In a couple of weeks, Dr. Teresa Hairston (Gospel Today) will be hosting her annual Gospel Heritage Praise & Worship Conference in Jacksonville, FL.  It’s gonna be a two-day event that you do NOT wanna miss, featuring worship services, musical offerings, workshops and panels that’ll inspire, encourage and equip you.

Check out the flyers below to see just a SAMPLE of some of the folks participating– from Donnie McClurkin, Hezekiah Walker and Kirk Franklin to Vanessa Bell Armstrong, Jonathan Nelson and Paul Morton… on and on and on.

During the conference, I’ll be speaking on two panels geared toward young adults (peep my lil’ photo on the second flyer, top right… LOL).  One panel discussion will focus on what the “new” music industry looks like, the other talks about careers opps in that new music industry.  My panel peers will include some of the best and brightest in the gospel game and I’m excited to be a part of it.

Anyone ever attended one of the annual conferences?  Anyone planning to attend THIS one?  Talk to me!

Who caught Bobby Jones Gospel on BET yesterday?  It featured some INCREDIBLE performances from Vanessa Bell Armstrong, Darwin Hobbs and LeJeune Thompson.

Vanessa performed her hit single, “Good News,” and the classic and TIMELESS “Peace Be Still.”  In my humble musical opinion, the choir behind her didn’t quite know some of the nuances of their part, but the performance was still awesome.

Darwin Hobbs is just a worshipper, plain and simple.  He is a great performer because he offers the audience a personal encounter with God, in that moment, every time.  He performed “We Worship You Today” and did a great job with it.  For his second go’ round, Darwin sang the hit “He’s Able,” which has been, like… the rock worship ballad for the past year.  Deitrick Haddon wrote QUITE an anthem with that song– it’s awesome.

Aaand, LeJeune.  My, oh my.  LeJeune Thompson is one of the most underrated female vocalists in gospel and I don’t quite know why.  In any event, she sang “Lost Without You,” from her 2008 sophomore release, Metamorphosis.  It’s a mellow cut laced with incredible vocals… great job.

Who else saw it yesterday?  What was your favorite performance of the episode?

Immediately following the taping of the 25th Annual Stellar Awards, social networking sites were flooded with praises, lauding THIS show as the best Stellar Awards EVER.  And I agree.

I’ve attended numerous times and I’ve watched the show since I was kid growing up in Chicago– the performances on this show were innovative and you’ll be hard-pressed to find more memorable and captivating performances right now.

!!!SPOILER ALERT!!!

During the taping, I sent tweets via Twitter about who was on stage, but intentionally left off the songs that were being performed.  Here, I’m recapping the ENTIRE taping, so if you wanna leave anything to your imagination, don’t read any further.

If you wanna know the juicy details, do proceed…

As you probably know, the show was hosted by Donnie McClurkin, Vickie Winans and Kirk Franklin.  They did a great job, especially Vickie, who served as comic relief for much of the night.  There was no hype man between set changes this year, so we could’ve gotten really restless but for Vickie’s jokes about herself.

For the first time, the Stellar Awards featured a live house band, which was led by producer Percy Bady.  This made a WORLD of difference because the sound was tighter than ever, the performances came to life, and we weren’t bound by the restrictions of each artist’s performance track.  EXCELLENT decision.

If you follow my tweets, you know that I said that the theme for this year’s show would be COLLABORATIONS.  Almost all of the performances on the show are medleys between artists that have made significant contributions to gospel music over the past 25 years.  The others were performances from artists that left a great impression on the industry in the past year.

The show opened with a collabo between Ricky Dillard & New G and Hezekiah Walker & LFC.  If you love choirs, you’ll get a glimpse of Heaven within the first coupla minutes of the program!

Ricky Dillard & New G performed “Search Me” before transitioning into the classic vamp of “More Abundantly”… you know, the part where the sopranos, altos and tenors break down into parts, singing “JOYYYYY!”  During this time, the Love Fellowship Choir had joined them on stage, just in time for Bishop Hezekiah Walker to lead them in their hits “I Need You To Survive” and “Souled Out.”  It was electrifying.

The next performances came from the legendary Vanessa Bell Armstrong, performing her hit single “Good News.”  She looked incredible and sounded even better.

In a traditional female vocalist collaboration, we were super blessed to witness Lady Tramaine Hawkins sing “Changed” (it doesn’t matter how many years have passed– her voice DOES NOT CHANGE) before Dottie Peoples came on stage to sing “On Time God” like you wouldn’t believe.  As if that wasn’t enough, Pastor Shirley Caesar came to the stage to tell us about ol’ Shoutin’ John in “Hold My Mule”  Y’all remember that song?!  It was a classic performance.

The next collabo came from Richard Smallwood and Smokie Norful.  This was absolutely one of the best performances.  Fortunately, I had seen it during some rehearsals, because I could’ve missed the whole thing.  An usher at the Grand Ole Opry House used this time to SCREAM in my area, talkin’ about “are there any SEAT FILLERS over here?!”  Fortunately, my wife told her to “shhhhh!!!” and we still caught some of it.  Don’t mess with Janice Gaines, y’hear?

Picture it– Smallwood and Norful, both in tuxedos (with tails), each at a black grand piano, tickling the ivories like nobody’s business.  Richard Smallwood started by playing Smokie’s “I Need You Now,” then Smokie followed by playing Richard’s “Center Of My Joy.”  Smokie then played and sang “Dear God” (from his latest project) and Richard Smallwood capped the performance off with his classic anthem, “Total Praise.”

New Artist Of The Year Crystal Aikin came to the stage next with her hit single “I Desire More,” and left the entire room desiring more… I could’ve heard her on that vamp all day.  Her voice soars, effortlessly, and she’s got such control and sincerity… a true treasure.

Another stand-out performance came from our favorite bro & sis– BeBe & CeCe Winans, singing their latest single “Grace.”  They looked like a million bucks and they sounded like they never took a 15-year break.  They’re just pros who don’t miss a beat.

Up next was another classic performance– Kirk Franklin performed with his singers– new and old– a medley of his greatest hits, including “Silver & Gold,” “Why We Sing,” and a bunch of others I’m forgetting.  The best part of the performance was probably when Tamela Mann and Dalon Collins joined them to sing “Now Behold The Lamb.”  That auditorium went UP and IN.  CLASSIC!

Up next was the popular single “I Trust You” from James Fortune & FIYA.  They gave a great performance and reminded everyone why he had such great success at radio– it’s a singable anthem that encourages souls… great stuff.

The next performance is one that you’d BETTER watch for on the broadcast.  Don’t take bathroom breaks even remotely close to this segment.  I’m talking about the all-male vocalist collaboration between Donnie McClurkin, Byron Cage and Marvin Sapp.  There are hardly words to describe it.  The song list was great–  ”Never Would Have Made It,” “The Presence Of The Lord Is Here,” “Faithful To Believe,” “Marvelous” (by Walter Hawkins), and “Stand.”

Each of the three guys took turns singing on “Never Would Have Made It” and “Stand.”  By the end of their set, the ENTIRE room was on its feet worshipping.  They came back in on “Stand” and the taping had to take a break.  I’ve NEVER heard Byron Cage sing the way he did, Donnie’s range was limitless and powerful (as always) and Marvin Sapp was simply incredible.

At this point, Kirk came out and shared some of what’s been on his heart.  One thing that stood out was a quick phrase he gave– “IN ADVANCE.”  He shared that, as we sleep, as we doubt, while we’re not knowing what is going to happen, GOD has thoughtfully already worked everything out for us, in advance.  Our response to THAT should be that we praise Him, in advance.  It was a very powerful moment– I know I’m not typing it well enough to convey that, but… you’re gonna have to trust me.

The fire was kept burning by the next performance, which came from Israel Houghton and Mary Mary.  Israel performed via satellite from London, while Erica & Tina Campbell looked and sounded great on stage as they sang the Grammy-nominated “Every Prayer.”  I loved the concept of it and the execution.  Great job.

The finale of the show came sooner than I had prepared for– I guess I wanted to go until midnight or something– but when it came, it was great.

Donald Lawrence & The Co. (and you guys KNOW I love me some Co.!) sang “Back II Eden” with the Atlanta West Pentecostal Church Choir, winners of How Sweet The Sound (HSTS), behind them.  It was a great concept to include the choir because HSTS was such a great and popular part of the gospel industry this year.  And when Floyd Wilkinson came up to do his vamp… I’m sayin’… I could listen to that vamp 10 times in a row and never got tired of it.

What I think you WON’T see on camera is Vickie Winans clownin’… she won Female Vocalist Of The Year and the award was presented by Shirley Caesar, Dorothy Norwood and Albertina Walker.  When she won, she was so overwhelmed and blown away that she went to the podium and said to Albertina (who sat with an oxygen tank next to her), “girl, gimme some of this [oxygen].”  I NEED them to not edit that out! LOL

Also, you probably won’t see Tina Campbell with her gorgeous new lil’ baby, TJ.  She walked to her seat with him at one point, and the whole audience awww’ed and oooo’ed cuz it was just priceless.

Even without those moments, you’re gonna get all the rest… and that’ll be one of the best set of televised gospel performances you’ve ever witnessed.

I commend Don Jackson, Central City Productions, Barbara Wilson, and the entire Stellar Awards production crew for an incredible show– definitely my favorite over the past decade, and probably EVER.  Elegant, professional, classic… it was more than just a celebration of 25 years of the Stellars… it was a celebration of gospel music.  Perfect!

Soooooooooooo… sound good to anyone else?  Anyone attend and wanna chime in?  Did I miss anything???

In the gospel music industry, collaborations are BIG.  You wanna create a crazy buzz about your project before it hits the stores?  Tell folks you’ve got an exciting collabo on it.  You wanna kick up your television performance a notch?  Perform a collabo.

This year was a great year for collaborative work.  But I’ve decided to narrow the list down to my 5 favorite collabos.  In order, they are:

5.  “You Bring Out The Best In Me” - Vanessa Bell Armstrong feat. Rance Allen (from Vanessa Bell Armstrong’s The Experience)

When Vanessa Bell Armstrong decided to remake her own 80’s hit on her latest album, she prolly could’ve just done it herself and knocked it out of the ballpark.  But she’s a kind and gracious woman, apparently, because she gave us the gift of some classic Rance Allen moaning and groaning that took this live performance to a whole… ‘notha… level.  Their two voices grooving over some Donald Lawrence-produced background vocals– you kinda don’t want the track to end.

4.  “The Joy Of The Lord” - Coko feat. Israel Houghton (from Coko’s The Winner In Me)

Coko is a masterful collaborator in gospel.  It’s like she reads our minds and gives the mic to the VERY folks we’re aching to hear.  On her debut album, she featured everyone from Faith Evans to her mama (Lady Tibba).  This time around, she kept her mama, plus grabbed Kelly Price and Canton Jones.  My fave collabo on the album, though (and, thus, one of my faves of the entire year), was with Israel.  It’s a feel-good track with great vocal performances from both of ‘em… a true treat.

3.  “Available To You” - Melinda Watts feat. J Moss (from Melinda Watts’ People Get Ready)

After a much buzzed-about debut album, Melinda Watts entered the gospel scene with a project that had a little something for everyone.  Perhaps one of her strongest tracks was this duet with J Moss.  Kudos for taking a song that is performed too much at midnight musicals and making it fresh for us again, and double kudos for enlisting the vocal assistance (not that Melinda was at all in need) of one of the best male vocalists in the game.

2.  ”Every Prayer” - Israel Houghton feat. Mary Mary (from Israel Houghton’s The Power Of One)

When I saw that the Marys did a song with Israel, the last thing I thought I’d hear was a jazzy contemporary gospel track.  But they mastered the performance like the pros that they are and it quickly became one of my favorite songs on his album, if not of the entire year.  And there’s a GRAMMY nod to show for it.

1.  “Wait On The Lord” Donnie McClurkin feat. Karen Clark Sheard (from Donnie McClurkin’s We All Are One)

I hear that Karen Clark Sheard wasn’t actually the original choice for this song– it was gonna be Tramaine Hawkins.  That, too, would’ve been an incredible performance, but God does all things well and He knew that this duet was gonna dominate the charts and our iPods.  On this song, Donnie stays true to his strengths– his a classic vocalist who can render a soaring ballad like few others– while Karen gives, arguably, one of her greatest performances in years.

Which collabos were among YOUR faves this year???

The list of artists who will perform at the 25th Annual Stellar Awards has been released:

Mary Mary
Byron Cage
Dottie Peoples
Hezekiah Walker
Shirley Caesar
Ricky Dillard & New G
Tramaine Hawkins
Richard Smallwood
Crystal Aikin
Smokie Norful
Vanessa Bell Armstrong
Edwin Hawkins
BeBe & CeCe Winans
Jonathan Slocumb
Israel Houghton
James Fortune
Walter Hawkins

For some reason, the list doesn’t mention Donald Lawrence, but it was announced elsewhere that he will be performing with the Atlanta West Pentecostal Church Choir (winner of this year’s How Sweet The Sound competition).

Should be interesting performances– glad to see some new folks on the show, like James Fortune and Crystal Aikin, as well as some faves that don’t always perform, like Tramaine Hawkins and Hezekiah Walker.

At the fear of sounding redundant, I would love to see Kierra Sheard SOMEWHERE on SOMEBODY’S show… she’s nominated for several awards, including ARTIST OF THE YEAR, for cryin’ out loud.  She can’t get a performance slot?!

As an aside– it’s interesting that, despite the fact that so many indie artists proudly let us know that they “took the ballot by storm” this year, not one of them was given a performance opportunity…

What do you guys think of the line-up?

In the current music industry climate, it’s refreshing to see artists who have taken the time to actually develop, rather than simply throwing an album into the marketplace.  And, in the gospel industry, I tend to expect that level of commitment to one’s ministry.

With his debut project, Balance, Ted Winn enters the gospel marketplace as a solo artist with grace, purpose, and a sound that is certain– a reflection of his experience in this industry and a decided commitment to God’s timing.

The 11-track musical offering tends to present Winn as more of an ensemble leader than a solo artist (perhaps a la Hawkins or Crouch), but it’s clear that he is, at all times, the captain at the helm of this album’s sound.  Writing on all but one of the tracks (a remake of “Moving Forward” by Israel Houghton & Ricardo Sanchez), Winn demonstrates that he shines as brightly behind the scenes as on stage.

Standout tracks for me include the album opener, “Connected To The Kingdom” and “His Favor,” featuring Vanessa Bell Armstrong, both of which are high-energy tunes with a bit of a throwback vibe to them.  “Reap” and “Trust His Name” are both more mellow grooves that display the vocal agility for which Winn is well-known.

Other gems on the project include the worship track “Oh My Soul,” which is reminiscent of a beautifully penned Richard Smallwood ballad (the song is, in fact, inspired by Smallwood, Winn’s mentor) and “Great Is Our God.”  The latter tune is both catchy (it’s an instant Sunday-morning praise team or choir hit) and cleverly done, in that it features Winn in right company with three of the industry’s other new, premier male vocalists– DeWayne Woods, Jonathan Nelson and Myron Butler.

In short, Ted Winn’s Balance provides just that– a collection of great music able to both nourish and encourage the Body of Christ.  It’s an impressive debut project worth purchasing.

You can click here to check it out.

Mark your calendars and get ready to use your headphones at work. LOL

This Thursday, November 12th, at 3pm ET, Verity Gospel Music Group will stream the Fred Hammond Music Experience on its website, http://www.verityrecords.com.

The Music Experience is the latest installment in the popular Chicago interview/performance series hosted by Dedry Jones (Vanessa Bell Armstrong’s latest album, The Experience, is a recording from the same type of event).

Fred Hammond’s streaming performance will include a chat with Dedry Jones and will feature songs from his latest project, Love Unstoppable, as well as some older tunes like “Blessed” and “This Is The Day.”

BeBe & CeCe Winans have taken a 15-year break and STILL manage to top the charts (pun intended).

Their latest project, Still, has debuted at #1 on Billboard’s Gospel Albums chart and the Christian Albums chart.  The project also debuted at #14 on Billboard’s Top 200 and #4 on the R&B/Hip-Hop chart.  Congrats to you, both!

But they weren’t the only folks debuting in the top 5 this week– urban gospel artist Canton Jones’ newest project, Kingdom Business Part 2, entered the scene at #5.  Congrats to you, too, man!

Vanessa Bell Armstrong ALSO debuted with a strong showing– first-week sales for the legendary vocalist placed her at #11.

Fred Hammond’s Love Unstoppable gets bumped from the top spot to the #2 position, causing Mary Mary and Earnest Pugh to move from #2 and #3 to #3 and #4, respectively.

J Moss’ Just James lands at #6 from last week’s #5 position, while Vickie Winans’ How I Got Over falls from #4 to #10.

Which of these albums are your faves?  Which ones are you still planning to purchase?  Which ones are you passing on?

Talk to me!

If you missed the hit show Praise The Lord on TBN last night, I’m begging you to watch it online today.

This is not to be sensational, nor am I merely writing something so that I can have blog content.  My wife and I just watched the episode on DVR, overcome with emotion and tears THROUGHOUT the one-on-one chat between Pastor Donnie McClurkin and Steve Harvey.  My heart rejoices over Steve Harvey’s life– ALL of it– and I am left speechless by what we witnessed on our television set.  I have never seen anything like it.

I had intended to recap and summarize what Steve said, but I fear that doing so will minimize the value and impact of his words.

I just need you to watch it.  PLEASE watch it.

Click here to view in low video quality, click here for medium video quality, and click here for high quality.

Or, you can visit the TBN archives page at http://tbn.org/watch-us/archives.

The newest project from Vanessa Bell Armstrong is due in stores tomorrow and this time around, the formula seemed destined for success– take one of the cornerstone voices of contemporary gospel music and let one of the most gifted producers in the game work the record.  On The Experience, Armstrong reminds us why she’s a legend and Donald Lawrence again demonstrates that he has the midas touch in this industry.

Musically, this 13-track project moves well– from the jazz-laced traditional tunes to worshipful ballads with the rousing vamps that Armstrong is known for riffing and roaring through.  Lyrically, the songs encourage and reassure– something that the Body seems to need in this season.

For VBA fans, the purchase of this album is a no-brainer– it’s a salute to her signature style and you won’t be disappointed.  For folks who’ve merely heard of her (or perhaps, only know that they’re supposed to appreciate her), check out this project– it provides a nice snapshot of her abilities by way of relevant and timely songs with masterful production.

Stand-out tracks for me: a modernized version of her 1980’s hit, “You Bring Out The Best In Me,” featuring a staggering vocal duet with Rance Allen and background vocals so sweet that you don’t want them to end; “Greater,” an ever-building declaration about the power of God that rests in each of us; “Hand Of The Lord,” a grand track with Donald Lawrence’s signature sound all over it (think of swelling background vocals and a beautiful, yet simple, melody); and “The Greatest Power” an encouraging testament to God’s omnipotence and our the peace that comes from trusting in Him.  Of course, I’m also still enjoying her single, “Good News.”

A part of me wanted to see her venture out more, perhaps to be challenged (musically) by blending her signature style with some new styles of gospel music (maybe a track with a Caribbean twist or something).  At the same time, however, it means more to me that Armstrong has rendered an album that showcases her classic sound without musical missteps.  She stayed in her lane and the project is really good because of it.

Vanessa Bell Armstrong has successfully captured a more-than-impressive live set.  In sum, The Experience is just that… even more, it’s a musical journey worth a purchase.

For your convenience, you can pre-order the project now by clicking here.