male vocalists in the game.

2.  ”Every Prayer” – Israel Houghton feat. Mary Mary (from Israel Houghton’s The Power Of One)

When I saw that the Marys did a song with Israel, the last thing I thought I’d hear was a jazzy contemporary gospel track.  But they mastered the performance like the pros that they are and it quickly became one of my favorite songs on his album, if not of the entire year.  And there’s a GRAMMY nod to show for it.

1.  “Wait On The Lord” Donnie McClurkin feat. Karen Clark Sheard (from Donnie McClurkin’s We All Are One)

I hear that Karen Clark Sheard wasn’t actually the original choice for this song– it was gonna be Tramaine Hawkins.  That, too, would’ve been an incredible performance, but God does all things well and He knew that this duet was gonna dominate the charts and our iPods.  On this song, Donnie stays true to his strengths– his a classic vocalist who can render a soaring ballad like few others– while Karen gives, arguably, one of her greatest performances in years.

Which collabos were among YOUR faves this year???

The list of artists who will perform at the 25th Annual Stellar Awards has been released:

Mary Mary
Byron Cage
Dottie Peoples
Hezekiah Walker
Shirley Caesar
Ricky Dillard & New G
Tramaine Hawkins
Richard Smallwood
Crystal Aikin
Smokie Norful
Vanessa Bell Armstrong
Edwin Hawkins
BeBe & CeCe Winans
Jonathan Slocumb
Israel Houghton
James Fortune
Walter Hawkins

For some reason, the list doesn’t mention Donald Lawrence, but it was announced elsewhere that he will be performing with the Atlanta West Pentecostal Church Choir (winner of this year’s How Sweet The Sound competition).

Should be interesting performances– glad to see some new folks on the show, like James Fortune and Crystal Aikin, as well as some faves that don’t always perform, like Tramaine Hawkins and Hezekiah Walker.

At the fear of sounding redundant, I would love to see Kierra Sheard SOMEWHERE on SOMEBODY’S show… she’s nominated for several awards, including ARTIST OF THE YEAR, for cryin’ out loud.  She can’t get a performance slot?!

As an aside– it’s interesting that, despite the fact that so many indie artists proudly let us know that they “took the ballot by storm” this year, not one of them was given a performance opportunity…

What do you guys think of the line-up?

Gospel pioneer and legend Albertina Walker is celebrating her 80th birthday with two days full of events.

The Albertina Walker Scholarship Foundation is hosting an event in her honor tomorrow, August 29th at Chicago’s Hyatt Regency hotel.  Special guests will include Yolanda Adams, Tramaine Hawkins, The Caravans and more.

Then, on Monday, August 31st, a second celebration concert is scheduled in her honor, featuring Shirley Caesar, Donnie McClurkin, the Clark Sisters, Ricky Dillard & New G and MORE.

WHAT?!  *goin’ to Travelocity to find a last minute fare to Chicago*

That’s an awesome celebration.  Happy BDay to the Queen of Gospel!

For more info, go to http://www.AlbertinaWalker.com!